49 pages • 1 hour read
NoViolet BulawayoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Guavas are symbolic of wish fulfillment for Darling and her friends in Zimbabwe, and later for Darling while in America. Darling notes early on how she and her friends are always hungry. Because they don’t know if they’ll ever not be hungry, and because they do know that guava season doesn’t last, they steal guavas so that they can fill their stomachs even though they eat too many and get constipated. The thought of going hungry, or being without, is enough to cause them to eat until they’re sick: “We just eat a lot of guavas because it’s the only way to kill our hunger, and when it comes to defecating, we get in so much pain it becomes an almost impossible task, like you are trying to give birth to a country” (18). As such, guavas represent their wishes and dreams (of not being hungry) coming to fruition. When Darling is in America, her friends send her guavas and the smell of them instantly transports her home. She eats them frantically—even though she knows she’ll get sick (Aunt Fostalina even warns her about this)—because they tie her to home, and she really wishes that she can go back home to visit.
Darling and her old friends used to sing a song in school about Vasco da Gama discovering new lands. When Darling gets happy in America, she sings this song, thus showing that she is still tied to her old self and that she also still has some of her youthful idealism about her, despite America destroying much of this innocence slowly:
I am so happy about not being arrested, so happy, I hear myself singing this song we used to sing back home when we were little […] Because this is where I am now, and because it is a place where you sing like something is burning inside you (221-22).
Vasco da Gama also symbolizes seeking new lands, and Darling, along with many other refugees, is essentially seeking a new land to better herself, just as conquistadors of old used to seek new lands to better their home countries. Ironically, many refugees send money back home to help but often find that they no longer fit in with their old homelands. In the same vein of wandering, Darling nicknames Uncle Kojo “Vasco da Gama” when he begins wandering because he’s worried about his son TK. In this sense, Vasco da Gama symbolizes searching.
America is one of the largest symbols and motifs throughout the narrative. For those like Darling, America symbolizes hopes and dreams coming to fruition: “But then we got to America and saw all that food, we held our breath and thought, Wait, there must be a God” (240). America is the so-called Land Of Plenty, and people emigrate to America to make better lives for themselves. Even while young, Darling has a dream of living in America with Aunt Fostalina. Interestingly, America becomes a beacon of hope for many, but at the same time, it crushes hopes and dreams—such as dreams of becoming a doctor or lawyer—and replaces them with the harsh realities of existence.
Darling first sees this expensive car in Budapest, when she and her friends are scouring the trees for guavas. She wants to one day own the car. When she later sees it at the Crossroads Mall in America, she is elated. When she finds out how much it costs, however, she realizes that she will never own the car. This realization causes Darling to question her dream of America, as well as question whether or not she is still poor, even though she’s finally made it to America: “The thing is, I don’t want to say with my own mouth that if the car costs that much then it means I’ll never own it, and if I can’t own it, does that mean I’m poor, and if so, what is America for, then” (227).
Graveyards are symbolic of death and endings. In Zimbabwe, Darling and her friends are not allowed in Heavenway, their town’s graveyard. Darling notes that many of the people in Heavenway (she and her friends sneak in regardless of not being allowed in) have died young, which symbolizes that death is indiscriminate. Darling describes the graveyard hauntingly when she imagines death “is waiting behind a rock with a big bag of free food” (134), and that people just rush to the handouts, which is why there are so many dead. Graveyards in America are so gorgeous to her, by contrast, that she mistakes them for museums. She lives next to a graveyard back home in Zimbabwe as well as when she is in America, which again highlights just how close death is to us all.