54 pages • 1 hour read
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Content Warning: This section discusses gambling addiction, parental neglect and verbal abuse, and alcohol abuse.
Russ Callaghan discusses summer plans with his Maple Hills collegiate hockey teammates; while Mattie, Bobby, and Kris will be in Miami, he will be a counselor at Honey Acres, a rich kids’ summer camp with little cell phone reception. His roommate Henry believes that Russ will despise it, but Russ is willing to do anything to avoid living at home with his father, who has a gambling addiction, and dodging calls from his mother. Since moving in with Henry and Robbie, Russ has found a family he can actually rely on. Henry is the only person who knows of Russ’s tough family life and his father’s addiction.
Russ joins Henry, Mattie, Bobby, Kris, JJ, Nathan, and Anastasia in helping Robbie prepare for the going-away party for Nathan, who is moving to Canada to play hockey for Vancouver. Nathan’s girlfriend, Anastasia, cries, and many of his teammates are forced to pay JJ due to losing a bet on whether she’d shed tears or not. Russ does not participate, as he does not bet due to his father’s addiction; Henry doesn’t either out of solidarity.
Aurora Roberts is late to meet her best friend, Emilia Bennett, at the hockey house party because she’s visiting her “friend with benefits,” Ryan Rothwell—the graduating captain and point guard of the Maple Hills basketball team—before he leaves for the NBA draft next month. When Ryan claims that he’ll miss her, she can’t voice anything back, not “even a simple ‘thanks’” (12), because it’s hard for her to communicate emotional vulnerability. Their relationship is purely physical, but Ryan states that he’ll be jealous of the man who will someday pull affectionate words from her. He urges her to remember what she told him about her goal for this summer: “to grow out of all [her] toxic self-sabotaging habits” (13).
Aurora meets with Emilia at the hockey house party, where she’s making the most of her last night with her friend from the LGBTQIA+ society, JJ, who is heading north to play professional hockey. Aurora is surprised by the cleanliness of the house as she searches for the kitchen to grab glasses instead of plastic cups. A guy interrupts her search through the cabinets and points her to the correct one after learning that she limits her plastic usage to save sea creatures. He introduces himself as Russ and reveals that he’s one of the inhabitants of the house. When he dutifully cleans up a soda that Aurora spills, she suspects that Russ is the occupant who keeps the house so clean. Emilia interrupts their banter to invite them to play drunk Jenga.
Russ internally obsesses over his awkwardness with women, which is worsened by Aurora, whom he finds extremely attractive. He heavily channels his artificial confidence to cover his lack thereof. Russ’s friend Robbie explains the rules of drunk Jenga: On blank Jenga blocks, they’ll play the game as usual, but if a person pulls a Jenga block with a dare written on it, they must complete the dare, do the forfeit on the back, or drink two shots. The person who topples the tower has to streak down Maple Ave.
Throughout the game, Henry and Bobby must switch clothes; Joe gives his underwear to Kris; and Russ has to remove his shirt for not kissing the nearest redhead, Robbie’s girlfriend, Lola. On another turn, Russ draws a block that dares him to show the last message he received to the person beside him. Rather than show Aurora the text message from his father—in which he begs Russ for more money—or the forfeit, which instructs him to send an “I love you” text to Coach Faulkner, Russ takes two shots. When Emilia’s block dares her to nominate two people to kiss, she chooses Russ and Aurora, who share a passionate kiss. Soon after, Aurora is dared to give the nearest hockey player a two-minute lap dance and does so for Russ, who becomes aroused.
Aurora thrives off the chaos of drunk Jenga even though it actively goes against her promise of self-improvement. She also enjoys the validation and appreciation that Russ shows her following her lap dance. When Henry loses the game and must go streaking down Maple Ave, Emilia pulls Aurora away for the bathroom and a drink. Their private conversation reveals that the shy and reserved Russ is not Aurora’s usual type.
When Emilia steps out to take a call from her long-distance girlfriend, Poppy, Aurora resorts to stalking her father’s current girlfriend, Norah, on social media. Aurora’s father is neglectful toward her but dotes on Norah’s daughter, which deeply hurts Aurora. His indifference toward her has turned her into a person desperate for attention and validation from others. Russ interrupts her sleuthing, and, as a distraction, Aurora asks him to tell her a secret. He admits that he hates parties but is glad he attended this one because he got to meet her. Aurora brazenly invites herself to Russ’s room, which is extremely clean and relatively empty of any personal items that give insight into his life.
