53 pages • 1 hour read
Roderick NashA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The US, as a relatively young country, needed a unifying vision, a shared set of values that could uniquely distinguish it from its European cousins. According to Nash, the infusion of wilderness into the national character was an intentional act to satisfy this need. In fact, a new nationalistic sentiment became prevalent and was an early force favoring preservationism. After the nation gained independence, the tendency to glorify natural landmarks—for example, the Mississippi River—grew significantly. Nash points to Thomas Jefferson’s Notes on Virginia and illustrates that in some ways, the work defended America’s natural characteristics. While Europeans saw the American wilderness as representing a lack of civilization, Jefferson and others saw it as representing virtue and purity. As an exercise in contrast, many notable and influential Americans saw the ways that the advance of civilization in Europe entirely overcame wilderness as an opportunity for the US to differentiate itself from Europe, which had developed much of its wilderness. The American wilderness was so vast that nationalists saw it as a means to carve out a vision of America that made wilderness part of national identity.
Nash moves into a discussion on how the arts contributed to the integration of wilderness into the American identity. Literature and painting focusing on nature grew in popularity through the early 1800s. As an example, Nash mentions Picturesque Views of the American Scene, an album of nature portraits compiled in 1820. Despite the growing popularity of wilderness in American culture, however, an undercurrent of envy still existed for the ways that Europe had entirely tamed its wilderness areas. The association of refinement with civilization still maintained a hold on even the most overtly nationalistic supporters of wilderness as an identifier of America. As an example of the conflicting perceptions of wilderness in America at the time, Nash mentions writer Washington Irving. Famous for portraying rugged and heroic characters, Irving became enamored with European culture when he first visited in 1815. He stayed in Europe for 17 years, and when he returned to the US, he once again felt a strong desire to experience wilderness while it still existed there. Nash discusses writer James Fenimore Cooper and painter Thomas Cole in the same light, showing how both had an inner tension that at once celebrated civilization and wilderness. Additionally, the US Congress in 1874 purchased a Thomas Moran painting of the Grand Canyon, which it displayed in the Senate Lobby. This painting secured “wilderness as a source of nationalism” (83) and represented an official “endorsement” of wilderness as part of the American identity (83).
Nash begins this chapter by pointing to a few passages from Henry David Thoreau’s famous address to the Concord Lyceum. He then discusses American Transcendentalism in a general sense and provides further analysis on how it became a foundation for the entire preservation movement. Nash aligns Transcendentalism with the idealist philosophy that Plato and Kant practiced, which postulated that life existed beyond the physical world. Transcendentalists applied this view to nature as a means of finding the divine through it. Nash mentions how Transcendentalism accords with the deistic thought of the late 1700s and early 1800s—and mentions the influence of the British Romantic poets, specifically William Wordsworth, on Transcendentalism. This view held that humans are themselves natural beings and opposed an older, more Puritanical belief that humanity was somehow separate from the natural world. After this brief discussion on Transcendentalism, Nash returns to Thoreau specifically and explores how he became such a prominent figure in the movement.
To begin with, Thoreau was concerned and bothered by the voracious capitalism that seemed to be swallowing up everything in its wake. Thoreau’s discomfort with the direction of society, according to Nash, informed his view of nature. Nash again presents passages from Thoreau’s 1851 address to the Concord Lyceum, which illustrate his internal tensions: “Much of Thoreau’s writing was only superficially about the natural world” (89). Nash then introduces Thoreau’s most famous work, Walden. Nash spends little time analyzing the book itself, only touching on some of its most famous passages. He quickly moves on to the end of Thoreau’s experiment, when he returns from his self-imposed isolation in the wilderness at Walden Pond. Nash points out that even for Thoreau, the need for being in civilization was strong. Although Thoreau wanted to practice what he preached about nature and wilderness, he was bound by urges to remain in civilization. Recognizing his own idealist tendencies, Thoreau worked out a philosophy that tended toward a balanced view of wilderness and civilization. The ability to integrate both was crucial for Thoreau. According to Nash, this blended approach catapulted Thoreau to prominence in a movement that sought to develop a less adversarial relationship with wilderness.
