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48 pages 1 hour read

Bill Cleaver, Vera Cleaver

Where the Lilies Bloom

Fiction | Novel | YA | Published in 1969

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Themes

Survival in a Harsh Environment

In Where the Lilies Bloom, a variety of challenging factors coalesce, making life hard for the Luther siblings. The geographical setting of a rural valley in the Appalachian mountains presents unique trials, as does the cultural environment of the area and the Luther household. These challenges are mostly illustrated through the characters of Mary Call and Romey, who tackle their worries in different ways due to their personalities, gender, and age. The Luther family survives their harsh environment through resourcefulness, faith, and family identity; the novel hence suggests that perseverance and teamwork lead to survival.

Because of their father’s position as a sharecropper, the family makes a low income. Mary Call also attributes their financial state to her father’s weakness, or inability to stand up for his rights: “He’s let things beat him […]. The land, Kiser Pease, the poverty” (17). While Roy Luther is not assertive in his relationship with landowner Kiser Pease, he does maintain strict moral codes within the household; pride in the family name is a key aspect, which is tied to a fervent refusal to accept any help from the county or townspeople, even if the family’s “tongues hang out parched down to our knees” (16). Mary Call has absorbed and inherited this mindset, wary of accepting gifts due to the idea that it will “demean” the family and make them lose both dignity and autonomy. This places the onus on Mary Call to keep the family afloat financially.

To survive their environment in way their father never could, Mary Call and Romey turn to the land instead of fighting against it, picking plants and herbs for money. While Mary Call resents her father for his submissiveness, she finds strength in the Luther identity, often referring to her guts and calling herself “Guts Luther.” Her identity is deeply connected to her lineage of mountain people, and she takes pride in their strength to survive in a locale known for its harsh conditions. She feels a connection between the Luther spirit and the land.

Religious faith is a key part of Mary Call’s survival. Her ability to believe in God and feel like she is talking to him provides her with crucial support in times of supreme isolation and anxiety. God enables her to express herself openly and brings her back again and again to the beauty of the land, family, and life. God enables her to see the beauty in their hard, unique existence.

Complexity of Family Bonds

The Luther family’s interactions are the heart of the novel. Mary Call’s relationships with her father, Romey, and Devola are the most prominent features of the book. These connections are characterized not by one emotion but by a complex array of feelings and motivations. The text suggests that families should not be governed by strict hierarchies but allow for the evolving needs and desires of each member.

Mary Call’s relationships undergo significant changes throughout the novel as she learns to re-examine her assumptions and beliefs about family. At first, Mary Call exhibits an implicit belief that family dynamics are static rather than ever evolving. She assumes that the promises Roy Luther demands are sensible, right, and permanent, seemingly because he is their father and the head of household. She also inherits his points of view; for example, she shares her father’s belief that Devola is too simple-minded to carry out more mature, complex rites of passage such as moving away and marriage. She hardly ever asks advice from Devola, nor solicits her opinion. While Mary Call does speak about family matters with Romey, she is also mindful of the fact that he is 10 years old. She often notices his warring emotions and worried tone, making her believe that he is not able to be relied upon nor capable of contributing in a meaningful, adult way.

As the novel progresses and hardships compile, Mary Call further isolates and turns herself away from her siblings and sees little value in what they have to offer. She becomes more outspoken, mean, and dismissive. She continues to call Devola “cloudy-headed,” even though Devola cooks all of their meals, looks after Ima Dean, and expertly drives a car. She resents Romey’s displays of emotion, thinking them weak, childish, and feminine. She does not show grace toward her siblings, nor does she think she can outsource any real intellectual task to them. She sees the onus as being solely on herself, which is partly the fault of Roy Luther and his mandated promises. He has instilled the value of loyalty into the family—one that Mary Call takes highly, as she is motivated often out of a fear of her family being separated—but he oversimplifies their dynamics and places too much on Mary Call’s shoulders.

With the help of the people around her, Mary Call is able to make sense of her new world, one that is not structured by her father’s beliefs and dictated hierarchies. Both Devola and Romey communicate their hurt feelings with Mary Call and try to show her how she has changed for the worse. These attempts do not immediately work; it is not until Mary Call sees Devola wrapping Romey’s ankle that she considers that she and her father have done a great disservice to Devola, believing her capable of so little. Devola also insists on getting married, and Mary Call realizes that Devola is able to choose a partner, fall in love, and live outside of the house. Mary Call sheds her reliance on Roy Luther’s promises and his worldview.

The authors show that family bonds are complex in that they are never stagnant; families undergo ruptures, and they also find adaptations that can be uncomfortable or appear as forms of disloyalty. Through the Luther family, the Cleavers illustrate how individuals and their relationships grow and change, whether due to the natural course of maturity or through new experiences. Values like loyalty and faith are expressed in different, unfamiliar ways. The complexity of family bonds also means choosing those who are living over those who are dead. In the end, Mary Call chooses to embrace life.

Processing Grief at a Young Age

Due to the significant losses experienced by the Luther siblings, processing grief at a young age becomes an important theme in the novel. Loss occurs both before the novel takes place—specifically with the passing of their mother—as well as during the course of the text with the death of their father. Confronting loss is especially difficult for Mary Call; to keep the family together, she has to be strong and not break down emotionally. She does not want to worry her siblings, and she has to keep a clear mind in order to solve their growing, complex problems. The emotions that eventually creep through in the text (from all members of the Luther family) and the arguments that arise from misunderstandings suggest that grief is best processed at a young age by sharing feelings and facing the loss.

Because of these responsibilities—and values instilled by her father—Mary Call cannot confront the loss of Roy Luther and instead fixates on the tasks she must complete. She quickly has to assume his role with no guidance, burying her doubts and great swells of emotion: “Oh, Lord, You sure made a mistake when You put me together. You didn’t give me enough strength to carry out all I’m supposed to do” (64), she thinks after Roy Luther dies and Romey is questioning her. Rather than being able to process her father’s death, Mary Call has to turn inward, berating herself with high expectations. She places the blame on herself and turns to God for some kind of reassurance. Her relationship with God demonstrates the power of faith in the face of grief, inexperience, and search for identity and recognition.

Grief is never mentioned explicitly in the text, highlighting Mary Call’s aversion to embracing emotion. In the end, it is ambiguous how much despair Mary Call feels about her father or how she has processed the passing of her mother. The despair is intermingled tightly with her own anxieties about keeping her family together. The scene in which she visits the grave of Roy Luther and finds no real connection—and then later embraces the coming spring—constitutes a resolution to embrace all that is living.

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