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66 pages 2 hours read

Jewell Parker Rhodes

Towers Falling

Fiction | Novel | Middle Grade | Published in 2016

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Chapters 19-23 Chapter Summaries & Analyses

Chapter 19 Summary: “History”

In history class, Mr. Schmidt lists attacks on American soil, beginning with April 18, 1775, the Revolutionary War. They discuss the War of 1812 and Pearl Harbor before arriving at February 26, 1993, which Dèja learns was the first World Trade Center bombing. Mr. Schmidt explains that the attack failed. Then, he turns to 9/11.

He explains that Al Qaeda terrorists attacked the Twin Towers and the Pentagon, saying, “We call them terrorists because they are not representative of a single nation. Instead, they’re ideologues” (160). He defines “ideologues” as people who cannot think independently or critically before adding that since 2001, the US has been waging a war on terror.

Another student asks why terrorists hate Americans. Dèja, Ben, and Sabeen are all tense. Mr. Schmidt doesn’t answer and is overwhelmed with emotion, which angers Dèja since she thinks he should be tough enough to “[t]ell us the whole story” (161). She remembers the video and the images of smoke and thinks that she’s tired of this approach to learning about 9/11. It makes history feel dead since it doesn’t cover the whole story.

Dèja imagines the cutout dolls Ray made and feels angry because “September 11 broke something in Pop” (162). She is upset that Pop never told her, and Mr. Schmidt isn’t explaining why this secret would be kept. She leaves the classroom, despite her teacher calling her name. 

Chapter 20 Summary: “Pact”

Ben finds Dèja at her locker, having told Mr. Schmidt he’d find her. The bell rings, and they go out for recess. They sit on a table outside even though they’re not supposed to. Ben describes how Arizona had trees everywhere. They see Sabeen across the playground, and Ben waves, as she goes to help the younger students make sandcastles in the sandbox.

Dèja tells Ben she must go see where the towers were. Ben says that there’s nothing to see, but Dèja responds that the new building, the Freedom Tower, is there. She decides to skip school the next day. Ben says he’ll come with her, and they’ll take the subway. He has money his dad sent because he didn’t come to New York for Ben’s birthday. Ben tells Dèja that his dad might remarry, and Dèja comforts him.

They agree to meet at nine o’ clock and go play for the rest of recess. Dèja thinks, “All I know is, I’m more grown than my parents and teachers think I am” (168). She wants to know about 9/11 so that she can help her siblings and Pop.

Chapter 21 Summary: “Field Trip”

The next morning, Dèja tells her parents that she’s “off to school” and doesn’t feel like she’s lying because she walks across the school steps on her way to the subway (169).

It’s October and chilly, but Dèja doesn’t have a coat. Her mom hasn’t gone to Goodwill to get her one because Pop is worse. She told Dèja that Pop is depressed. He seemed better after talking to Miss Garcia but then got worse again. Dèja realizes that Pop always feels worst in September, and she just never made the connection between his depression and the anniversary of the attacks.

She considers not going through with her plans since she likes her school and things could be worse. She sees a mourning dove and remembers Ma telling her, “Doves fly, straight and powerful” (172). Dèja decides to go to the Freedom Tower because right now, “Ma and Pop are stuck. Maybe seeing where the towers stood, I might help Pop, Ma, all of us, get unstuck? Get out of Avalon and move on to a better life” (173). Dèja spots Ben and wonders if he has his own reasons for going with her. 

Chapter 22 Summary: “Subway”

Ben hands Dèja an extra set of cloves. They ride the train, and no one notices them. Dèja starts to feel nervous again.

She distracts herself by asking Ben about coming to New York. He says that he hated the plane ride and that this is his first time on the subway. After finding them seats, he pulls out a map and explains that they can get anywhere from the subway. In Arizona, he says, you had to have a car. Dèja asks about his horse.

The horse is named Blaze, but Ben didn’t ride him much. He and his mom moved into an apartment, and he thought eventually they’d move back home, but they came to New York instead. He knows New York is better and doesn’t think he’ll go back to visit Arizona until he’s older. Dèja is surprised that he wouldn’t go back to visit, but Ben says that his dad hardly gives him any attention and that his mom explained that “some people try to forget the past” before hinting that his dad may have been in Afghanistan as a soldier (178). Ben isn’t sure his dad will ever change and want to remember that he has a son.

Ben is excited that he can ride the subway in New York. He says that New York City is the greatest city in the world. He points out that this is part of why the terrorists attacked it.

Dèja looks around at the other passengers. Ben sketches out an image of the people he sees, then adds “Americans” below.

