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57 pages 1 hour read

Andrew Smith

Winger

Fiction | Novel | YA | Published in 2013

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Character Analysis

Ryan Dean West

Ryan Dean West is Winger’s protagonist. His self-conception is dominated by several traits that drive the conflicts in the book. His young age compared to his classmates makes him feel alienated and insecure around them. He’s also a high academic achiever, which results in the age difference between him and his classmates. By endowing Ryan Dean with certain qualities that make him feel like an outsider, Smith makes him a believable and sympathetic protagonist to adolescent readers who may have similar feelings about themselves in relation to their peers. By the end of the book, Ryan Dean accepts some of these traits about himself and develops a nascent sense of self-worth.

Ryan Dean’s need to feel liked and secure about the way his peers respond to him explain why he continues the clandestine relationship with Megan, despite his feelings for Annie. Megan’s romantic approval helps him compensate for Annie’s rejections in the middle sections of the book. Up until that point, Joey’s efforts to reproach Ryan Dean about helping Megan cheat on Chas aren’t effective; Ryan Dean’s need for approval, particularly from a girl he finds attractive, overrides any ethical principle he might violate. However, after Annie accepts him as her boyfriend, Ryan Dean’s sense of self-worth is restored enough that he can stop seeing Megan.  

As a straight adolescent boy, Ryan Dean is fixated on the novel’s female characters and judges them based on his sexual interest in them. He is sexually attracted to every named female character in the book except for Mrs. Singer. His characterization of the girls and women in the book align with three common archetypes of female characters in literature: The Mother, the Witch, and the Maiden, a virginal, innocent girl who nonetheless offers the male hero the opportunity for sexual conquest. The emotional void left by his own mother’s lack of involvement in his life leads him to fill “the Mother” role with Annie’s mother, as he bonds with her over the course of the book—although his feelings for her converge with the Maiden role when he is sexually aroused by her. Other maternal figures for whom he also experiences sexual feelings are his female Calculus teacher and the school nurse. His female classmates Annie and Isabel are Maidens, and Mrs. Singer is the Witch archetype

Joey

Joey acts as a representative of Ryan Dean’s conscience and a role model for him. He consistently reminds Ryan Dean that he’s hurting the people he cares about by continuing to be with Megan, warnings that Ryan Dean finally heeds. Joey is portrayed as honest, caring, and confident—although there are vulnerabilities buried beneath his self-assured exterior. He values Ryan Dean’s friendship in part because he doesn’t think he has very many true friends at Pine Mountain. He senses the inauthentic acceptance he receives from most of his classmates. Joey is open about who he is, as demonstrated when he comes out, and he is as open and honest with others as he is with himself, even when it sometimes results in “tough love” honesty. Smith writes, “Joey wasn’t the kind of guy who’d ever lie about things just to make someone feel better” (367). Casey and Nick use Joey as a scapegoat when they murder him, and his death symbolically calls attention to the culture of Pine Mountain that is intolerant of “the other.” 

Annie

Annie is Ryan Dean’s close friend and crush who eventually becomes his girlfriend. She is characterized as caring, artistic, and thoughtful. Her thoughtfulness is sometimes expressed through caution and a desire for stability, which explains her hesitation as she rebuffs Ryan Dean as a romantic partner several times in the novel. She is unsure about dating a younger boy and is also attached to their friendship. Her traits are reflected in her bedroom at her parents’ house, where the walls are “covered with paintings, and sculptures of fish and birds that she’d made” (244); she also keeps an old childhood toy by her bed. This artistic expression and reminder of childhood purity fit in with Annie’s role as “the Maiden” archetype, who is simultaneously pure and erotic. Her nurturing qualities, which are expressed most strongly to Ryan Dean after Joey’s death, also connect her to “the Mother”, which again blurs the boundaries between the two, just as Ryan Dean perceives Annie’s own mother as both Mother and Maiden at various times. 

Chas

Chas is Ryan Dean’s senior roommate and rugby teammate. He’s rebellious and subscribes to the “macho” masculinity identity endorsed at Pine Mountain. As such, Ryan Dean thinks he’s a dumb jock. However, although he’s coarse and often hostile toward Ryan Dean, Chas frequently challenges Ryan Dean’s expectations of him. For example, in Chapter 2 Ryan Dean assumes that Chas is asking if he has any money because he wants to steal it. Instead, Chas invites him to participate in a weekly poker game, with the money serving as Ryan Dean’s buy-in. Just as Joey seems confident but harbors vulnerabilities beneath his surface, Chas recognizes that it’s hard for his classmates to get along with him and admits to Ryan Dean, “I don’t have any…friends” (424). At the end of the story, he and Ryan Dean learn to tolerate each other despite Chas’s eternal torment of Ryan Dean. They even form a fragile friendship as they move into a pod in the boys’ dorm with Kevin. Chas’s qualities make him a foil for both Joey and Casey, since he has Casey’s exterior but is somewhat closer to Joey in his interior self. 

Mrs. Singer

Mrs. Singer, whom Ryan Dean portrays as old, ugly, and menacing, is an example of “the Witch” archetype. Ryan Dean has multiple unsettling interactions with Mrs. Singer over the course of the book and becomes partially convinced that she can put curses on him. She also carries on a surreptitious sexual relationship with her male counterpart in O-Hall, Mr. Farrow, which adds another element to Ryan Dean’s unease about her. He associates sexuality with youth and attractiveness, and so Mrs. Singer’s sexuality is incongruent with his beliefs about the world. The juxtaposition of the Witch with sexuality often imbues sex with an overtone of death to the male character, and so Ryan Dean’s horror aligns with well-established literary conventions as he copes with this association.

Smith’s narration doesn’t ever overturn the “Witch” archetype assigned to Mrs. Singer, instead reinforcing her role as a harbinger of evil. Although Ryan Dean eventually comes to believe he “conquered” Mrs. Singer’s ability to “put curses on him,” his instincts are confirmed when Mrs. Singer’s negligence results in Joey’s murder on the night of Halloween. This illustrates the disfunction of teenage characters when adults fail to guide and supervise them, justifying Ryan Dean’s distrust of her. 

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