50 pages • 1 hour read
Jodi PicoultA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Diana O’Toole is the protagonist and narrator of the novel. A native New Yorker, she has red hair and blue eyes, is 29 years old as the story begins, and works at Sotheby’s as an associate specialist. Diana has an art business degree, but she is also a naturally talented artist. She reconnects with this talent by the end of the book. Diana is an only child—her mother was fairly absent throughout Diana’s childhood, being a famous photographer focused on her career. Diana was close to her father, however, who was always loving, supportive, and present.
Diana is ambitious, hardworking, and a meticulous planner, and these traits led her to achieve professional success. As a college student, Diana had set her sights on a job at Sotheby’s, and following an excellent performance as an intern there, she was hired by them after graduating. Diana’s need to plan is not limited to merely her career; it also influences aspects of her personal life, such as her relationship with Finn. To Diana, the comfort and security she finds with Finn comes from the fact that they have matching plans for their careers and their lives together.
Diana also displays a great capacity for warmth and empathy, something best highlighted in her relationship with Beatriz. Diana connects with the otherwise withdrawn and secretive teenager, and she also displays caring and protective behavior towards her. Diana assuages Beatriz’s feelings of rejection regarding her mother, and after Beatriz’s confession about Ana Maria, makes it a point to meet the girl every day to keep tabs on Beatriz’s “emotional temperature.”
With respect to the plot, the particularness of Diana’s character becomes vital. The story focuses on the nature of adaptation and survival within unforeseen and uncontrollable circumstances through the coronavirus pandemic. As a person who needs to plan and control who also has an innate ability to empathize and connect, Diana becomes the ideal protagonist. The latter allows Diana to outgrow the former, as she also becomes more self-aware and in touch with her real feelings and desires. Thus, the end of the book sees Diana making art again—something that comes naturally to her and brings her joy—as well as having ended things with Finn, having grown to be comfortable with the knowledge that plans can change along the way. As she tells Finn, “You can’t plan your life […] Because then you have a plan. Not a life” (303).
Finn Colson is Diana’s boyfriend and a doctor at the New York-Presbyterian hospital. While originally a resident in surgery, when the pandemic hit, Finn was assigned to the Covid ward along with all the other resident doctors. Finn and Diana met in 2017, and as of the beginning of the book, they have been together for three years.
Like Diana, Finn is a planner. He is also focused and driven, with a clear idea of what he wants from life—the same things as Diana initially does. Both want “successful careers, then two kids, then a restored farmhouse upstate” (16); they have decided the kind of car, pet, and general vacations they will take together; they even have a joint bucket list of dreams, which includes running a marathon, learning how to surf, and visiting “every UNESCO World Heritage Site” (16)—if not for the pandemic, the Galapagos would have been the first one they visited.
Finn’s characterization cannot be looked at separately from Diana’s journey. In the first part of the book, Finn’s character is presented to the reader either incompletely, or secondhand. Except in Chapters 1 and 11, he is present only in Diana’s recollections or through the emails he sends her. Thus, the picture of Finn as a character is dominated by two things: How the place that he has in Diana’s life is built on a foundation of a shared plan of their future together; and how, as a doctor during the pandemic, he is at the frontline of the Covid crisis and is experiencing an unprecedented level of trauma and stress.
When Finn finally enters the picture directly in the second part of the book, both of these things highlight how the relationship between Diana and Finn is fracturing. While Finn’s dreams and plans for the future remain unchanged, Diana’s have changed, which is enough to shake the foundation of their relationship. In addition to this, Finn’s and Diana’s respective experiences with Covid have also impacted them in profoundly different ways.
In some ways, Finn’s character works as both a mirror and foil to Diana’s. The first part of the story consistently focuses on the similarities Diana shares with Finn and how this contributes to the strength of the relationship. However, the different experiences that Finn and Diana go through serve as a fork in the road for how their characters develop from then on—and Finn’s choices and ways of coping directly contrast the ones that Diana adopts. Finn starts drinking more and shutting off, while Diana works on building a daily routine, reconnecting with her mother, and starting to paint again. While Diana is beginning to see the importance of letting go of certain things in her life, Finn seems insecure and afraid, desperate to hold on tighter to everything, including Diana. Ultimately, as Finn’s journey unfolds alongside Diana’s, his character serves to both complement and contrast the protagonist’s own conflicts, choices, and growth throughout the story.