Aurora and Russ have sex, and she’s surprised by his respectful gentleness and skill despite his shy exterior. When he goes to the bathroom afterward, Aurora assumes that it’s a subtle sign to leave based on her past hook-up experiences. She discovers that he’s neatly folded her clothes for her when she goes to redress. Henry and his latest fling witness her escape from Russ’s bedroom; Henry seems disappointed in Aurora’s behavior, telling her that Russ is a good guy. Aurora walks home to the apartment she shares with Emilia, wondering how long this latest hit of validation will last before she feels the need to get her next dose.
Aurora and Emilia attend a planned farewell breakfast with Aurora’s parents before leaving to become counselors at Honey Acres sleepaway camp for the summer. While Aurora’s mother, Sarah, shows, Aurora’s father, Chuck, does not. Instead, Norah’s latest social media posts detail how he’s helping her daughter, Isobel, move out of her college dorm instead. Seeing how fatherly he is with his girlfriend’s daughter hurts Aurora, who never received similar treatment.
Attempting to make up for Chuck’s absence, Sarah is an over-attentive helicopter parent, but her hovering is stifling for Aurora. When Sarah once again attempts to convince Aurora to move back in with her, Emilia distracts her by speaking about Honey Acres. Aurora looks forward to returning to the sleepaway camp she attended every year starting at age seven. It’s “the first place that ever felt like home” and where she formed a stable routine, made deep friendships, and built the foundations of who she is (57). Aurora hopes that by returning to Honey Acres, she can rediscover who she is because she’s been feeling lost in life lately.
Russ spends the several-hour drive to Honey Acres obsessing over his one-night stand with Aurora. When he disappeared into the bathroom the previous night, he was working up the courage to ask Aurora on a date, but by the time he emerged, she’d disappeared. When Russ arrives at Honey Acres, he locates his cabin and meets his roommate and fellow counselor, Xander Smith. Russ is thankful for the spotty cell connection, as it makes it easier to ignore and disconnect from his family—his father’s constant requests for money; his mother’s excuses for his father’s behavior; and the blissful ignorance of his older brother, Ethan, from across the country.
Russ and Xander attend the welcome meeting hosted by the camp executive director and owner, Orla Murphy, where they meet the resident fluffy golden retriever named Fish and her puppies, Salmon and Trout. Orla outlines counselor rules including a zero tolerance for alcohol and drugs as well as a zero-fraternization policy between counselors. If counselors break the rules, their contracts could be terminated. Afterward, the counselors are separated into four groups of six: Raccoons, Brown Bears, Foxes, and Hedgehogs. Each group represents a specific age range of campers. Russ is sorted into the Brown Bears (serving kids aged eight to 10) alongside Clay Cole, Xander, Maya, Emilia, and Aurora.
Russ and Aurora are shocked to discover that they’re working at the same camp and are assigned to the same group. Russ is cold with Aurora and refuses to look at her the entire evening. Jenna, a camp director and the dog mom to Fish, introduces herself to the group and takes them on a tour of the grounds. Aurora enjoys a warm reunion with the woman who was her own camp counselor as a child. Jenna acted as an older sister to Aurora throughout those formative years, creating a lasting bond between the two. After the campground tour, Clay attempts to flirt with Aurora. Despite the fact that he’s an attractive basketball player at Berkley—exactly Aurora’s usual type—she finds herself irritated by rather than attracted to him.
The next day, Aurora arrives six minutes late to team-building exercises with the other counselors. Russ finally meets her eyes while Jenna explains campfire rules, but it’s short-lived. The first team-building exercise requires each of the four counselor groups to get their entire team across a series of platforms. As the course continues, the platforms get further apart and become smaller in size, making the task more difficult. The first team to make it to the end and balance on the last platform for 30 seconds without falling wins. At the final platform jump, Aurora is the last to cross. Russ gives her an encouraging pep talk and promises to catch her, but during the 30-second hold, Aurora’s body ends up pressed against Russ’s, and he becomes aroused. After securing the win, Aurora pulls away and winks at Russ, furthering his embarrassment.