The growing appreciation of wilderness led to a sense of urgency to address the fact that it was disappearing. As awareness of a disappearing wilderness grew, the problem became how to properly protect it. The traditional view—that wilderness was something to be tamed in advancing American civilization and benefiting capitalist aims—was strong and resisted the idea of protecting designated land areas from either, but protectionism was gaining ground. Among the growing voices of those looking to protect the wilderness was James Audubon, a famous biologist whose name became (and still is) synonymous with environmental conservation. In addition to Audubon was George Catlin, one of the first to propose turning wilderness areas into national parks, and Horace Greely, a congressperson and presidential candidate who lost to Ulysses S. Grant in 1872. Greely was a particularly influential figure in his day, and his support for protecting the wilderness gave the movement even more legitimacy.
Nash returns to Henry David Thoreau in this chapter to illustrate how preservationism became a central concern for the Transcendentalist philosopher. Thoreau realized the innate connection between civilization and wilderness, asserting that “protecting wilderness was ultimately important for the preservation of civilization” (104). Again, his comments supported the changing views about wilderness. The idea that the land and everything on it should be used for the benefit of humankind persisted but was losing influence with those who believed that the wilderness existed for its own sake and that its protection benefited humankind. Another figure, George Marsh, removed the ethics of wilderness discussion and asserted that protecting the environment was critical for human welfare. He recognized early that what human civilization should take from the earth had practical limits: Earth could not support ever-increasing destruction of its environment in the name of capitalism and commerce. Nash concludes the chapter by discussing the 1864 creation of a park for public use in California’s Yosemite Valley and famous landscape architect, Frederic Law Olmstead, who served as one of its first commissioners. Soon thereafter, government agencies and regulators began to pursue the idea of protecting other areas of natural wonder and significance as well.
Nash frames Chapter 4 by stating that “creation of a distinctive culture was thought to be the mark of true nationhood” (67) and demonstrates how the early strategies in creating the culture incorporated America’s relationship with wilderness. Nationalistic pride built on this relationship was primarily an ideal that developed in reaction to Europeans’ conflicted relationship with wilderness. Effectively, incorporating wilderness into the American character was a way to differentiate the young nation from its European ancestors. For much of its colonial existence, America had perceived wilderness with apprehension and fear. However, toward the end of the 1700s, after the nation had won independence, a transformation occurred during which it was “argued that far from being a liability, wilderness was actually an American asset” (67). This chapter is pivotal because the previous chapters illustrate how societies were historically antagonistic toward wilderness. The new nationalistic trend toward embracing wilderness was unique.
The change in focus within the arts speaks to how the transformation took place. As is so often true today, artists and writers significantly influenced popular culture in the early 19th century. Nash chronicles the many writers and artists whose work informed a growing appreciation of wilderness. As with any popular movement, the arts influenced and were influenced. James Fenimore Cooper’s Pioneers (1823) was a major literary work that became a commercial success and provided an archetype for the rugged hero in the character of Natty Bumppo. Cooper’s crafting of Bumppo involved a decisively Anti-European sentiment. In The Prairie, Cooper contended that “in contrast to the virgin New World the Old should really be called ‘a worn out, and an abused, and a sacrilegious world’” (76). The antagonistic tone here demonstrates an attempt to glorify American virtue through derision toward the old world. Europe had conquered all its wilderness and thus lost its capacity to access the moral integrity it offered. America, however, had discovered this insight, which—people assumed—gave the new country an advantage that its ancestors had lost in misplacing their priorities.