Gabriel Fernandez is one of Diana’s only friends—and eventual love interest—on Isabela. He is a native Galapagueño in his early thirties, and is tall, dark-haired, and dark-eyed. He is a single father to a teenaged daughter, Beatriz. He used to be a tour guide, but he closed down the business after his father died, and he now lives and works on a farm.
Gabriel displays a fierce love of family and a strong sense of duty and responsibility. We see this most prominently in his relationship with Beatriz. Gabriel gave up his dream of becoming a marine biologist for his unborn child when his teenage girlfriend got pregnant. He also allows Beatriz to attend school off the island, even though he hates it, because he thinks it will better Beatriz’s chances of leaving Isabela one day if she wants to.
As dutiful as he is, Gabriel is nevertheless capable of making choices out of love over obligation. From breaking rules (he takes Diana around the island past curfew) to refusing to abide by social norms (he sleeps with Diana although she is in a relationship), Gabriel makes decisions centered on the people he cares about, rather than the circumstances surrounding them. Especially in Beatriz’s case, her happiness takes precedence over everything else—this leads him to consistently choose to do the right thing by his daughter, as well as accept who Beatriz is as a person without second thought. When he finds out what happened with Beatriz and Ana Maria, he is less concerned about Beatriz’s sexuality than about the fact that she has had her heart broken.
Although a fictional character even within the confines of the plot, Gabriel nevertheless plays a significant role—he serves as a guiding light and mirror to the insights that drive Diana’s journey. He is the one who takes Diana around the island and offers information and perspectives on the theory of evolution. He represents, to Diana, the possibility of a different kind of life that is not restricted or dictated by a single plan. He is also the thread that continues to connect her to the memory of her imagined life on Isabela. She continues to mourn him, and their imagined relationship, throughout her process of trying to adapt to reality.
Beatriz is Gabriel’s daughter. She is 14 years old, a native Galapagueña with brown skin and black hair. Beatriz attends school in Santa Cruz, where she lives with a host family through the school year. She initially has a fraught relationship with both her parents; Beatriz’s mother left with a new boyfriend when Beatriz was 10, and while Gabriel is present and provides for her, Beatriz hates Isabela and does not want to live with her father on the farm. However, this later changes, and Beatriz eventually chooses to live with her father and attend Zoom school.
Beatriz is smart, passionate, and precocious. She attends a magnet school in Santa Cruz and is able to carry on conversations with Diana about art and Diana’s work, asking intelligent questions and absorbing what Diana has to say. She voices her thoughts with feeling, telling Diana about how she feels trapped on the island, and how she has contemplated ending her life. She is also, by her own profession, emotionally older than her age, something that Diana laughingly acknowledges.
Beatriz feels out of place in many aspects of her life. She loves her school and misses it dearly during the lockdown, wishing she could build a raft to go back to it. She is in love with her host-sister, Ana Maria, and this recognition of her sexuality is something that also makes Beatriz feel conflicted and out of place. Beatriz’s feeling of not fitting in is something that she confronts and confesses to—“I’m not like other kids” (73), she tells Diana. Having experienced rejection and abandonment multiple times, from her mother abandoning her to the girl she likes rejecting her, Beatriz routinely has thoughts of suicide and self-harm. When confronted about the cutting by Diana, Beatriz tells her that she does it because it is “the kind of hurt that makes sense” (73).
All the pain and loneliness that Beatriz feels leads her to desperately reach out for connection, and she bonds with Diana. In a bid to keep Diana on the island for longer, she even hides the postcards to Finn that she was supposed to mail. Gabriel’s eventual discovery of Beatriz’s relationship with Ana Maria and his acceptance of it leads to a turning point for Beatriz, as it repairs her relationship with Gabriel and leads her to accept life on Isabela.
Beatriz’s characterization and journey mirror some of Diana’s own experiences, as well as serve as a space to sublimate and resolve some of the conflicts that Diana faces. Like Diana, Beatriz, too, is the daughter of an absent mother; like Diana feels trapped on the island, Beatriz, too, feels trapped in her circumstances. As Diana and Beatriz bond, Diana is able to help Beatriz repair her relationship with one of her parents, as well as bestow upon the girl the kind of maternal care and protection that Diana herself missed out on, growing up.
By Jodi Picoult
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