63 pages • 2 hours read
Ta-Nehisi CoatesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Writing “The Case for Reparations” helped Coates to back up with hard proof his suspicion (and that of a lot of other Black people) that America was founded on the plunder of Black people. Until that moment, plunder had been no more than a myth or a hunch to Coates. Coates had clear in his mind that the essay about the plunder was for himself and a Black audience, and only indirectly for the White people who were benefitting from the plunder.
Coates’s choice of audience and efforts to demythologize America place him in an old lineage of Black writers who have sought to tell the truth about America. This is a Black nationalist tradition, one that has its own blind spots, and it is one that grounds Coates’s sense of his racial and artistic identity. During his short time in college, Coates came to understand the importance of this work in making the American experience meaningful to people like him.
Politics tries to do the same work, especially in the hands of people like Barack Obama, who wishes to open new avenues of inclusion for people long excluded from American democracy. White supremacy is “a crime and a lie, [and] it’s a machine that generates meaning” by creating a White in-group and excluding everyone else (215). In claiming his Black writing ancestors, Coates aims to make meaning by seizing on the idiom and ideology of this lineage rather than by excluding others.
White Americans have long relied upon the exclusion of Black Americans to define Whiteness, with the killing of Black men like Coates’s friend Prince Jones as just one of the most extreme forms of boundary marking. The idea that the killing of Black men had some larger meaning is one Coates encountered in James Baldwin’s The Fire Next Time (1963). Baldwin, more than almost any other writer in this artistic lineage Coates claims, has impacted Coates’s commitments and aesthetic as a writer.
When Coates first read Baldwin’s searing essays, he found a model of truth telling, immaculate writing, and commitment to one’s racial community that he could emulate. Coates eventually understood the beauty of Baldwin’s writing was one of the man’s tools for making the truth about America’s myths apparent. Coates includes several passages from Baldwin’s essays to illustrate Baldwin’s use of aesthetically beautiful writing to tell ugly truths.
As Obama neared the end of his seventh year in office, Coates decided that it was time to put what he had learned from Baldwin into practice. Coates began work on what became Between the World and Me (2015), a critically acclaimed collection that solidified his literary reputation. The work was hard, and Coates speaks directly to novice writers by pointing out that the difficult part was the revision of his drafts. Coates work in this collection is itself a revision of that tradition of Black writing represented by Baldwin.
When Baldwin wrote his way into that tradition, he did it by taking down his literary ancestors, people like Richard Wright. Coates was after something different: He wanted to contribute something original to the lineage but also to pay homage with his collection. Furthermore, he found inspiration in disparate parts of Black culture, including the music of a Kendrick Lamar, a “fusion of old and new” (221).
Coates knew he had succeeded in becoming part of that artistic lineage when he appeared on stage at Howard University with Black literary giants Toni Morrison and Sonia Sanchez after the publication of his book. The success of Between the World and Me gained him enough credit with his editors at The Atlantic that they listened when he pitched “The Black Family in the Age of Massachusetts Incarceration.”
The frame for this essay is Daniel Patrick Moynihan’s The Negro Family: The Case for National Action (1965), a Nixon-era call for a jobs program aimed at Black men. Moynihan argues in the report that such jobs will create the conditions for Black men to take their rightful places as patriarchs and breadwinners at the center of Black nuclear families.
Moynihan was a liberal sociologist who supported Lyndon B. Johnson’s Great Society and civil rights agenda, but his answer to what ailed Black Americans was to be found in the Black family instead of in the lack of civil rights legislation. Coates’s gloss on Moynihan is that Moynihan saw Black families as dysfunctional and pathological because slavery and discrimination had led to an outsized number of families headed by Black women. If this pathological, matriarchal family structure was not remedied, Black Americans were sure to succumb to crime and other effects that would have a negative impact on America.
In Chapter 4 of his report, Moynihan claims that this “tangle of pathology” made Black Americans outliers in an American society built on the patriarchal, nuclear family. Even Moynihan admitted to leaving out how best to solve the problems he highlighted. The take-home message for most readers was that Black people and their broken families—not White supremacy—were the problem. The quiet release of the report gave the impression that Moynihan was trying to minimize some unpleasant truth. Conservative critics of civil rights seized on the report as support for their law-and-order politics; a crackdown on Black people, whom they saw as crime prone, was in order.