In this section, Wildfire introduces two narrative tropes that structure the plot and situate it firmly in the romance genre: forced proximity and forbidden romance. Forced proximity is a widely used trope in the romance genre, appearing in both Wildfire and its prequel, Icebreaker. This trope prevents Aurora from continuing her habit of disappearing after one-night stands to avoid potential rejection. As co-counselors at the same summer camp, Aurora must face Russ daily for months. This forced proximity results in Aurora and Russ developing a romance that otherwise would not have happened. Micro-examples of this trope’s continuation in these opening chapters are evidenced in the game of drunk Jenga, which prompts Russ and Aurora to become intimate at a faster pace than they normally would have, and the team-bonding activities between Honey Acres counselors prior to the campers’ arrival, which force Aurora and Russ to overcome their post-hookup awkwardness at an expedited rate. While their proximity pushes them together, the camp rules prohibit inter-counselor romance, introducing the forbidden-romance trope. This trope is a component of the theme of Risk Versus Reward. Russ and Aurora view risk taking in opposite ways. While Aurora is more inclined to break the rules, especially since she has a habit of escaping unscathed, Russ is inclined to do the opposite because he is accustomed to facing negative consequences. As Russ and Aurora’s mutual attraction grows, the forced-proximity and forbidden-romance tropes will continue to define their relationship and the challenges they face.
Fire symbolism emerges in this section as a further illustration of the theme of risk versus reward, hinting at the role that threats of risk and destruction play throughout the narrative. The novel’s epigraph is a quote from Sense and Sensibility that reads, “To love is to burn, to be on fire.” While risk and destruction have negative connotations, the epigraph gives the symbol of fire a more positive connotation by relating fire to the passion of love. In this way, love is compared to risk and destruction in that it makes those involved vulnerable but can potentially be a transformative experience. Russ and Aurora’s growing romance places their jobs and growing confidence at risk. However, their romance isn’t destructive in a negative sense but rather transformative: It destroys the false identities they’ve cultivated as self-defense mechanisms, instead allowing them to showcase their real selves without insecurity. Descriptions of fire continue in early descriptions of Russ and Aurora’s romance; for example, during their first hookup, Aurora observes, “His kisses move lower, sparking a fire in every place he touches” (46). References to fire emphasize both the risk and reward of Russ and Aurora’s forbidden romance—its destructive potential and its transformative possibilities.
Russ’s and Aurora’s varying perspectives on smartphones and social media reveal their attitudes toward managing familial stressors. Russ reveals that “checking [his] phone is [his] least favorite thing to do” (23). His phone is the primary way his family contacts him—his father, to ask for money or call Russ worthless; his brother, to guilt Russ into dealing with family problems so that he doesn’t have to; or his mother, whose practiced ignorance encourages him to act like all is well. His avoidant attitude to his phone reflects his desire to escape from his family altogether: Every time Russ’s phone vibrates, he’s reminded of “why [he] so desperately need[s] to get away from this place and everyone in it” (62). By contrast, Aurora does not avoid her phone but rather is obsessed with checking Norah’s social media accounts for updates about her father’s involvement in Norah’s and Isobel’s lives. Aurora’s hyper-fixation constantly hurts her own feelings and prevents her from ever forgetting “the perfect family [she’s] not part of” (87). Unlike Russ, she seeks not to escape her father but rather immerse herself in his life, though this immersion is one-sided and mediated through a phone screen.
The setting of Honey Acres leads the characters to consciously “unplug” from technology due to unreliable cell service and distractions. Russ romanticizes Honey Acres’ spotty service and demanding work schedule, embracing the camp as an ironclad excuse to avoid his family and his stressors for the summer. Aurora views Honey Acres as an opportunity to form a chosen family as she used to do in childhood and provide a distraction from checking Norah’s accounts. She plans to lock her phone in her suitcase under the impression that “if [she] do[esn’t] see it, it doesn’t exist” (88). Taking a break from social media helps combat Aurora’s negative thoughts and numerous insecurities, but her difficult relationship with her father will continue to be a challenge as the novel progresses, with or without smartphones.