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84 pages 2 hours read

Rebecca Stead

When You Reach Me

Fiction | Novel | YA | Published in 2009

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Themes

Time and Time Travel

Repeated references to A Wrinkle in Time foreshadow the role of time travel in When You Reach Me. Before A Wrinkle in Time is named specifically, however, hints are left to guide readers towards noticing the importance of time in this story through references to watches, keeping time, and telling time.

Time is important to the subplot of Miranda’s mother preparing for her appearance on The $20,000 Pyramid. Contestants are given only a short amount of time to solve as many puzzles as possible on the show, so Miranda’s mother practices meticulously with a timer. Despite not having enough money to decorate her apartment nicely, Miranda’s mother splurges on “a fancy egg timer that can accurately measure a half minute” (3). Miranda is also precise about the amount of time available to prepare between receiving the game show’s postcard and when her mother’s appearance is scheduled: “We have exactly twenty-one days to get Mom ready” (5). Precise timing is important for Miranda’s mother in her preparations. Every day that goes by is an opportunity to practice, and every second that passes within each practice round is crucial. Miranda’s mother demonstrates her understanding of this importance when, after one week of practicing, she is unable to complete the second round of clues in time and “no one says anything” (42). After a pause, she finally acknowledges that she has two weeks left to prepare, building suspense and urgency as readers realize that timing and practice are crucial in accomplishing her goal.

The laughing man reenacts this sense of crucial timing and urgency in his work to save Sal’s life. Marcus’s ability to tell time from the sun’s position is one hint that he and the laughing man are the same person. Marcus does not own a watch, but his ability to tell time without one demonstrates his deeper understanding of how time works. Like Miranda’s mother, the laughing man practices for his big day, knowing that he has only one shot at the real event. He returns multiple times before he gets all the details—location, time, method—correct, showing up sometimes as a naked man running through the streets outside the middle school as he figures out the logistics of traveling back in time. When the day to save Sal arrives, the laughing man is ready, standing at attention “in his nutcracker position” (158) and facing the action. As the truck comes barreling towards Sal, the flicker “like an old movie” (158) next to the laughing man allows Miranda to catch a glimpse of time travel in action.

Preconceptions Versus Reality

Characters are judged before being given a chance to prove themselves throughout the story. Miranda hates Julia at the beginning of the novel, her judgment stemming from an incident in second grade when Julia “complained that there was no ‘cafe-au-lait’-colored construction paper for her skin” during a classroom art project. Julia is Black, and she asks for construction paper closer to her own skin color for the second-grade project. Julia’s specificity around her own skin color strikes Miranda as pretentious, and Miranda holds a judgmental grudge against Julia for this, an annoyance that is amplified as they get older because “Julia wasn’t like the rest of us” (34). Julia is wealthy, leaves school for weeks at a time to travel the world, and returns with nice clothing and jewelry from abroad. Miranda holds all of this against Julia until she learns that Julia has been looking out for Annemarie’s health for all these years and helping Annemarie avoid epileptic episodes. After spending time with Julia as they plan to celebrate Annemarie’s birthday, Miranda gains a new understanding and respect for the girl she once judged. Miranda learns to question her own assumptions and to appreciate Julia for the complex and caring person that she is.

Miranda and Sal both understandably judge Marcus after Marcus punches Sal. When Miranda and Marcus are sitting in the school dentist’s office together, Miranda learns that they share an interest in time travel. Marcus doesn’t remember Miranda being there when he hit Sal, but Miranda remembers Marcus as “the boy who hit Sal” (47). Marcus further annoys her when he can’t remember the names of characters in her favorite book, and when he raises compelling questions about the logistics of whether time travel has been accurately portrayed in A Wrinkle in Time. Through numerous frustrating encounters, Miranda and Marcus establish common ground over their interest in time travel. By the time they are hiding from the police in the dentist’s office after the laughing man’s death, Miranda refers to Marcus as a friend when she calls her mother for help.

