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55 pages 1 hour read

Dustin Thao

You've Reached Sam

Fiction | Novel | YA | Published in 2021

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Chapters 13-16Chapter Summaries & Analyses

Chapter 13 Summary

With the secret out and some of their time given to Mika, Julie and Sam’s calls are shorter with worse reception. They can only talk for about 10 minutes before static takes over, and they must wait days between conversations. Julie blames herself for this change because she forced Sam to talk to Mika. She knows Mika’s uplifted spirit was worth the risk. Mika looks like herself again, and they spend plenty of time together.

Sam warns Julie they may only have a few calls left, which frightens her: “At least I haven’t said goodbye to Sam yet. And as long as I don’t we’ll stay connected, right? [...] I hate imagining my life without him” (153). She is glued to her phone, including when Oliver approaches her at the coffee shop. He talks about graduation, but Julie thinks of all her missed plans with Sam and how Reed College hasn’t responded yet. Oliver is excited that she might stay in the area since he’s attending the local university. She teases Oliver about his new shirt and cologne, and he admits he has a date with Jay.

At the bookstore, Tristan reminds her about the film festival, which is the next day. Tristan explains that he got Julie a wristband for an afterparty too, and the fancy event catches Julie off guard. She believes Tristan thinks it’s a date, which she isn’t ready for. Julie cancels, which hurts Tristan’s feelings.

Julie has been working on finishing Sam’s songs to leave his legacy behind. She sings him the song. Sam praises her “meaningful” lyrics, and Julie thinks they can send it to a radio station. Sam doesn’t want her to waste time on songs because he’s accepted that it’s too late for him. He insists that Julie needs to focus on her life. She argues that she thinks about her writing and own goals too. When she catches him up about Tristan, Sam encourages her to go, since it’s just a friend’s event. He worries that Julie isn’t moving on, though she argues she can say goodbye whenever; Sam says, “Then say it now,” and Julie can’t (162). They end their fight with Julie agreeing to go. She texts Tristan her new decision.

Later, Julie, Yuki, Mika, Rachel, Jay, and Oliver complete the lantern ceremony. Julie takes them to the golden barley fields to release the glowing lanterns. Though everyone else whispers words to Sam and lets their lanterns go, Julie’s lantern barely flies. When it does, she rushes after it, unable to let Sam go, worrying their time is almost up. As her friends run after her, she dashes far into the field, but loses the lantern.

Chapter 14 Summary

In the past, Sam took a gig at a wedding. He was nervous with stage fright and insecure, though Julie cheered for him. When his voice wobbled while singing, Julie quickly found a friend in the crowd and started dancing with him. The dance calmed Sam down, who found his rhythm and sang perfectly.

The flashback shifts to Julie and Sam at their favorite lake together one night. They went skinny-dipping, but with some clothes on, helping Julie become more spontaneous as she wanted. Sam teased her as fireworks went off above them. He swam to her and kissed her deeply.

In the next flashback, Julie and Sam were in New York City for a trip. He hurried through the subway to his flight to Japan for the whole summer. Julie hated goodbyes. After their last kiss, she pleaded for Sam to take her with him. Sam promised her they would go to Japan together next summer, after graduation, and that they would have the rest of their lives to travel.

At a local carnival, James was upset with Julie. Much younger than Sam, he finally admitted that Julie was going to take Sam away from him. He overheard them saying they would leave for college in Portland. Julie told him that didn’t mean they were leaving him. Sam appeared with a stuffed lizard he won for Julie. They rode the Ferris Wheel together, even though Sam feared heights. Julie talked him through his fear, holding his hand and closing their eyes to make it less scary. They imagine a happier place, their future apartment.

Chapter 15 Summary

In the present day, Julie lies on the couch alone, her mother at work. It’s Sunday, the day of Tristan‘s event, but she’s staying home and being lazy. Though her friends have tried to reach her, Julie is too embarrassed by the lantern event to respond. Mika arrives at the door and asks why she isn’t dressed for the film festival yet. Julie isn’t in the mood to go. Mika convinces her by stating she promised Sam she would. She agrees with Sam that it would be good for her, as it will show Sam that she will be okay without him. Julie finally agrees, and Mika assists her in beauty prep. While Mika does her hair, she agrees that Sam’s request is weird, but that people should honor the dead’s requests. They realize Sam isn’t asking her for too much. Mika says they must let each other move on.

After Mika leaves, Julie’s neighbor delivers some mail he got by mistake. It’s from Reed College; they rejected her. Julie is shocked, feeling faint. She thinks that none of her efforts or plans matter. Distraught, she calls Sam, who can’t believe she was rejected either. He talks her down, helping her breathe and stating it’s just one school and Reed’s loss. Sam says she’s destined to do great things, no matter where she goes to school: “You’re the most talented person I know, Julie. And you’re an incredible writer. If Reed can’t recognize that, they don’t deserve you” (180). The call ends before they can talk more. Though she’s incredibly late to the festival, she composes herself.

