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22 pages 44 minutes read

Naguib Mahfouz

Zaabalawi

Fiction | Short Story | Adult | Published in 1961

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Literary Devices

Allegory

A literary allegory is a narrative with a hidden meaning beneath the surface-level action; to interpret it, readers often need to unpack various symbols in the text. In “Zaabalawi,” Mahfouz uses the narrator’s quest for Zaabalawi to explore themes of existentialism and spirituality, with Zaabalawi himself representing a state of ultimate spiritual enlightenment.

Catharsis

Catharsis is a sudden release of emotion that signifies character change or spiritual renewal. In “Zaabalawi,” the narrator’s catharsis comes after experiencing a deep unconscious state during which he is visited by the titular figure (himself a symbol for spiritual awakening). However, the story reexamines the idea that catharsis prompts enduring and lasting change when Zaabalawi disappears before “curing” the narrator. In the final lines of the story, enough time has passed that the narrator briefly loses hope that he will ever meet Zaabalawi again. This uncertain ending confronts the tenuous quality of meaningful and lasting catharsis.

Unreliable Narrator

Although a case can be made that there are no reliable narrators in fiction, an intentionally unreliable narrator is one whose prejudices significantly shape the way they report facts and events. In “Zaabalawi,” the narrator’s naiveté shapes the story, limiting its setting, tone, and even outcome. At the story’s start, the narrator recalls asking his father about Zaabalawi, noting, “He had looked at me hesitantly as though doubting my ability to understand the answer” (1). This is a signal that we are being led by a man who struggles to see clearly. This difficulty persists even after the narrator’s dream; as the story ends, the narrator continues searching for Zaabalawi, still asking the wrong question.

Dialogism

Dialogism is a literary technique reliant on the poststructuralist theory that words have no stable meaning, but only culturally agreed upon values (which are themselves transitory and shifting). By bringing together many dissimilar voices, opinions, or viewpoints, writers can therefore make meaning from their unlikeness. In “Zaabalawi,” the narrator encounters a variety of lawyers, shopkeepers, and city officials, most of whom bear significantly different opinions on Zaabalawi. These conflicting voices create a mosaic of worldviews that the narrator must navigate; the confusion and contradictions disrupt the narrator’s search for knowledge by denying him any stable identifications, definitions, or concrete signifiers. Mahfouz crowds his narrator’s quest with so many would-be teachers that their lessons undermine language itself. By using dialogism, Mahfouz therefore implies that spirituality cannot be described but only experienced, as in the narrator’s dream at Negma Bar.

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