38 pages • 1 hour read
Charles SeifeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Key Figures
Themes
Index of Terms
Important Quotes
Essay Topics
Tools
Subsection “The Nutshell Cracked” shows how various individuals integrated zero into Renaissance thought and challenged Aristotelianism. Seife discusses Brunelleschi’s artistic innovation of the vanishing point, Nicholas of Cusa and Giordano Bruno’s speculations that the Earth was not the center of the universe but one of many worlds, Copernicus and Galileo’s propositions of a heliocentric model of the solar system, and Martin Luther’s initiation of the Protestant Reformation. Seife mentions that the Catholic Church responded by doubling down on its doctrines (including Aristotelianism), as illustrated by the foundation of the Jesuit order and the Spanish Inquisition.
“Zero and the Void” shows how the conflict between the old and new views on zero played out in the mind of René Descartes. Descartes’s invention of the coordinate plane placed zero at the center of the number line. However, Descartes’s thoughts about zero were conflicted; the mathematician needed it for his coordinate system, but ultimately, true to his Jesuit training, he denied the existence of the void. However, he argued God’s existence from the idea of infinity. Seife then discusses how Blaise Pascal discovered that the vacuum—the void—does exist, smashing that essential pillar of Aristotelian thinking that Descartes left intact.
“The Divine Wager” elaborates on Pascal’s use of probability theory to promote belief in God. Pascal argued that the expected value of believing in God was infinite and therefore preferable even if the chance of God’s existence was small or even infinitesimal.
“The Infinite Zeros” returns to Zeno’s paradox and expounds on the difficulties and surprises of calculating the sums of infinite series. Kepler and Bonaventura Cavalieri used infinite series of infinitesimal area- and line-values to calculate the volumes and areas of complex shapes—adding infinite zeroes to get answers greater than zero. Mathematicians also approached absurdity in their attempts to determine tangents, which led to dividing zero by zero, a meaningless operation.
“Zero and the Mystical Calculus” tells the stories of how Newton and Leibniz independently discovered calculus. Their discoveries relied on the forbidden operation of dividing by zero, yet they solved many mathematical problems and unlocked new knowledge about how nature works. Seife discusses how L’Hôpital’s rule mitigated but did not resolve the issue of division by zero and reports that George Berkeley rightly concluded that calculus stood on shaky ground—it was not purely logical.
“The End of Mysticism” explains how calculus was revised to eliminate its “dirty tricks,” setting it on a firm logical foundation. D’Alembert’s invention of limits finally brought clarity to the troublesome task of summing infinite series (such as that within Zeno’s paradox) and circumvented the requirement of dividing by zero.
“The Imaginary” explains the discovery of imaginary numbers (numbers arising from the seemingly impossible operation of taking the square root of a negative number) in the solutions for polynomial algebraic equations. Seife tells readers how Descartes and Leibniz reacted to the bizarre concept.
“Point and Counterpoint” recounts how Jean-Victor Poncelet developed projective geometry (which involved projecting geometric shapes into infinity) and how Carl Friedrich Gauss modified Descartes’s coordinate plane by adding imaginary numbers to create the complex plane. Georg Friedrich Bernhard Riemann united these two innovations by imagining the points on the complex plane as projections of points on a translucent sphere resting on the zero of the plane, illuminated at its north pole. Suddenly infinity and zero were merely the north and south poles of the sphere, and mathematicians could explain many operations as alterations to the sphere, reuniting shapes and numbers.
“The Infinite Zero” explores George Cantor’s analyses of infinite sets and his deduction that the infinity of the irrational numbers so exceeds the infinity of the rational numbers that comparatively the latter “take up no space at all” on the number line (156).
These chapters discuss zero’s breakthroughs—how it finally overcame the stronghold of Aristotelianism and how mathematicians finally learned to accommodate it in their systems—and the resulting benefits. Seife outlines the West’s difficult and contentious transition from avoiding the void to realizing that zero, though nothing, is useful for some things. By the end of Chapter 6, Seife grants that the West, conquered by zero, had eventually conquered zero, though this triumph would not last.
With its focus on the West’s discovery of zero’s unexpected utility, this part emphasizes The Revelation of Zero—how accepting zero granted various individuals access to the mysteries of the universe, if at the cost of paradoxes and accusations of heresy. Brunelleschi’s application of the vanishing point (a zero-dimensional point at infinite distance), Pascal’s discovery of the vacuum, the solving of Zeno’s paradox, and the multifaceted invention of the Riemann sphere, which reunited shapes and numbers and revealed The Dualism of Zero and Infinity, are examples. Seife is especially anxious to impress upon readers how integral zero was to the discovery of calculus and how useful calculus was. Seife strongly suggests, partly via his choice of subtitles, that calculus was initially a “mystical” art, bypassing reason by faith because it depended upon the illogical operations of dividing by zero and summing infinite zeros to get a sum greater than zero. He repeatedly states that mathematicians willingly embraced calculus despite its problems because it revealed how nature works. Zero, like an unexpected vision from above, revealed hidden truths despite remaining mysterious itself.
Seife’s expansive definition of zero remains evident in these chapters. The vanishing point, for instance, most commonly features in discussions of art, yet Seife treats it as a manifestation of zero, much as he later will scientific concepts including absolute zero (the lowest temperature), zero-point energy, ground zero (the singularity of a black hole), and zero hour (the instant of the Big Bang). The breadth of Seife’s conception of zero points both to the number’s relationship to infinity—zero seems, paradoxically, to be everything even as it is nothing—and to its centrality to Seife’s thought.
Nevertheless, it’s the zero of mathematics that dominates Seife’s discussion in these chapters. The equations and mathematical constructs in these chapters are the most difficult in the book, so Seife guides readers step by step and includes more graphs to illustrate the abstract concepts. Readers must keep up with the mathematical discussions to appreciate what Seife frames as a crowning achievement: the Riemann sphere, which elegantly and cleverly synthesized many seemingly disparate mathematical ideas.
Seife’s tone also aims to help readers through the subject matter. Though objective and informative in recounting the facts, Seife’s discussion often evinces wonder and curiosity as he explores some of the most esoteric realms of mathematics, where dwell irrational and imaginary numbers, infinitesimals and limits, infinite sums and infinite sets, and even different kinds of infinity. This last point is especially paradoxical; if infinity extends endlessly, it is not immediately obvious how there could be smaller or larger “infinities,” as in the case of Cantor’s sets. This counter-intuitiveness is a property infinity shares with zero, and it is this strangeness rather than the mathematical mechanics that Seife wants readers to walk away with.