Although Miranda learns “that most people I’m afraid of are actually very friendly” (26), Jimmy proves to be an exception. Miranda appreciates that Jimmy likes her nickname for Julia—Swiss Miss—but she misses the racist connotation in the name. She recognizes that some of the jokes Jimmy makes are inappropriate, but she doesn’t understand how racist he is until he assumes that Julia is the one who has stolen his money because she is Black. Jimmy reveals himself to be “a racist pig” (130) in his determination to keep Julia out of his sandwich shop, going so far as to tell his employees that they “don’t have to come back either” (129) if they’d rather defend her. While most people do prove to be good most of the time in the story, Jimmy is a reminder of the exceptions.

Acts of Heroism

As the laughing man, Marcus saves Sal from being hit by a truck and sacrifices his own in the process. He accomplishes this through time travel, returning from the future to kick Sal out of the way as the truck comes toward him. Miranda’s letter provides the thread connecting Marcus to his fate and ensuring that Sal is saved.

Belle misinterprets Marcus chasing Sal and reports him to the police in connection with the accident that kills the laughing man. When the police come looking for Marcus at school, the office administrator’s intentional delays, Miranda’s quick thinking, and the dentist’s and Miranda’s mother’s interference save Marcus from enduring police interrogation. Miranda’s mother understands that going through arrest, trial, and a jail sentence prevents a person “from becoming who they might grow to be” (85). In interfering with the police and sending them away, Miranda’s mother saves Marcus from potentially enduring a life-altering experience for a crime he hasn’t committed. In doing so, she also ensures that Marcus can save Sal’s life in the future, since if Marcus were to end up in jail he could not live his life fully and learn the nuances of time travel.

Saving a life can also be accomplished in the form of offering new beginnings or second chances. Miranda’s mom visits the local jail once every month to offer support to pregnant inmates, bringing them snacks and offering free legal counsel to help them feel encouraged and to prepare them for the road ahead after conviction. She asserts that “Not everyone accused of a crime is a criminal” (116), and she doesn’t want to see people suffering endlessly for mistakes they’ve made. Miranda’s mother feels that she’s “made about a million mistakes” in her lifetime, but she’s managed to raise Miranda on her own, which she feels can “outweigh almost all of them” (116). Miranda’s mother never elaborates or explains what mistakes she’s referring to, but her regular charitable visits to the jail and her willingness to divert the police to save Marcus from interrogation imply her understanding that jail can end a person’s life as they know it.

Even Julia contributes to saving Annemarie, keeping a close eye on her diet at school because she knows that a special diet will help her friend avoid seizures. After weeks of throwing away her specially-prepared lunches and eating sandwiches at Jimmy’s shop instead, Annemarie experiences an episode that leaves her “changed, like a switch had been flicked inside her” (89) and she is unresponsive to the people around her. Julia recognizes the symptoms of Annemarie’s epilepsy immediately and guides Miranda in conversation, bringing Miranda to realize that “Julia was showing me something, teaching me how to help Annemarie” (90). In the aftermath of Annemarie’s episode, Miranda comes to understand that Julia is constantly watching over her best friend’s fragile health.

Coming of Age

Miranda experiences a period of personal reflection and growth in the story, leaving her more mature at the end of the plot than she is at the beginning. Her growth in maturity is gradual, with her isolated reflections over winter break offering a significant shift in her outlook and behavior towards others. In this way, the story is a bildungsroman, or a story of formative growth for her character. Getting her first job at the sandwich shop and experiencing a crush on Colin are key experiences in Miranda’s coming of age, and her changes in outlook and the way she interacts with the people she cares about demonstrate further growth in character.

Ongoing tension between Miranda and her mother escalates as Miranda demonstrates a lack of understanding or appreciation for how hard her mother works. Even when Miranda recognizes that her mother is trying her hardest, she still can’t find the words to apologize for her own harsh words: “I still couldn’t apologize for what I’d said. I wanted to, but I couldn’t” (120). Miranda’s lack of maturity gets in the way of apologizing to her mother at an opportune moment. Miranda misses another chance to show appreciation for her mother the next day when she wakes up to find her making bacon omelets after Annemarie spends the night. Miranda recognizes her mother’s effort and wants to hug her but doesn’t. The tension between them is finally broken on New Year’s Day in Chapter 40, “Things in an Elevator”, when Miranda expects her mother “to jump all over me” (141) but instead breaks into tears over having been worried about Miranda. This brings Miranda to cry as well, and they bond in the elevator as they leave Annemarie’s apartment.

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