71 pages • 2 hours read
Grace LinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lin’s background plays a pivotal role in shaping the themes and storytelling in When the Sea Turned Silver. Born in 1974 to Taiwanese immigrants in upstate New York, Lin often felt the weight of growing up between two cultures. This experience of cultural duality dramatically influences her work, including When the Sea Turned Silver, which is deeply rooted in Chinese folklore and mythology. Lin has stated that as a child, she did not see herself reflected in the stories she read, which inspired her to write books that would allow young Asian-American readers to connect with their heritage (Amberg, Amy. “Grace Lin of Diversity and Inclusion.” Writer’s Rumpus, 2022). This desire to bridge cultures is evident in how Lin intertwines ancient Chinese myths with universal themes of bravery, family, and self-discovery. Lin details her experiences in The Year of the Dog (2005) and Gene Luen Yang details similar struggles in the young adult graphic novel American Born Chinese (2006).
Taiwan is heavily influenced by Chinese folklore, language, and culture due to its deep historical and cultural ties with mainland China (“History of Taiwan.” Life of Taiwan). For centuries, waves of migration from China, particularly from Fujian and Guangdong provinces, brought Chinese traditions, language, and beliefs to Taiwan. The island was part of the Qing Dynasty until 1895, further cementing these connections. Even after Taiwan’s political separation from China in 1949, the cultural heritage, including folklore, Confucian values, and the Mandarin language, remained deeply rooted, shaping Taiwan’s identity and its artistic, social, and spiritual practices.
Lin notes her Taiwanese heritage in various ways in When the Sea Turned Silver, like using the Taiwanese word for grandmother, Amah, rather than the Mandarin nǎi nai. However, Amah can also mean “old woman” in Mandarin, highlighting the fluidity and overlap between Taiwanese and Chinese linguistic traditions. This subtle choice reflects the blending of Taiwanese and Chinese cultures, emphasizing how language carries layered meanings and regional nuances. Lin’s use of Amah not only nods to her Taiwanese roots but also connects her characters to broader Chinese cultural themes, illustrating the intertwined nature of the two identities.
Lin’s education at the Rhode Island School of Design gave her the technical skills and artistic vision that shine through her writing and illustrations. When the Sea Turned Silver is rich in visual storytelling, much like her previous works, and reflects Lin’s artistic background. Her illustrations mirror traditional Chinese art forms and create a layered narrative experience that reinforces the folk-tale atmosphere.
Personal tragedy also shaped Lin’s creative path. Her first husband, Robert Mercer, passed away from cancer in 2007, a loss that deeply impacted her storytelling. In When the Sea Turned Silver, themes of loss, resilience, and the healing power of storytelling are woven throughout the narrative. Lin notes that her husband’s death influenced When the Sea Turned Silver by encouraging Lin to focus on how stories are a form of immortality.
Chinese culture and folklore significantly shape the narrative of When the Sea Turned Silver. Lin weaves traditional Chinese myths and values into the novel’s fabric, giving it a cultural depth that reflects her heritage. Lin sets the novel in a fantastical version of ancient China, where mythological figures, such as the Sea King and the Black Tortoise of Winter, represent traditional Chinese mythical beings. The Black Tortoise is one of the four Chinese constellations and the Sea King, also called the Dragon King, is a Chinese water and weather god. These characters, derived from Chinese folklore, emphasize the importance of legend and oral history in shaping identity and understanding of the world.
One of the key ways Chinese culture influences the novel is through its focus on the power of storytelling, a central theme in Chinese folklore. Characters like Pinmei and Amah embody the role of storytellers, preserving history and wisdom through tales passed down across generations. This mirrors the way Chinese folktales, often shared orally, carry moral lessons and cultural values, such as filial piety, bravery, and sacrifice, which are seen throughout the characters’ journey. The story of Nuwa, for instance, draws directly from Chinese mythology.
Additionally, Lin incorporates Chinese cultural symbols, such as the Paper of Answers, which mirrors the I Ching, or Book of Changes. The emperor’s quest for immortality, a recurring theme in Chinese legends, echoes historical figures like Emperor Qin Shi Huang, who also sought eternal life. The Long Walkway, covered in pictures from important tales is similar to the Long Walkway of the Summer Palace in Beijing. These elements blend seamlessly into the novel, enriching its world and deepening the reader’s connection to the characters’ struggles and triumphs.
Lin also references her previous works, Where the Mountain Meets the Moon and Starry River of the Sky, in When the Sea Turned Silver. Pinmei’s grandmother is Minli, the protagonist from Where the Mountain Meets the Moon, and Pinmei encounters many of the same characters and events that Minli did on her journey. This form of reflexive storytelling is common in Chinese folklore, where interconnected stories and recurring characters create a shared mythological world. For example, the Old Man of the Moon appears in all three stories, serving as a unifying figure that links the narratives together. This technique mirrors traditional Chinese folktales’ cyclical and interconnected nature, where characters and themes are often revisited to highlight shared cultural values and lessons.
By Grace Lin
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