84 pages • 2 hours read
Diana GabaldonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Claire briefly regains consciousness on the battlefield, bleeding and in pain. Jamie presses her skirt into her wound to staunch the blood. A messenger from General Lee brings Jamie orders to report to the General. Instead, Jamie resigns his commission.
Jamie’s cries for help bring Captain Leckie, who directs Jamie to hold the lint (a wound dressing) on Claire’s wound, then wishes her luck and walks away. Claire tells Jamie that she needs Denny.
Denny prepares to remove the bullet from Claire’s wound in the Mackens’ cottage by the churchyard. He and Claire agree that the bullet has penetrated her liver, and the surgery to remove it may kill her. Jamie, watching out the window, sees Dottie approaching, surrounded by soldiers. She bears a gift from Lafayette: a basket of food and a bottle of laudanum. Claire spots Roquefort in the basket and directs Denny to pack her wound with cheese since the mold in it contains penicillin. Jamie administers the laudanum, and Denny removes the bullet from the wound successfully.
John and Ian limp into the British camp where Ian sees the Abenaki scout at a campfire. The two battle until Ian gains possession of a knife and holds it to the other’s throat. Telling the scout that he gives him back his life, Ian drops the knife, but the scout shouts that he will regret his mercy. Ian grabs a tomahawk and crushes the Abenaki’s skull, then leaves the camp.
John enters Hal’s tent and discovers William there. Reassuring William that he is fine, he puts off discussing other matters until the next day. As he leaves, William tells him that he is glad John is not dead.
Ian heads towards the American camp but is senseless from fever and fatigue. He converses with the ghost of his father on the morality of killing for personal reasons rather than on the battlefield, reasoning that the man is dead either way.
Hal administers to John, soaking his feet in oil and calling for a surgeon to see to his arm. They exchange stories, and just as John falls asleep, Hal confesses that he has received news that his son Benjamin is dead.
Jamie watches Claire sleep after the surgery. The bleeding stops, but she is hot with fever. Meanwhile, Ian collapses underneath a pine tree. He covers himself with needles and falls unconscious.
When John awakes, Hal discloses that Captain Richardson told him Ben was dead, but Hal doesn’t believe him. John relays what Percy has told him about Richardson’s plans for the Grey family, and Hal leaves to arrest Richardson.
William cannot recall the details of the previous day, but Ban Tarelton fills him in. Ban also has news of Captain Harkness, who visited a brothel in Philadelphia and never rejoined his regiment. The mention of Harkness reminds William that he must check on Jane and Fanny.
Before leaving, General Clinton notifies him that he is relieved of duty until further notice. When Colenso alerts him that Jane and Fanny have left the camp with their belongings, William leaves immediately to find the sisters.
When John cannot find William and Hal cannot find Richardson, who has deserted, the brothers decide to go to Philadelphia rather than follow the army. Their first stop is the American camp under a flag of truce to see Jamie, who can write them a letter of introduction to Benedict Arnold.
Jamie sends a note to Lafayette, explaining Claire’s injury and confiding care of his troops to the Frenchman. Meanwhile, Rachel searches for Ian alone. Claire remains unconscious and feverish, but she wakes to tell Jamie that she has decided not to die. When the fever breaks, Claire cries at Jamie’s concern. She asks if they can finally go home, and he agrees.
The following day, John and Hal arrive at the Macken house. John reveals Richardson’s plans to kidnap William and asks Jamie to write a letter of introduction to General Arnold. Jamie also learns that Ian walked out of the British camp. He agrees to write the letter, and John offers them the house on Chestnut Street so they will have a place to stay in Philadelphia. Jamie turns him down.
William finds the girls after two days of searching the roads. They flee into the woods into a band of deserters. William chases off all but one and is fighting the last deserter in the roadway when Rachel appears, scaring the man off. In a comedic interlude on the same stretch of road, the girls run away from William three more times, leading Rachel to Ian during one escape attempt and confessing to the murder of Captain Harkness during the last. Rachel offers to take the girls to a Quaker safe house while William takes Ian, overcome with fever, back to the Macken house where Denny can tend his wound.
William leads Ian, astride Rachel’s mule, back to Freehold. As they walk, they exchange barbs, Ian telling Jamie that he resembles Jamie. William retorts that Ian doesn’t know him, but Ian replies that Rachel does, and she thinks William is a good man. Worried that Ian will succumb to his fever, William taunts him that he will marry Rachel if Ian dies.
Claire and Jamie make plans to retrieve Jamie’s printing press in Wilmington when Claire has recovered. Jamie finally rests but she awakens when William arrives with Ian. They observe William leaving after he helps Ian into the house. William looks up, locks eyes with Jamie, then rides away.
Ian awakes after suffering nightmares about Geillis Abernathy to find his wound bandaged and Rachel by his side. He tells Rachel he was kidnapped and raped by Geillis when he was fourteen. When he tells Rachel about killing the Abenaki scout, she replies that they must not wait any longer to be married.
John and Hal are welcomed to the Chestnut Street house by Mrs. Figg and Dottie. Mrs. Figg offers her husband’s church as a venue for Dottie and Denny’s double wedding with Rachel and Ian. Amid the reunion, William arrives and tells Hal, John, and Dottie that he has resigned his commission in the British Army. Learning about Ben’s alleged death, William offers to search for Hal’s son; as a non-combatant, he can move easily through Rebel territory. He then gives a letter to John with the instructions that he should only open it if William fails to come back.
