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57 pages 1 hour read

A. B. Poranek

Where the Dark Stands Still

Fiction | Novel | YA | Published in 2024

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Chapters 16-23Chapter Summaries & Analyses

Chapter 16 Summary: “Chamomile Petals”

The Leszy brews Liska a cup of chamomile tea, and Jaga curls up in her lap in the form of a cat. He tells her not to blame herself for what happened to her father: “It’s not your fault that these days no one knows what to do with people like you” (140). After her father’s death, the rumors about Liska grew, and she became as “docile and pious and helpful” as possible to avoid suspicion (140). The Leszy asks why she wants to return to a home where she has to hide parts of herself, and she answers that it’s the only place she belongs. He understands because he used to long for a home and a community when he was her age.

Chapter 17 Summary: “Onegdaj”

The following day, Liska and the Leszy resume her combat training. She is suddenly struck by the realization of how long he has fought to protect humanity and thanks him. He is deeply touched but quickly resumes their training exercises. The Leszy tells her that silver weapons are more powerful if they are given names, so she decides to call her dagger Onegdaj, which means “the past.”

Liska has been in the Driada for over a month. She spends her time studying combat and spellcraft. One day, she teases the Leszy about his lack of cooking skills, and he admits, “Perhaps I am so used to looking after the wood and only the wood that I’ve forgotten how to care about anything else” (146). Liska blushes because she is still unaccustomed to his occasional moments of openness. Jaga scolds the girl for developing feelings for the demon despite her warnings. Around midnight, an unknown threat breaks the Leszy’s wards and attacks the village of Wałkowo. Liska insists on accompanying the Leszy because she is trained in healing and because she doesn’t want to wait in the manor while he could be in trouble.

Chapter 18 Summary: “The Driada’s Gambit”

The Leszy opens a spelldoor to Wałkowo. A czarownik named Kazimiera explains that all the men in the village have been lured toward the forest by a dozen rusałki. The Leszy tells Liska to watch over the village women while he and Kazimiera fight the demons. After the village’s gates close behind the Leszy, dozens of strzygoń attack the women. Many perish despite Liska’s efforts to defend them, and one of the strzygoń wounds her with its poisoned talons. Desperate to save the villagers, Liska unleashes her magic in the form of swarms of butterflies. At her command, the water in the well forms spears of ice and slays the strzygoń. Liska collapses as the poison spreads through her body and soul. The Leszy determines that the only way to save her is to absorb the poison into himself. Kazimieira tells the Leszy, whom she calls Eliasz Kowal, that such a feat is impossible, but he ignores her.

Chapter 19 Summary: “The Wood Must Always Have a Warden”

Liska falls unconscious and revisits a memory from when she was 17 in her dreams. Marysieńka told her that she was engaged to Tomasz Prawota. Liska was aghast, but Marysieńka insisted that Tomasz was kind to her and that the match would benefit her family financially. When Liska awakens, Kazimiera is using healing magic on her wounds. Liska was told that female czarownik go mad, but Kazimiera explains that “women are inherently more powerful in magic” (165), so men spread lies to limit them. Kazimiera is centuries old thanks to spells that keep her alive as long as she evades mortal wounds. She assumes that Liska is the Leszy’s apprentice, but he says that she is just his servant. Kazimiera tells them both to rest and leaves to tend to the villagers.

Seeing the Leszy’s exhaustion, Liska realizes that he isn’t a demon after all. He admits that he never died and that part of him is still mortal. He hides his humanity behind the deer skull mask because, if he looks like a monster, “no one will be surprised when [he does] monstrous things” (170). Liska tells him that she doesn’t think he’s a monster. They nearly kiss, but he abruptly withdraws.

Chapter 20 Summary: “Old Gods”

The Leszy informs Liska that he will spend a week inspecting his wards, refuses to allow her to join him, and gives her a magical token that will transport her to the manor. Liska overhears a conversation between Kazimiera and the Leszy. The czarownik tells him that he cannot hide from his feelings forever, but he’s determined not to repeat the same mistakes he made with Florian. He believes someone called Weles is behind the coordinated demonic attack on the village, and he says, “I will not let one intrepid, doe-eyed girl ruin seven hundred years of stability” (174). Liska is saddened because she was starting to feel a sense of belonging with him.

Liska finds a thin 11-year-old orphan in the village square and brings him to Kazimiera’s home. The woman tells Liska the story of how Eliasz became the Leszy. Originally, he was a czarownik with a deep understanding of magic but little strength, and his scholarly work was exploited by his peers. After making a pact with an old god named Weles, he gained tremendous power, which he used to create the Driada. Kazimiera was once his apprentice, and she says that he was “not a good man, not for a long time” (179). Eventually, his interest in wealth and political power faded. Although Eliasz and Florian were together for only three years, Kazimiera credits him with much of the positive change in the Leszy’s character. Weles killed Florian because he jealously views the Leszy as his property. Kazimiera believes that the Driada respects Liska, which makes her different from Florian.

Chapter 21 Summary: “Maksio”

The young orphan doesn’t speak, but he makes it clear that he wants to stay with Liska. She decides to call him Maksio. Kazimiera tells Liska she could return to Stodoła, but she is resolved to fulfill the bargain she made and wary of endangering her village. Liska says her goodbyes to the czarownik and takes Maksio to the manor. She teaches him to play chess and gets him settled in one of the estate’s bedrooms. Jaga comforts Liska when flashbacks and bad dreams haunt her that night.

Over the next few days, Liska attempts to cast spells, but her negative associations with magic interfere. As promised, the Leszy returns at the end of the week. Liska’s elation upon seeing him turns to rage when he says that he’ll return Maksio to his village because the manor is too dangerous for a child.