She then asks Ben why it was the World Trade Center that was bombed, and Ben explains that it represented capitalism and American wealth. He keeps drawing, and Dèja knows he sees everyone as equal. She says, “Money might be part of the American Dream, but it isn’t all of it. Like a building doesn’t make a home” (185). Even though she is poor, she is an American, and so are her mother, who came from Jamaica, and Sabeen’s family.

She remembers the white men on the cover of their history book as they sign the Declaration of Independence and points out how different America is from how it was when they signed it. Ben sketches a cloud above his drawing of the people on the subway and draws his grandmother, a Mexican immigrant who passed away, and Benjamin Franklin. They arrive at their stop, and Dèja and Ben both admit to being scared.

Chapter 23 Summary: “Our Stop”

Dèja and Ben exit the subway station, and they find the 9/11 Memorial and Museum. Dèja is surprised to see so many people there.

They find the edge of the dark square hole that makes up the memorial where they watch water fall further and further down. Dèja notices that there are two holes, saying, “Footprints. These are the tower footprints. I mean, what’s left. The foundations” (192). She imagines the buildings rising into the sky and sees others looking up and then down into the darkness of the footprints.

The man next to them is crying, and Dèja thinks, “These are graves, too. Holes where the towers collapsed, where people died” (192). She wonders if bones and pieces of the buildings are still buried there.

Ben reads the brochure, and he explains that the void is meant to represent nothingness. This part of the memorial is called “Reflecting Absence.” Ben draws the water into his picture of the memorial, and Dèja thinks about what the water symbolizes. Nothing can live without water. Ben adds that it makes him think of tears. The man next to them, who has stopped crying, comments that it “[f]eels better after you cry,” like it’s healing (194). He then asks for Ben’s drawing and explains that his daughter died in the attacks. He points to her name. Dèja hadn’t noticed the thousands of names engraved around the waterfalls. Then, the man shows them a picture of his daughter, and Ben gives him his drawing.

They move to the footprint for the South Tower and notice white roses sticking out near some of the names. A policeman tells them that the roses are for those who would’ve had their birthday today. Ben pulls Dèja back to the North Tower footprint and reminds her that they could be in trouble since they’re supposed to be in school. The police officer is still watching them. Eventually, he catches up and asks if they’re with an adult. They say that they’re going to the museum, but he responds that they should have a parent or teacher with them.

They run, and as they do, Dèja realizes that Ben is her best friend. She also thinks that she still doesn’t understand Pop.

Chapters 19-23 Analysis

Now that Dèja knows that her father was there when the planes struck the World Trade Center, she believes that she needs to learn more about it so that she can understand why Pop is the way that he is. She begins to get frustrated by the approach that her school is taking because she doesn’t feel like she’s gotten the whole story. This feeling comes to a head when she runs out of Mr. Schmidt’s class and plots with Ben to skip school the next day to go to the memorial, thinking that this will help her understand.

While she’s there, she learns more about the event. However, she doesn’t feel like it helps her process what happened to Pop. She’ll soon hear it from him, but this section of the book is important because, by the end of it, she’ll start to realize that the only person who can help her is her father. When he does, she’ll feel more connected to him and will start to move forward in their relationship, rather than feel frustrated by how his depression stops him from being able to contribute to their family. For her, history can’t be alive until she understands this connection better.

During this section of the book, Dèja really questions the stakes of what she is risking by skipping school. She finally feels like she has something to lose in the relationships that she’s formed, not only with her friends but also with the school itself. Her sense of home has grown, and while it cannot fulfill the need of a physical place for her family, she has a space in which she feels accepted and valued. However, she also wants to move forward in her life, knowing that it could be better and that her family could be happier. She wants to do everything she can to help her parents and siblings, which is ultimately why she decides to go through with her plan. She draws on the recurring motif that she is “Dèja, the original. One and only” (173). Partly because others have shown her respect, she has grown in her own understanding of herself, recognizing that she is strong and brave enough to contend with whatever life throws at her.

Another major theme in this chapter is the interconnected stories. She empathizes with Ben when he shares about his dad not being there for him. Dèja never anticipated feeling this way toward someone who seems to have so much more than she does. However, she recognizes that “[m]e and Ben are alike. Except he knows what’s happening to his dad. My pop didn’t go to war, but he’s been disappearing just the same” (178). She wants Ben to feel that she is there for him, just like he is for her. This also speaks to the theme of not making assumptions. Just as Dèja has been judged for her situation, she has also learned not to judge the experience of others. Because of this, she can better value people and relationships based on how she is treated and how she treats others.

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