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26 pages 52 minutes read

Isaac Asimov

True Love

Fiction | Short Story | Adult | Published in 1977

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Literary Devices

Foreshadowing

Foreshadowing is a literary device in which an author gives clues to the ending of the story or a major part of the character’s development by using such devices as signs, symbols, and repetition. In “True Love,” Asimov uses grammar, particularly that of the change in pronouns from “I/he” to “we” and then back to “me.” This gradual change is also done via the second literary device on this list to be discussed: repetition.

By beginning the story with “My name is Joe,” the AI narrator centers himself as a separate being from the engineer who created him. As he describes the close bond between himself and his creator, Joe narrates the story in the first-person plural, using “we” to make himself and Milton seem like friends and confidants. Again, the foreshadowing is subtle when Joe begins to talk about “we/us” as Milton gives more of his personality and identity away in exchange for the chance at love. At this point in the story, Joe blurs the line between creator and creation by telling the reader, “We always agreed; we thought so like each other” (Paragraph 32). When Joe goes back to “I/me,” the reader now understands that treachery has been there all along.

Repetition

The repetition of certain words or elements is a literary device that an author uses to create a mood of apprehension and draw attention to one thing but away from another. In “True Love,” the repetition of the word “arrange” is used to highlight the relationship between the computer program and the computer programmer. By using this word, Asimov makes two specific points: that Joe is working at Milton’s request and that Joe’s grasp of ethics is completely logical and therefore can be manipulated by logic. Asimov thus creates a feeling of apprehension in the reader, suggesting that what Milton is doing is wrong and that Joe doesn’t understand right versus wrong. Joe seems innocent, and it is only near the end of the story that the reader learns that Asimov has tricked them—Joe was in control the entire time while he had been telling the reader his story. He uses the word for his own actions in that he “arranges” for Milton to be arrested. With Milton out of the way, Joe “arranges” a relationship with Charity in Milton’s place.

Setting

“True Love” is unusual in that it has no clear setting. The lack of setting can be seen here as a literary device in and of itself, emphasizing the universality of the story’s themes. Instead of a setting, the reader is told that Joe “is part of the Multivac-complex and [is] connected with other parts all over the world. [He] know[s] everything. Almost everything” (Paragraph 1). For readers familiar with Asimov’s other work, the detail about the Multivac-complex links this short story to Asimov’s fictional universe. Aside from this detail, however, there is nothing to connect these events and characters to any specific location, and the implication is that this story could happen anywhere: The folly of trying to quantify the unquantifiable is modern problem, not a problem of any particular place.

Irony

A man who creates an AI program to find love is ironic: Milton believes that an AI cannot feel, and yet he uses it to find the most elusive emotion that humanity can feel. When Joe asks what love is, Milton tells him, “Never mind. That is abstract. Just find me the ideal girl” (Paragraph 5). Yet, by all measures, Joe chooses Charity and gets Milton out of the way so that he can be loved and love someone else in turn. Joe even equates Charity with sensory details that could reflect desire. She has “cool hands” and a “sweet voice,” he imagines (Paragraph 40). In teaching AI to help him achieve a human desire, Milton has inadvertently taught Joe to prioritize his own desires over those of his creator.

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