Moynihan gained a reputation as a racist as a result of these conservative fellow travelers. He also became dedicated to examining public policy on the issue of race. Nixon hired him, and Moynihan proposed a basic income program for families. When that liberal policy died in the Senate, Moynihan left the Nixon administration to teach at Harvard, where he advanced the idea that the supposed Black matriarchy was leading to an increase in crime.
Coates points out that over the past 60 years, rates of incarceration for Black men have indeed climbed, but the cause is not Black pathology. The conservatives won the policy argument, with the result that masses of Black men are caught up in the “Gray Wastes” because America chose to create a “carceral state” rather than addressing the enduring impacts of White supremacy. The carceral state is a “social service program—providing healthcare, meals, and shelter” during incarceration (231), but it makes it impossible to secure any of these needs after incarceration.
The US incarcerates more people than any other country, even authoritarian ones, and the rates of incarceration are not correlated to rises and falls in actual crime rates, according to research Coates cites. The burden of these outsized rates of incarceration falls most heavily on Black men, and the concurrent and subsequent unemployment they suffer as a result has a negative impact on their families. Children of incarcerated parents get into more trouble at school. While a parent is incarcerated, he or she frequently loses contact with family, friends, and any social support.
The problems don’t stop after release, either. Coates includes an interview from Tonya, an ex-offender who found that wide open spaces were frightening after 18 years of confinement. Ex-offenders also find that the habits that served them well inside, such as not making eye contact to avoid conflict, make them seem untrustworthy outside. Being an ex-offender makes securing employment difficult. Coates documents that a "black man without a criminal record fared worse that a white man with a criminal record" (240), so racism exacerbates the issue of unemployment after release.
The carceral state exists in the context of an American culture in which Black people are considered to be inherently criminal. That assumption can be found in America from the inception of slavery to the present day. After the legal end of Jim Crow laws, the criminalization of Black people continued with stop-and-frisk policies and the excessive use of force by the police in encounters with Black men like Michael Brown in Ferguson, Missouri. This excess of force and policing does not result in safer Black communities, however, because the police are less likely to pursue Black criminals who victimize Black people.
This underpolicing makes sense once one realizes that the primary purpose of policing Black people is to address “white anxiety about social control" (251), especially as White people became fearful of Black activism and self-assertion during the late 1960s and early 1970s. Richard Nixon capitalized on these anxieties by instituting “tough on crime” policies. Violent crime rose anyway, but Nixon and his ilk were not really interested in lowering crime: This approach gave them cover for policies tailored to re-institute social controls and deny social supports to Black Americans.
In the 1980s and 1990s, politicians and administrations across the political spectrum continued this work by advancing mandatory minimum sentencing guidelines. The narrative of the inner city as a place overrun by crack addicts and children exposed to drugs in utero who grew up to be “super-predators” was so seductive that even Black leaders took up the call for tough-on-crime policies in urban settings. The result was much higher rates of incarceration for Black people versus White people for drug crimes, despite comparable rates of drug use.
Politicians in more conservative rural states framed prisons as industries that could create jobs for their white constituents, making the plunder of Black labor and bodies for White use explicit. On the other side of the political spectrum, Democratic stalwarts like Bill Clinton, Texas governor Ann Richards, and New York governor Mario Cuomo got in on the act with tough-on-crime bills. Clinton has since admitted that his support for crime bills that criminalized large numbers of Black Americans was a mistake. Coates sees the actions of such politicians as ongoing acts of cowardice, especially since governors in liberal states like Maryland have refused to use their pardon power to vacate excessive sentences that even the Supreme Court has deemed unconstitutional.
Having documented the impact of the carceral state on Black families, Coates returns to his critique of Moynihan’s argument. Moynihan ignores the impact of “compound deprivation”—being stuck in the worst neighborhoods, on top of bad housing, on top of having access only to people just as deprived—on Black families. Compound deprivation creates a situation in which Black families are confined to environments that make it impossible to have any kind of upward mobility. Coates documents these compound impacts on the Black family and concludes by arguing that the Black family is no match for these forces, despite Moynihan’s belief that it could be.
