36 pages • 1 hour read
Roberta EdwardsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Key Figures
Themes
Index of Terms
Important Quotes
Essay Topics
Tools
Howard Carter, a British man who was fascinated by ancient Egypt, initially sold paintings of the Valley of the Kings to tourists but eventually became interested in archaeology. He was sponsored by Lord Carnarvon, a rich British lord, and an ancient Egypt enthusiast, to conduct a dig in a site that Carter suspected would hold a tomb.
As Edwards states, Carter and Lord Carnarvon find a cup engraved with King Tut’s name in hieroglyphs. After years of digging, Lord Carnarvon almost gives up, but Carter begs him to fund the dig for a while longer. They come across a staircase cut into the rock, and it leads to a door. Lord Carnarvon is sent for, and he travels from Britain with his daughter.
Edwards notes that Lord Carnarvon’s death soon after the discovery of the tomb led many at the time to believe that a curse was associated with King Tut’s tomb.
In this chapter, Edwards dramatizes the moment when Carter and his associates entered King Tut’s tomb.
Carter, his friend Carnarvon, and Carnarvon’s daughter go through a passageway to another door, which they break open. Carter later describes the sight of a room filled with gold and wondrous objects, including statues and mummified animals. They discover four rooms in total, all of which are filled with artifacts. The overturned and messy state of the rooms suggests that robbers ransacked the tomb long ago, and there is no way to know what was taken. They hope that the burial chamber has been left undisturbed.
Edwards’s dramatized description continues. In a series of mummy cases, the innermost of which is made of gold, Carter finds King Tut’s undisturbed, mummified body. He lifts away the intricate gold mask to look into King Tut’s face. King Tut’s organs are contained in jars within a stone casket. The treasures of the tomb are sent to a museum in Cairo, and King Tut’s body is left in place in the tomb.
After Lord Carnarvon’s untimely death, people became fascinated with the idea that he was cursed upon entering the tomb. Similarly, horror movies featuring mummies continue to thrill and scare people. Edwards suggests that ancient Egyptians were mostly peaceful people and stresses that these historical items should not be a source of fear.
Ancient Egypt can be divided into three periods: the Old Kingdom, the Middle Kingdom, and the New Kingdom. Between these periods, power was not centralized in Egypt. Each of these three time periods lasted for hundreds of years and encompassed the rule of many different dynasties. King Tut was the 12th king of the 18th dynasty during the New Kingdom period.
Even though the successful discovery of King Tut’s tomb is a foregone conclusion, Edwards plays to her young readers by reimagining the moment of discovery in detail, thereby adding tension and suspense to her explanation of the various stages of Carter’s dig. She also imbues the discovery of the staircase and door with a pointed sense of excitement and anticipation, emphasizing the eagerness of an archaeologist who is finally realizing a long-held goal. Her descriptions highlight the realities of such an arduous task, especially when she explains that Carter was forced to wait two weeks for Lord Carnarvon to arrive before he could finally look inside the tomb. In this example, she utilizes a child’s understanding of the impatience that accompanies much-anticipated events and applies this emotion to a historical discovery in order to make it more relevant to her young readers. These stylistic choices are evident in her wording, for the phrase “at last” emphasizes Carter’s impatience as the narrative states, “At last Lord Carnarvon arrived. His daughter came, too. And Howard Carter was about to learn what was on the other side of the door” (53).
Additionally, Edwards conveys Carter’s anticipation and excitement when he finally beholds an almost magical and otherworldly sight, and the moment-by-moment depiction captures this emotion:
At first I could see nothing . . . but presently, as my eyes grew accustomed to the light, details of the room within emerged slowly from the mist, strange animals, statues and gold—everywhere the glint of gold. […] I was struck dumb with amazement. (55)
The grandeur of King Tut’s tomb reflects The Ancient Egyptian Belief in the Afterlife, for the space contained all that he might have been expected to require in the afterlife. In addition to containing all the trappings required for the decadent hobbies of a king, the tomb’s inclusion of practical items emphasizes ancient Egyptian individuals’ expectation of being resurrected and having the same needs in the afterlife that they once had on earth. As Edwards states, “One box was for the king’s shaving equipment. Other boxes contained meat for Tut to eat” (56). By describing the full array of riches and practical items, Edwards once again creates an image of Ancient Egypt as a Complex, Thriving Civilization, for the plentiful gold items portray the nation’s great wealth, while the exotic array of stuffed animals indicate that Egypt traded with many different parts of Africa.
Significantly, Edwards contrasts Carter’s reverent and respectful entry into King Tut’s tomb with the invasive and disrespectful invasions of tomb robbers and souvenir hunters such as Giovanni Belzoni, who irreverently sold mummies to rich Europeans. Similarly, the invasion of ancient tomb robbers into King Tut’s tomb is conveyed in the “two overturned chariots” (56), indicating that tomb robbing also occurred long before Europeans entered the game. However, Carter refrains from causing damage to the archaeological site and handles King Tut’s preserved body very delicately. Edwards’s descriptions dramatize this approach when she states that Carter “carefully peeled away strips of cloth” and came “face-to-face with Tut” (59). This description humanizes the deceased pharaoh and creates the impression that he and Carter are meeting one another. Thus, Edwards frames Carter’s entry as permissible and respectful, even though modern-day archaeological procedures would have forbidden his choice to open the deceased king’s sarcophagus and unwrap the mummified face.
Ultimately, Edwards characterizes Carter’s entry into the tomb as far superior to that of outright tomb robbers, and she lists his choice to send the treasures to a museum in Cairo as proof of his good intentions. Her characterization is further strengthened by the fact that Carter leaves King Tut’s body “in the royal burial chamber, right where it belonged” (60) and she emphasizes the importance of leaving the long-dead pharaoh “in peace” (60).