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66 pages 2 hours read

Traci Chee

We Are Not Free

Fiction | Novel | YA | Published in 2020

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary: “Hunky-Dory Whatever”

Mary, 16. October 1943.

The Katsumotos arrive in Tule Lake. The camp is twice as big as Topaz, but there is also a lot more security. Mary Katsumoto, Stan’s younger sister, joins a Japanese class on orders from her father because the regular school is delayed as more families arrive at the camp. While in class one day, Mary meets a boy named Kiyoshi Tani when he comes into the classroom to announce a bonfire some protestors built outside.

Violence is an everyday event at Tule Lake, and it causes great tension that spreads even to the Katsumotos, especially between Mary and her father. After one particularly bad fight that Mary has with her father, she and Stan break the windows of the administration building with rocks. The next day, Mary and her father are escorted to the funeral of a farmworker who was killed in a truck accident. At the funeral, chaos breaks out when the power is cut. Mary’s father apologizes to her and says, “We’re going to be alright, Mary” (193).

Chapter 10 Summary: “The Snap”

Kiyoshi Tani, 17. November-December 1943.

Kiyoshi attends a movie with Mary, Aiko, and Stan. When the movie lets out, they are walking back to their barracks when the internal police arrive and begin dragging people off the streets. Stan tells the others to run, but Kiyoshi is shocked and dissociated, “drifting out of my body” (199). Stan has to shake him back to reality, insisting he takes the others to safety. When Kiyoshi looks back, Stan is being arrested. Kiyoshi is overwhelmed with guilt, especially when the Katsumotos go nearly two weeks before they learn Stan is being held in the stockade.

Tule Lake is placed under martial law. There is a raid on Kiyoshi’s block. A man down the block is arrested for contraband; Kiyoshi admires his calm dignity. A few days before Thanksgiving, Kiyoshi helps Mrs. Katsumoto pickle vegetables, and, when he arrives home, he surprises his mother with several jars. Moments later, Kiyoshi is arrested because he was five minutes late for curfew. In the stockade, Kiyoshi finds Stan, who helps him learn the ropes. Kiyoshi apologizes to Stan for letting him get arrested, but Stan dismisses him.

On December 30, two prisoners are taken to the bullpen, a tent with no heat, for no reason. Mr. Morimoto, a judo teacher and unofficial leader of the prisoners, asks that the men be returned. The lieutenant says the prisoners will be returned if they will clean the bathroom. Mr. Morimoto does so despite having no cleaning supplies. The next day, the lieutenant tells Mr. Morimoto he’s to go to the bullpen. Kiyoshi surprises himself by standing up for Mr. Morimoto and encouraging the others to do so as well.

Chapter 11 Summary: “Twice as Perfect”

Mas, 22. January-March 1944.

This chapter is presented through letters that Mas writes to his late father—a habit he got into after his father’s funeral, in an attempt to keep him close. Mas writes about boot camp, how his battalion is fighting hard to prove they are as good as any other battalion. When Stan told Mas about the conditions at Tule Lake, he went to his superiors to get help—but they only assigned him the jobs no one else wanted to do. Mas’s battalion runs maneuvers and does well. Unfortunately, one of the men in his unit was killed when they were crawling under live fire and the man lifted his head too high.

Mas thinks often about a flag his father used to fly outside their house, and how much it meant to his father. He remembers how happy his father was that Mas got into UC Berkeley, and how he’d wanted more for his boys than he’d had himself. At the same time, Mas discovers segregation in Mississippi and befriends a Black man, comparing the racism they both endure. Mas thinks a lot about his family, worrying about Shig who’s decided to file for resettlement in Chicago. He thinks about the possibility of his own death when he learns his battalion is going to Europe. He thought once that he would be honored to die for his country, but “I don’t know if I want it now” (241).

Chapter 12 Summary: “This Is the Moment”

Keiko, 18. March 1944.

Keiko narrates the chapter in second person. Twitchy is back at the camp, on leave before going to Europe. Keiko, Twitchy, and others crash a wedding, dancing and stealing tastes of the cake. Shig is going to Chicago in two days, so the group goes to Mrs. Ito’s barracks to help him pack. “Yuki cranks up Mas’ Silvertone radio” (248), and Keiko thinks of how music fills so many of her memories of her friends. They dance for a time, then everyone starts to leave. Twitchy agrees to walk Keiko home, but once they arrive there, she encourages him to keep walking with her. They steal some strawberries from the commissary icebox and retrieve a bottle of Jack Daniel’s that Twitchy hid nearby. They sit in one of the guard towers and talk for a long time—then they kiss before sitting together in silence. When it is time for Twitchy to leave, Keiko makes him promise to write to her.

Chapters 9-12 Analysis

Tule Lake contrasts starkly with Topaz from the outset. Tule Lake doesn’t even have buses to the camp from the train station. There are more soldiers and more guns, and the atmosphere is like that of a true prison. The people at Tule Lake are angry and anxious to be heard. All this is seen through Mary’s eyes; the protests and violence are a backdrop to the escalating tension between her and her father. However, even with all this darkness around her, Mary meets a boy with whom instantly connects, and his close company makes Tule Lake bearable for her—but then the darkness comes to her home when the internal police force her to attend a funeral with her father. In the chaos of the moment, her father reveals his true feelings—the guilt he carries for bringing his family to this place—and promises her things will work out. Mary isn’t sure she can believe him, but she wants to. There is hope in this exchange.

Kiyoshi is a young man whom Mary meets at Tule Lake. He is charismatic and kind, giving her something good in a bad situation. However, she is not the only one struggling; Kiyoshi and his family came to Tule Lake to escape his abusive stepfather. Kiyoshi’s stepfather abused him so severely that he often freezes up in moments of stress, as happens when the internal police come after Kiyoshi, Mary, Aiko, and Stan after they see a movie. Kiyoshi blames himself when Stan is arrested because if he had not frozen, Stan might not have been caught. For weeks, Kiyoshi blames himself until he, too, is arrested, finding the chance to apologize to Stan when the two meet in the stockade. When Stan blows off his apology, Kiyoshi begins to see that he doesn’t have to be so frightened all the time. That he can be strong. This lesson serves him well when he stands up for Mr. Morimoto against the lieutenant in charge of the stockade.

Mas has always been everyone’s parental figure and protector. In the letters Mas writes to his late father in Chapter 11, it is clear that Mas is just as frightened and confused as everyone else. While he still wants to prove he can fight, he’s begun seeing the world differently. Racism has long been part of Mas’s life, but when he is stationed in Mississippi for boot camp, he sees the American Southern segregation and observes its similarities to his own experiences. He doesn’t understand why segregation is still allowed, or why men like himself and his new, Black friend stand back when a Caucasian man passes. He doesn’t understand why his superiors don’t care about the injustices at Tule Lake, and he questions his commitment to a country that may never accept him.

While Mas contends with racism and inequality, Keiko faces parting with two good friends. Keiko has always struggled to let people close to her, especially since her parents were taken in the night by the FBI. She resists letting Twitchy in, but she finally allows herself one night of happiness to create memories she can hold onto while he fights in the war. Keiko tells her story in the second-person point of view. This offers some distance between the reader and Keiko, reflecting her fearful emotional distance.

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