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54 pages 1 hour read

Mitali Perkins

You Bring the Distant Near

Fiction | Novel | YA | Published in 2017

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Symbols & Motifs

Sonia’s Diary

Sonia’s diary serves as a motif for the theme of Womanhood and Empowerment. As a teenager, writing offers her an escape from her fraught family life and a safe way to express her complicated thoughts and difficult emotions. During the 15-year-old’s flight from London to her new life in New York, she reflects on the way her diary gives her a sense of power and makes her experiences feel more meaningful: “There’s something about putting words on a page in private that makes me feel powerful in public. [...] [E]verything I write about is real. Thoughts, emotions, ideas, and beliefs. It’s weird how writing them down gives them weight” (15). When Sonia Das feels like a captive in her Flushing apartment, writing offers her freedom and solace. Perhaps the most significant of her diary entries is the one in which she writes that her mother is “to blame for [their] family falling apart” (68). Understandably, Sonia feels upset when her mother violates her privacy by reading her diary. However, she soon decides that the diary has served its purpose of supporting her empowerment, and she proves that she is ready to write the next chapter in her story by burning the waterlogged notebook: “The words have been captured. But they did their job, they helped me survive; I can let them go. Baba’s arrival gift waits for me, full of blank, dry pages” (75). Ranee’s discovery of her daughter’s diary is a turning point for her character and the novel’s plot because she tries to improve her relationship with her husband after her “daughter’s written words had exposed her contempt and erased the sharpness from her tongue” (170). The strength that Sonia finds and the change she motivates by keeping a diary foreshadow her future career as a professional journalist and author. As an adult, she advocates for the empowerment of other women by covering women’s rights issues for the New York Times and writing a book about child brides. Sonia’s diary develops her character, advances the plot, and contributes to the theme of Womanhood and Empowerment.

Saris

Saris symbolize traditional Bengali womanhood. Ranee Das grew up in a village in Bengal, and she is deeply influenced by her culture’s traditions and expectations for women, which emphasize being a dutiful wife and mother. Given the strong influence of Bengali culture on her, it’s unsurprising that Ranee wears saris most of her life. After her husband’s death, she continues wearing the traditional garment but only in white in accordance with Bengali expectations for widows. She gives away some of the colorful saris that Rajeev bought her to Anna Sen and Chantal Johnson, and the rest become part of the remodel of the girls’ locker room: “The shiny, sparkling material of Didu’s saris softens the walls and ceilings” (240). The saris’ transformation suggests that the new generation of the Das family must decide what womanhood means to them and how they want to live in relation to Bengali culture. In Chapter 14, Ranee starts wearing muumuus in place of saris as part of her sudden desire to become more integrated into American culture. With her family’s help, Ranee realizes that being an American doesn’t require her to abandon her Bengali culture. Instead, she can decide for herself which traditions she wants to hold onto. For Ranee, that means donning her culture’s clothing once more: “‘I have to admit I miss wearing saris,’ Didu says. ‘Muumuus are comfortable, but nothing makes you feel more beautiful than a sari’” (291). Ranee Das’s saris show her relationship with Bengali and American culture.

Likewise, saris provide insight into Tara’s connection with her family’s culture. Initially, she feels uncomfortable with Bengali traditions, which she considers patriarchal. She dreads the idea of following in her mother’s footsteps by marrying a Bengali man: “I already look like Ma and sound like her. Do I have to become her, too?” (147). Tara wears a sari for the very first time in her life during her trip to Bangladesh, and her hesitation to don the garment reflects her reticence to engage with her traditional culture. The lovely green-and-gold garment is a gift from Amit. Crucially, the sari is presented as an option rather than an expectation. Amit tells Tara, “I wasn’t sure you’d want to go traditional, but I thought I’d give you the choice” (155). Amit helps Tara appreciate the beauty of her Bengali culture, and the garment is part of how she embraces her culture on her terms. The characters’ relationships with saris reflect their evolving understanding of what it means to be a Bengali woman. Just as each of the saris in the novel is beautiful in its own way, so, too, each of the Das women has her own distinctive connection to her culture.

Color Symbolism

Perkins uses color symbolism to give insight into Ranee Das’s emotions and development. Black and white represent death and grief, while vibrant colors represent life. The author uses these contrasts to depict Ranee Das’s grieving process through her clothing. During their marriage, Rajeev loved to buy his wife beautiful saris in a rainbow of hues, including blue, green, yellow, pink, and purple. After his sudden death, Ranee falls into a distraught state that is as empty and cheerless as her white widow’s saris. Sonia compares her white-clad mother to a ghost, but Ranee’s sense of duty toward her husband outweighs her daughter’s concern: “Sonia used to try to convince her to wear colorful clothes, but it didn’t work. Every morning, Ranee folds and tucks a long, plain ivory or white cloth around herself. [...] It’s the least she can do for him” (172). Significantly, her decision to wear mourning clothes for decades is a personal choice, not a cultural mandate. For years, Ranee remains shrouded in white because she isn’t ready to move on from her husband’s death. In Chapter 14, the September 11 attacks prompt the septuagenarian to engage in deep reflection and assume a far more active role in her own life. As a result, she begins wearing colorful clothing once more. She confides to Sonia, “[I]t has been so good to wear bright colors again. I think your Baba would enjoy seeing me in them, don’t you?” (290). Her question shows her awareness that her late husband wouldn’t want her to close herself off from life. The author’s use of color symbolism vividly portrays Ranee’s protracted grieving process and eventual healing.

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By Mitali Perkins