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Summary
Chapter Summaries & Analyses
Part 1, Chapters 1-3
Part 1, Chapters 4-6
Part 1, Chapters 7-9
Part 1, Chapters 10-12
Part 2, Chapters 1-4
Part 2, Chapters 5-7
Part 3, Chapters, 1-3
Part 3, Chapters 4-6
Part 3, Chapters 7-9
Part 3, Chapters 10-12
Part 4, Chapters 1-3
Part 4, Chapters 4-6
Part 4, Chapters 7-9
Part 4, Chapters 10-13
Part 4, Chapters 14-17
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Wash slowly heals while Titch repairs the flying apparatus, telling Wash of his progress in the evenings. Wash takes down books to look at illustrations during the day and glimpses the inflated balloon on the peak. Wash is worried that his gruesome wounds have made him a “ruined creature” with no future use (83).
Titch asks Wash why he thought he was in Dahomey; Wash’s superstitious beliefs trouble Titch, who insists there is no life after death. Because of Wash’s injuries, they send a slave woman named Esther over to do the cooking, but Philip is unhappy with her food.
Philip dines with Erasmus, and Titch and Wash accompany him. There are other field slaves serving there, including a maimed old woman and child who remind Wash of himself and Big Kit. Philip tells Erasmus and Titch that Mr. Wilde has passed away after an accident in the Arctic, and the brothers are angry with him for keeping the news to himself for so long.
Philip advises that Erasmus should return to England to see to Mr. Wilde’s affairs, leaving Titch to run the estate for a few years, prompting a distraught Titch to leave the room. Wash suddenly realizes the old slave serving the table is Big Kit, now “maimed terribly, grown thinner, the hair at her temples silver as flies’ wings” (90). Wash is distraught that he had not recognized her before this moment, and he is conflicted about her new surrogate son.
Wash returns to Titch’s house, understanding that his master is grieving. In the morning, Wash finds Titch asleep in his study and wakes him. Titch shows Wash the paper he is writing about the Cloud-cutter, with Wash’s name listed as the illustrator. Titch also shows Wash another paper he has been working on, about the cruelties inflicted upon the slaves of the island. While telling Wash about his abolitionist friends and colleagues, Titch indicates that he would ask Erasmus to free Wash, but Wash, confused, says that he would be happy as Titch’s slave. Wash “does not understand the pained look that crossed [Titch’s] face” when he says these words (95).
Titch avoids Philip and Erasmus for a few weeks, but when Erasmus comes to Titch’s quarters, they drink together and begin to process their grief. The next day, the three men go out hunting and discuss their plans. Titch asks Erasmus to sell Wash to him, and Erasmus reveals that he has promised Wash’s services as an artist to a scientist who plans to visit the plantation, because Wash has learned “to make fine illustrations” (100).
As the hurricane season approaches, Titch worries about whether he will be able to fly the Cloud-cutter until the next year. Mr. Wilde’s death still troubles Titch, and he reflects that there should be a memorial for Mr. Wilde. Descending from the mountain, Wash and Titch meet the slave Esther, who arrives with a new boy to replace Wash. Enraged, Titch takes the new boy to go and speak with Erasmus, leaving Esther and Wash.
Esther and Wash meet Philip, who dismisses Esther and orders Wash to come with him. Philip has a gun and says he has come out to hunt, although Wash is unsure of Philip’s true purpose. Philip and Wash sit near the mountain, and Philip tells a strange fable of seeing his own gravestone in a Vienna cemetery. Philip then commits suicide by shooting himself in the face, and Wash is terrified “not from the sudden violence, which had been with me since birth, but from the terrible fact that I alone had been present at the death of a white man” (110). Wash immediately flees the scene. Arriving home, he tells Titch what has happened, and Titch asks him to lead the way to the body.
Wash and Titch return to Philip’s body but are unable to salvage anything from the gruesome remains. He describes the rags around the body as “like the radiance of some terrible star, bright and emanating from something already extinct” (113). Wash understands why Philip might want to die, but worries that it will result in Wash’s own death. That night, Titch comes to his room and tells Wash that they’re leaving. He plans to take the Cloud-cutter and fly to another island, escaping Erasmus’ wrath. Wash and Titch climb up the mountain in the dark and set out in the Cloud-cutter amid a growing storm, with everything “shadow, red light, storm-fire and frenzy” (119). Wash is amazed that they can go “into the eye of it, untouched, miraculous” (119).
The conclusion of the first part of the novel represents a dramatic departure from the everyday functioning of typical plantation life. The news of Mr. Wilde’s death upends the normal routine of Faith Plantation, bringing conflicts between Erasmus and Titch to the fore. Although the tension between profitability, family responsibilities, and scientific endeavors may seem unimportant when faced with the issues of life and death that the slaves of the plantation witness every day, Titch and Erasmus are nonetheless torn between their conflicting obligations.
Philip’s death marks another major turning point in the novel and reflects the actions of both a profoundly troubled and profoundly selfish young man. With no regard for Wash’s own safety or feelings, Philip makes Wash a witness to and accomplice in his suicide, endangering Wash’s own life in the process. Philip represents the myopic selfishness and carelessness of white slave owners, even when they do not have deliberately cruel intentions.
Titch and Wash’s flight from the island is another significant point in the novel. Rather than let Wash face potentially fatal consequences for Philip’s death, Titch takes him on a wild escape in the Cloud-cutter, defying the odds and flying out into the open air. While on the one hand this is an act of tremendous bravery and self-sacrifice, on the other hand it represents the actions of an impulsive and careless man who does not truly recognize Wash as a potential equal or friend.