Chapter 22 Summary: “The Girl Who Bled in the Moonlight”

Liska’s magic shatters some of the objects in the kitchen before she regains her composure. The Leszy tries to help her understand why he is afraid to take unnecessary risks with humans’ lives: “This wood has taken everything from me. Everything” (195). He agrees to let the boy stay, but Liska now believes that she is too dangerous to be near Maksio. She begs the Leszy to take her magic from her and then flees from the room.

The manor ushers her into the library, and the Leszy follows her. He tells her that the library was Florian’s favorite room in the manor because he loved fairy tales. The Leszy offers her a new bargain. If she tells him about the day her magic disappeared, he’ll make one last attempt to free her power and grant her wish if he fails. He suspects that the incident has something to do with the white streak near her temple because czarownik’s hair turns white if they overexert their magic. Feeling as though she is taking a knife to her chest, Liska confesses that she killed a man.

Chapter 23 Summary: “Red Clover”

The narrative moves back in time. After their wedding, Tomasz tells Marysieńka to stay away from Liska because his family is convinced she has evil powers. One day, he sees the two women talking and nearly strikes Marysieńka for disregarding his warnings. Two weeks later, Tomasz asks Liska to help his ailing milk cow. When he steps out of the barn, she uses her magic to determine that the animal is sick because he purposely fed it blackened clover. Tomasz had Marysieńka watch Liska from outside the barn, and they both saw the flash of blue light that accompanies her magic. Tomasz intends to hand Liska over to the village authorities, and she panics. She asks her magic to stop him, and a tree collapses on the barn, crushing him. Marysieńka calls her a witch and then faints. To shield her daughter, Liska’s mother tells everyone that Marysieńka suffered a head injury in case she tries to reveal Liska’s magic.

The narrative returns to Liska’s present. The Leszy reassures her that she is not a monster and that she can create a place for herself where she belongs. Facing her painful memories unlocks Liska’s magic. She uses a restoration spell on a dried rowanberry, and she’s surprised by how good it feels to cast magic.

Chapters 16-23 Analysis

In the novel’s third section, Poranek introduces two new supporting characters who advance the themes of myths and belonging. The wise Kazimiera teaches the reader and Liska about the Leszy’s backstory and Weles, the novel’s antagonist. Because she’s known the Leszy for centuries, she’s able to provide insights into his character, such as the revelation that his name is Eliasz Kowal and her indictment of his “self-martyring tendencies.” In addition, Kazimiera exposes misogynistic lies about magic: “Men could have never stayed in power if they allowed us to thrive. So they spread rumors and refused to take us on as apprentices, and here we are” (165). Kazimiera’s stories about the past help Liska realize her potential, demonstrating The Enduring Relevance of Myths and Folktales. The supporting character serves as a mentor figure to the protagonist, and her counsel proves vital near the end of the story. The clever and enigmatic Maksio is also introduced in this section. He develops the theme of belonging because Liska makes the manor a home not only for herself but for her growing found family. The boy’s refusal to speak and Liska’s sense that “[s]omething about him seems off” foreshadow the revelation that he is a rusałka in disguise (175). His presence at the manor catalyzes Liska’s breakthrough with her magic by necessitating difficult conversations that the two main characters sought to avoid. In this way, he facilitates this section’s hopeful, empowering ending.

Liska and the Leszy’s quest for belonging and redemption defines their tragic backstories and draws them together. In Chapter 16, he tells her, “That desire for a home, the safety of a community…there was a time I would have given anything for it” (141). This foreshadows that he initially summoned Weles in the hope that he could gain the esteem of his peers. Just as the Leszy’s search for acceptance led to misfortune for him, so, too, Liska has encountered tragedy because of her desperation to belong. She kills Marysieńka’s husband in a state of panic because he is going to reveal her secret, rendering her an outcast in her community: “No one will ever look at her the same; no one will ever trust her again” (204). More than the threat of imprisonment, Liska feared losing her chance at belonging. The Leszy tells her, “[I]f the world has not prepared a place for you, you must take up a hammer and chisel and carve one out for yourself” (206). His words offer the protagonist a paradigm shift by reframing belonging not as something she must sacrifice herself to maintain but rather as something she can create for herself.

With the Leszy’s help, Liska achieves milestones for the theme of The Magic of Self-Acceptance. By reminding her that czarownik used to be understood and accepted, he helps to combat the religious stigma her community attaches to her power. Liska makes some progress when she deliberately unleashes her magic to defend the women of Wałkowo, but her trauma remains a mental obstacle when she tries to use her power afterward. To achieve self-acceptance and unlock her magic, she must face her most painful memories: “All this time, she has been trying not to think of what happened that day, repressing every thought of her mistakes and Marysieńka. And with it, she has been pushing away the one thing she blames for her pain” (207). The Leszy’s support is essential as Liska resolves her inner conflict. He listens to her confess what she considers her gravest offense without judgment and remains adamant that she is inherently good: “You spent your life under a growing pressure, Liska. Even the strongest person would crack after so many years” (206). With his help, Liska faces her past and rediscovers her magic’s goodness. These major thematic developments give this section a happy ending filled with honesty and healing.

Poranek’s use of symbols and motifs offers further insight into Liska’s evolving relationship with her magic. The narrator offers a vivid description of butterflies, which serve as a motif of the magic of self-acceptance, during Liska’s battle against the strzygoń in Chapter 18: “Thousands of them, a flood of wings and brilliance and power, blue as wildflowers and shallow streams and frosty spring skies” (158). The comparison of the butterflies’ color to beautiful aspects of nature indicates that Liska no longer thinks of her magic as the unnatural, evil force she once did. Additionally, the first spell she casts after healing her relationship with her magic restores a red rowanberry. The color red symbolizes protection, affirming that Liska can use her power to defend what she loves, not merely destroy.

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