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45 pages 1 hour read

Jeneva Rose

You Shouldn't Have Come Here

Fiction | Novel | Adult | Published in 2023

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Themes

The Universality of Secrets

Like many “locked room” mysteries, You Shouldn’t Have Come Here establishes a cast of potential suspects, even though there is no clear crime at stake until Calvin attacks Grace in Chapter 48. Jeneva Rose maintains an ominous tone by describing characters’ conflicts and relationships. Beyond her two first-person narrators, Rose introduces other Wyoming residents over the course of the novel. Charlotte, who is desperately in love with Calvin, shows a willingness to do or say whatever she must to drive Grace out of Wyoming. Charlotte’s ex-husband Wyatt, a deputy and lifelong friend of Calvin and Joe, picks fights with both brothers when he finds out they had flings with Charlotte. Joe, who spent six months in prison for Calvin’s murder of former girlfriend Lisa, resents his older brother for being favored by their deceased parents. As if in retaliation, a drunken Joe conceals but later reveals their parents’ murder-suicide. Betty, Calvin’s overprotective surrogate mother, secretly stops taking medication and Albert, an Airbnb guest, is later revealed to be Calvin and Joe’s uncle. Albert confesses to having secrets or “demons” (208), one of them possibly being complicity in Calvin’s murders.

The characters with the deadliest secrets, however, are the two first-person narrators—whose personable voices conceal their true selves. Grace—whose real name is Avery—is a seasoned killer who describes her annual murders as freeing. Every year, she chooses an ideal target in a random place and isolates them as her chosen pseudonym. As “Grace,” Avery eliminates physical and digital evidence of her presence in Dubois, Wyoming, before returning to her loving family in Chicago. While Calvin’s secrets come to light over the course of the novel, Betty and Joe hint at having always known his true self; however, like Albert’s “demons,” Betty is inhibited by lack of medication and Joe by alcohol consumption, which makes their complicity ambiguous. Betty admonishes Calvin and Grace for their spontaneous romance, warning the latter to leave the ranch; this is perhaps to protect both parties. Joe tries to burn down Calvin’s house to “save” Grace from Calvin, without realizing she is a serial killer in her own right. It is later revealed that Calvin was responsible for his girlfriend Lisa’s death and continues to kill women who stay at his ranch. Before killing him, Grace learns he locked a former guest named Briana in a shed at the ranch. When she investigates his closet, she sees the mounted heads of three women, recognizing their names from his guestbook; there are also two spaces reserved for Briana and herself. Overall, there are no happy endings for the novel’s secret-keepers apart from Avery, who returns home as if nothing happened. The one thing that sets her apart from the other characters is that she never shares her secrets with anyone but the reader. Thus, Rose implies secrets can be one’s undoing, unless they are taken to the grave.

The Universality of Longing

Just as the characters have secrets, so, too, do they long. For example, Albert wants to drink alcohol in peace, Almond wants tangible evidence to charge Calvin with kidnapping Briana, Betty wants Calvin to accept her advice, and Wyatt wants ex-wife Charlotte—who wants Calvin. Joe wants to escape older brother Calvin’s shadow, and Briana wants to escape Calvin’s locked shed. Everyone’s longing amid physical and emotional challenges imply there is no peace to be had in the novel—largely due to narrators Grace and Calvin. Despite her personal agenda (i.e., isolating and killing targets at random places), Grace finds herself attracted to Calvin and teases him throughout the novel—albeit in a controlled way, to pace their romance. When he offers to give a tour of the ranch, she hesitates before answering: “I could see in his eyes he wanted me to say yes. I took my time, making him squirm a little bit” (31). Calvin is equally attracted to Grace and sensitive to any touches between them; he, too, wishes to prolong their romance and keep her in Wyoming for good. Overall, Grace and Calvin’s relationship plays into the romance genre—thus concealing the novel’s true genre and the couple’s true colors as serial killers.

Grace and Calvin’s shared longing involves killing the other person. Calvin intends to keep Grace by turning her into another trophy in his closet, as he did three other women. As “Grace,” Avery isolates Calvin from the other characters so she can kill him for fun. Both characters repeat this cycle of violence to satisfy their yearning, to bring “balance” to their lives. Avery’s longing in particular is likely to continue in the form of her daughter Margot, who resembles her and wishes to join a future retreat. In response to Margot’s wish, Avery reflects: “I smiled wide, and all of a sudden—I felt it. Right in the center of my back. An itch” (289). In other words, she develops a new longing—to turn her daughter into a killer like herself. While there is no evidence to suggest Avery targets only men, this new goal implies a familial, feminine solidarity supported by her decision to save Briana, a fellow woman. Physical relationships like her spontaneous romance with Calvin—comprising sex and murder—provide temporary relief, but solidarity could prove more satisfying. The fact that Avery killed a fellow serial killer is ironic, as Calvin could have understood her in a way others cannot.

Fraught Relationships and Transient Emotions

The only relatively stable romance in the novel is that between Avery and her clueless husband Daniel in Chicago, which reinforces the theme of The Universality of Secrets. Rose portrays all her romances as conflicted, relying on secrets to function rather than honesty. Try as she might, Charlotte fails to attract Calvin, and she only toys with Joe to make his older brother jealous. Likewise, Wyatt fails to win over his ex-wife Charlotte. These lovers are further challenged by Charlotte herself and the overprotective Betty, who consistently insert themselves into others’ affairs. Another problematic relationship is that between Calvin and Joe’s parents, as their mother was abused by their father—leading her to die by murder-suicide.

In the midst of all this romantic chaos, Calvin obsesses over newcomer Grace in an almost childish way: He knows nothing about her, apart from their different backgrounds as a country boy and city girl. With that said, her interest in experiencing rural life allows him to teach her how to ride horses, fish, and enjoy the wilderness of Wyoming. The only commonality they share is physical attraction, something Grace regards as fleeting. Likewise, characters and events come and go without respite, impeding the pair’s romance: Calvin offers no emotional stability amid human (Almond’s suspicion) and animal (the mountain lion attack) threats. Despite their shared longing to kill, Grace experiences genuine anger, frustration, and fear, as Calvin endures humiliation and forced apologies for incidents such as the mountain lion attack. In the face of setbacks, Calvin’s childishness shows, as he never stops fantasizing about his and Grace’s life together; yet, his last romantic relationship (with Lisa) ended of his own volition, in murder, implying a long history of violence against women regardless of his “love” for them. For her part, Grace warns herself not to get attached to Calvin, knowing their relationship will end with her ending his life. Ultimately, their relationship falters like the other failed romances in the novel—as not enough was done to change either person’s mind.

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