Chapter 5 is the first of several chapters that focus on a specific individual and that person’s impact on the preservation movement. While Thoreau was not the first to advance the cause of wilderness protection, his stature as a founding figure was immense. In attempting to explain why, Nash cites Thoreau’s outside-the-box style of thinking. For example, rather than writing from the vantage point of an academic distanced from the wilderness experience, Thoreau chose self-imposed habitation in the wilderness. Nash cites the famous line that conveys the motivation behind Thoreau’s Walden Pond experience: that he “went to the woods because [he] wished to live deliberately” (89). The word “deliberately” is essential to understanding Thoreau’s motivation. It suggests intentionality and an intellectual endeavor resembling meditation. Thoreau’s purpose was to gain insight and learn how to see wilderness as something other than an adversary and more than a romanticized ideal.
According to Nash, Thoreau’s experience at Walden Pond did not, however, turn him into a Primitivist. Nash gives more attention in this section to discussing the results of Thoreau’s experience at Walden Pond than to analyzing the book Walden itself. Nash asserts that how American culture has come to view Thoreau—as a one-dimensional supporter of nature—is not entirely accurate. The tension that existed in American culture between before, during, and after Thoreau between the wilderness and civilization was evident in Thoreau himself. In fact, one lesson that Thoreau learned from his experience at Walden Pond was to value civilization more—not that all his disdain and skepticism for civilization were justified: “Instead of coming out of the woods with a deepened appreciation of the wilds, Thoreau felt a greater respect for civilization and realized the necessity of balance” (90). The need for balance contradicts Thoreau’s one-dimensional view before his Walden Pond experiment. Thoreau further developed his philosophy to include a taxonomy of character traits and moral values that one could attribute to civilization and wilderness. For example, societal refinement was important to Thoreau and could not be gained by living in the wild. Likewise, he associated heroism, vitality, and toughness with what he termed a “wilderness condition” (92). For Thoreau, the secret to a well-rounded, fully lived life was learning how to access and apply the best of both these worlds.
Nash’s primary claim at the beginning of Chapter 6 is that the more wilderness across the US vanished, the more an appreciation of it developed. As the culture became more aware of dwindling wilderness, so did the urgency to protect it. Importantly, calls to protect the vanishing wilderness came from East coast intellectuals, a theme that Nash probes further in subsequent chapters. Led by influential literary and cultural figures like Thoreau and William Culler Bryant, the advocacy to preserve wilderness began with a decisively theoretical approach. It did not stem from those who were out on the frontier, the pioneers whose livelihoods depended on subjugating wilderness to survive. The original tension between those who saw wilderness preservation as an intellectual endeavor versus those who had what Nash calls a utilitarian view played out from the mid-1800s to the middle of the next century. As an example of the conflicting views, Nash refers to the gradual replacement of wild buffalo with roaming cattle: “While pioneers might celebrate such events, the young gentlemen from Boston felt nothing but regret at the prospect” (100). Evident in this take is the class nature of the concerned parties as well as the divide between the lived experience of the pioneer versus the perceived experience of the Northeast’s intellectual elite. Absent from this consideration, however, are the attitudes of the Indigenous peoples already inhabiting what European settlers perceived as wilderness.
One of the more convincing strategies of early preservationists like Thoreau and George Catlin was to make wilderness preservation equivalent to the preservation of civilization. As a countervailing force, wilderness was important because as the antithesis of civilization, it offered an escape and provided an alternative way of life to the increasingly industrialized society of the time. Wilderness and civilization needed each other for meaning, much as light needs dark. While intellectually based, this view was an attempt to move away from an idealistic, romanticized foundation to a more logically informed argument. As the 18th century progressed, government policy became increasingly intentional in finding ways to preserve wilderness. By the 1860s, specific areas around the US, including California’s Yosemite Valley, drew the attention of preservationists who asserted their arguments to government authorities. Once these areas were identified, the idea was essentially to encircle them and create islands of protected land within the broader civilized landscape. Nash revisits this concept in his Epilogue, where he inverts it to propose a future view of wilderness.