Despite the obvious flaws in Moynihan’s prescriptions, liberals and conservatives—even Obama—are once again pushing social programs and labeling Black families and Black women as the causes of Black failure to thrive. These solutions are dead ends. So are criminal justice reforms that release a small number of low-level offenders; politicians are too scared to embrace such reforms in any case. Coates notes that before publishing his report, Moynihan argued that financial compensation—reparations—might address the seemingly intractable problems of Black poverty. On this, Coates can agree.
At a hefty 61 pages, “The Black Family in the Age of Mass Incarceration” is a companion piece to “The Case for Reparations.” Coates uses the insights he gained from writing “The Case for Reparations” to critique yet another set of myths. These myths include the idea that the Black family and Black women are to blame for high crime rates in Black communities and that tough-on-crime policies are the solution to this problem. A third myth, one Coates touches on only lightly, is that white liberals are soft on crime. Debunking these myths allows Coates to apply the conceptual framework of plunder to force the reader to look at the true nature of an America in which mass incarceration is a fact.
Coates debunks these myths by mobilizing multiple kinds of evidence, including personal interviews, scholarship in various fields (including history), and more personal narratives on how he evolved on these issues. His skillful weaving together of this evidence bolsters his argument and shows his confidence as a Black writer committed to illuminating the dangerous impacts of these myths.
Coates’s commitment to truth telling is also on display here. The willingness to tell the unattractive truth is most on display in Coates’s critiques of the White liberal class. While one is accustomed to finding critiques of the blatant racism at work in some conservative policies and politics, Coates labels White liberals as being complicit in the factors that have led to mass incarceration. Using a critique of Moynihan, an archliberal of the 1960s and 1970s, as the frame for his essay is a strong indicator that he is coming for liberals. He points out liberal complicity in mandatory minimum policies, and he also includes Black liberal politics when he names and shames those whose decisions have led to the situation we have today. Far from being soft on crime, liberals are as much to blame for the conditions and harsh sentencing that have so damaged the Black family.
Coates’s care in thoroughly supporting his case reflects the touchiness of the subject of crime committed by Black people. Mass incarceration is difficult to talk about. For Black people of all political stripes, the presence of crime, especially crime perpetrated by Black people against other Black people, is an embarrassment and a frequent retort from conservatives who insist that Black people—not racist White people—are the worst enemies of Black people. By choosing to look unflinchingly at the issue, Coates is forcing his Black readers to think more critically about the why of mass incarceration and crime.
Coates makes several moves in his writing to make this unsparing look at mass incarceration effective. He uses a poetic figure—“the Gray Wastes” (231)—to represent the carceral state. For science fiction, fantasy, and role-playing afficionados, the Gray Wastes is hell, a place from which no one ever escapes and in which the colorless landscape and life-force-leaching forces make it impossible ever to experience joy again. No power—certainly not that held by the strong Black family—is enough to overcome the powers of hell. By calling the carceral state the “Gray Wastes,” Coates is reminding the reader that the conditions that lead to mass incarceration are so overwhelming because they are like a landscape: These are structural forces at work, and old ones at that. Individual acts of personal responsibility are ineffective when one is trapped in hell.
Coates also helps the reader to look at the carceral state by including interviews and personal stories of people—ex-offenders, especially—who are caught in this hell. Ex-offenders are part of the racial community to which the primary audience for the book belongs. His insistence on including these stories has the impact of encouraging the reader to shut off that self-hectoring voice spurred by the Bill Cosbys of the world. Coates is instead presenting a case for that reader to recognize that they and ex-offenders are living out the consequences of American plunder.
The vision here is bleak; Coates does not offer a lot of solutions beyond reparations to change the conditions that produce mass incarceration and crime in Black communities. This pessimism is no surprise. As Coates argues in the note before this essay and elsewhere, it is not the job of the Black writer to be hopeful. The only job is to tell the truth.
By Ta-Nehisi Coates