Chapter 16 Summary

Julie holds back tears as she walks to the film festival at the local university. White tents rise from the college’s quad. Julie is impressed by the elegant event, thinking she’s in a red-carpet award show. She sneaks into the tent that is showing Tristan’s film, sitting in the back by an older gentleman. All the films start late, the man tells her, so she shouldn’t worry. He’s there for the music aspect of the film, since it’s a documentary about a band called the Screaming Trees, one of Sam’s favorites. To his surprise, Julie tells him that she loves that band, and her boyfriend introduced her to them. When the man asks where her boyfriend is, Julie says he couldn’t make it.

The film begins, a unique and dreamlike portrayal of the band members. Every song makes her think of Sam, though the songs are distorted and rearranged with electric instruments. She’s hypnotized by how the different scenes fit.

Afterward, she meets Mr. Lee, who is happy to support his employees. They chat about the film, and Mr. Lee plans to sneak into the after party. Tristan arrives, complimenting her on her incredible dress. He wears a tuxedo and gives Julie a rose, though he says it was his mom’s idea. He takes her to watch a few more films.

At the after party, Tristan introduces her to Professor Guilford, who works with her mother at the university. Tristan compliments Julie repeatedly, and the professor suggests he take her screenwriting course (which is usually reserved for upperclassmen). Julie makes a strong connection with him, feeling better about her prospects.

Tristan and his friends point out Marcus Graham, who was a former manager of the band Screaming Trees—and the man Julie sat next to during the film. She suddenly thinks she could give him Sam’s CD. She rushes after Marcus as he’s leaving, begging him to listen to Sam’s songs. He refuses politely as his policy, until Julie screams, “He’s dead! [...] That’s why he couldn’t make it” (189-90). She tears up, and Marcus agrees to listen, but Julie can’t give up her only copy of the CD. He tells her to email him Sam’s music instead. She chastises herself for not letting go of the CD, just like the lantern, just like Sam.

Chapters 13-16 Analysis

Julie running after her lantern in the vigil is an analogy for her refusing to let Sam go in reality. The bright lantern lights her way, just as Sam does, and it barely rises when Julie whispers to it—because she doesn’t send messages into the beyond like others, but she knows Sam is still with her. Unlike the others’ lanterns in this traditional healing ceremony, Julie’s lantern barely floats at first because it’s metaphorically heavy with her grief and inability to move on. Finally, the lantern starts lifting away. On visceral instinct, Julie can’t allow it to leave, showing her controlling nature and yearning for Sam. Just like the lantern, Sam will be gone from her life soon too, no longer within reach through her phone. She won’t have any link to him and will lose sight of him just like the lantern, she fears. This emotional reaction to the lantern also connects to Sam being worried that Julie isn’t any closer to moving forward, which he believes was the point of their reconnection.

At the film festival, unlike in the lantern scene, Julie faces her avoidance of letting go by admitting Sam is dead. In fact, she screams, “He’s dead!” to Marcus, the music manager, without meaning to. Julie’s emotions well up, erupting at this moment when she sees Sam’s chances at musical stardom slipping away. She only wants to help Sam finish a project, and she can’t stand the idea of missing this opportunity with Marcus rejects her. Only when she yells that Sam is dead, admitting it to herself and startling Marcus, does he agree to take the CD of Sam’s songs. Without Julie’s admittance of her true love being gone, she never would have convinced Marcus to listen to Sam’s work. Although she makes progress by stating he’s dead and letting her tears rise, Julie still holds tightly onto the CD when Marcus tries to take it. Realizing it’s her only copy, she can’t part with it. Luckily, Marcus kindly lets her email the tracks instead, but physically not releasing the CD shows Julie is not fully ready to relinquish Sam. She takes a step forward with her unintended, raw scream of truth, but then takes one backward when she can’t give up his songs, continuing the theme of Coping With Grief and Letting Go. The CD is too precious to Julie to release, the same as Sam.

The novel’s theme of Change as Growth: Accepting the Unplanned occurs again when Julie is rejected by Reed College, her top choice and one of the only two schools she applied to. She is shocked beyond belief, and this plot twist gives her another hurdle. Thao gave Julie another large issue to conquer; instead of allowing her to experience an uplifting moment that would make her excited about her future, he crushed Julie again. The author’s continual conflicts for Julie’s consistent conflicts allow her to change and grow into a more adaptable, rational, and collected person with effective coping mechanisms. She turns to Sam for comfort, who assures her that she will be successful no matter what and that it’s Reed’s loss for rejecting her, showing his giving spirit again. He helps her learn to handle losses and look at the unplanned as exhilarating, since the local college will still give her a great education. Like Sam’s death, Julie needs time to cope with this devastating change in her plans. She learns to look forward to the local college, rather than focusing on not leaving for Portland to attend her dream school, since their writing program is better than she thought, her mother works there, and Oliver is attending it too. Julie shifts to focusing on the positive and ends up enjoying the local school more than she thought. By facing not only Sam’s death but the conflict with Mika and this painful rejection, she becomes more open-minded, mature, and calm about life’s unforeseen and unknown paths.

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