Denny and Dottie marry in Mrs. Figg’s church, followed shortly after by Ian and Rachel. Hal, having forgiven Dottie for deceiving him about her fiancé, attends with John. Janet, Jamie, Claire, and Fergus’s family also attend. Hal’s son, Henry Grey, arrives with his landlady on his arm.
The two couples consummate their marriage while Jamie and Claire walk along the riverside, discussing wedding nights.
The title of Section 5, Counting Noses, is an idiom that refers to a rollcall, or ascertaining who is present. In this section, Gabaldon resolves the cliffhangers of the previous section and ties the separate storylines from the battle back together, accounting for each main character whose fate was in question as well as resolving the marriage complication for Denny, Dottie, Ian, and Rachel.
Returning to the theme of forgiveness, William forgives John for his deceit regarding William’s true parentage. When John enters the tent where William is recuperating, William “saw his father—Lord John, he corrected himself, but as an absent afterthought” (648). The sight of John after he was missing for so long forces William to acknowledge that John is his father, regardless of who fathered him in the past. When John tells him, “As long as you’re alive, everything’s all right” (648), William gets a lump in his throat, and calls out to him “Papa!” (648). Unable to say the words of forgiveness, William instead blurts out that he is glad John is alive. John understands the underlying meaning, however, as “a smile blossomed slowly on his father’s face” (649). Hal also forgives Dottie for deceiving him when she left for America to marry a Quaker colonial.
Gabaldon pits duty against love again in this section, graphically illustrated when Jamie writes his resignation on the back of an army messenger in Claire’s blood. It is particularly strong imagery, as it was General Lee’s retreat that allowed the British to come so close to the infirmary, and it was General Lee who demanded that Jamie abandon Claire in her extremity to attend a meeting. Both John and Hal abandon their duty towards the British Army as well to determine whether Hal’s son Benjamin is truly dead and to protect William.
Both William and Ian wrestle with identity in this section. Ian tries to balance his twin warrior heritages with his love for Rachel. Although he takes pride in his prowess as a warrior, he runs away from the fight with the Abenaki to preserve his promise to Rachel. The stress of that promise erupts in violence when he kills the last Abenaki scout. Part of Ian’s inability to embrace Rachel’s philosophy is Geillis Abernathy; his story of rape and abduction reveals his terror at being a helpless victim. Gabaldon illuminates the dichotomy of his gentle nature and his viciousness on the day of his wedding, when he tells the guests, “I’m a Highlander and a Mohawk, and they dinna come much more violent than that. By rights, I shouldna wed Rachel, and her brother shouldna let me” (736). While Ian strives to be worthy of Rachel’s love, he understands the necessity of resorting to violence to protect those he loves. Rachel, willing to marry him despite his warlike nature, believes that doing so will not betray her own religious principles.
William’s identity crisis is ongoing, but the battle has exhausted his anger. While helping Ian to Freehold, Ian tells him how similar he is to Jamie, but though Jamie “had the making of [William] until he was six” John has had more of an influence on William (684). That influence is more genteel than Ian’s description of William, “Your eyes bleezen’ blue and your face set for murder—that was Uncle Jamie to the life” (713). Instead of erupting in anger at the comparison, William responds with courtesy, reminding Ian not to fall off the mule. Additionally, William’s rejection of the British Army is also a rejection of his previous bravado; he briefly returns to his role as an English lord when Anne Petticott makes references to his vast estate but discards that role as soon as he hears about the disappearance of Jane and Fannie. He identifies more as a man who holds his word to two homeless sisters than as the man who flirts carelessly. Rachel also builds his self-esteem when she describes him as a rooster; in her eyes, he “is a creature of amazing courage” who will throw himself at the enemy, knowing he may die in the attempt, simply to protect those more vulnerable than himself (693). A final indication of his growing acceptance of his identity is when, after resigning his commission, he undertakes the quest to discover what happened to Hal’s son Benjamin. Hal’s acceptance of William as his nephew regardless of his true parentage is meaningful to William, and his offer to track down Ben illustrates that he hasn’t completely given up his ties to the Grey family.
Gabaldon also returns to gender roles in a patriarchal society. In barring Claire from practicing medicine in the church, Captain Leckie not only illustrates the prevailing bias against women physicians, but also puts her in the dangerous position of helping the wounded outside the protection of walls. Sarah, the young Rebel soldier who loses her arm, joins the Rebel army rather than become a camp follower, but her patriotism is hidden within men’s clothing. However, within their subordinate roles, the women effect change; Dottie charms the laudanum and Roquefort from Lafayette which prevents Claire from succumbing to shock or fever during surgery, while Rachel finds Ian in a landscape swarming with looters and the dead. Moreover, Mrs. Figg exercises her right to voice during the double wedding ceremony; when Ian and Denny protest they are not worthy of Rachel and Dottie, Mrs. Figg reminds Denny that Quakers are egalitarian. If the women choose to be married, he cannot question their decision. Further, it is Dottie and Rachel who take the lead in consummating their marriages; having requested tutelage from Claire earlier, they are confident in their sexuality. By writing women characters with power despite the limitations that colonial America places upon them, Gabaldon contradicts the prevailing worldview that women in the past did not experience authority or autonomy.
By Diana Gabaldon
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