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Cheryl StrayedA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cheryl Strayed was born in 1968 and grew up in a working-class family in Minnesota. From a young age, she knew she wanted to be a writer and even received a letter of encouragement from the Canadian short-story master Alice Munro. Still, she took the long route to publication, receiving an English and Women’s Studies degree at the University of Minnesota and an MA in fiction at Syracuse University in 2002. Her first novel, Torch, was published in 2005, with Wild and Tiny Beautiful Things following in 2012. In 2015 she published Brave Enough: A Mini Instruction Manual for the Soul.
Strayed’s writing has always balanced literary craft, memoir, and self-help, and this made her a natural fit for being Sugar. In addition to her writing skill, Strayed draws upon formative personal experiences, such as losing her mother to cancer in 1991 when she was only 22, wanting to leave her first marriage, to Marco Littig, and venturing out on her own path, both personally and in her career. She also draws upon the joys and difficulties of her more recent experiences of creating a nuclear family with her second husband, Brian Lindstrom.
Despite the anonymity of The Rumpus columns that make up Tiny Beautiful Things, Sugar emerges as a distinct personality. Readers can gauge that she is a secular, politically left-leaning, plain-speaking optimist who encourages correspondents to entertain bold visions for their lives that subvert social expectations. Sugar also tends to see herself in her readers, from would-be writers to women who have the instinct to leave relationships that appear good from the outside.
Steve Almond, a writer, the original Sugar, and Strayed’s cohost on the Dear Sugars podcast from 2014 to 2018, was born in 1966 in California. His own writing incorporates fiction and nonfiction and includes the New York Times bestsellers Candyfreak: A Journey Through the Chocolate Underbelly of America (2004) and Against Football: One Fan’s Reluctant Manifesto (2014).
Although Almond, the original Sugar, envisioned just the sort of “irreverent and brutally honest” column that would come to be, he fired himself from writing it because he saw that his responses were more witty than heartfelt (3). Nevertheless, having the idea for the sort of woman that Sugar was, he was quickly able to identify her in Strayed, who had already written him a letter admiring the column. As he watched Strayed’s Sugar become a success, Almond learned to appreciate how advice columns were not just entertainment or a showcase for good writing but could profoundly improve people’s lives. Thus, when the opportunity to form a podcast with Strayed arose in 2014, Almond jumped at the chance to be her cohost and offer a different perspective on people’s troubles. Like Strayed, Almond has a literary background and advises the ailing to seek the solace of literature.
Bobbi Lambrecht (1945-1991) was Strayed’s mother. Although her dream was to go to college, she did not manage this until the final years of her life owing to poverty, a troubled first marriage to Strayed’s father, and the need to care for her three young children. Lambrecht worked as a waitress for most of her life and died of cancer at 45. While her death had a profound impact on Strayed’s life, her life was an important example for the kind of person Strayed wanted to be. Despite her personal difficulties, Lambrecht had a generous, wise spirit and was always looking to encourage Strayed. Strayed’s emphasis on magnanimity stems from the “obliterated place” inside that bears her mother’s loss (282). She feels that it is her responsibility, and that of anyone else who has felt such a loss, to build something beautiful from that obliterated place and be the kind of person the deceased will not get the chance to become.
In addition to being an inspiration, Lambrecht’s premature death comes as a warning to not withhold love and gratitude from those around us, as we can never be sure of how long we will have them for. This is the case with the gift of a coat that Lambrecht makes to Strayed a few months before her death, for which Strayed was ungrateful owing to its style. Strayed writes starkly in the second person, imparting the universal lesson that “you will regret the small thing you didn’t say for the rest of your life” (354).
Strayed adored and idolized her father during her early youth and longed for his visits despite the violence and upheaval he brought to her household; however, she became mostly estranged from him, from the age of six, when her parents divorced. After this, her father appeared in her life at intervals, mostly to recite diatribes against her and her mother, while he made a new family with another woman. Although, in her adulthood, Strayed and her father made several efforts to get back in touch, she felt that no real relationship was possible because he would not acknowledge his role in their past. When her father died, Strayed felt unable to properly grieve this destructive man and experienced secondary grief over this fact.
Strayed’s father emerges in the Dear Sugar columns whenever a correspondent has difficulty maintaining boundaries with an abusive relative and is wondering whether to cut someone out of their lives completely. Strayed for the most part maintains that self-preservation is the most important aspect of dealing with someone abusive and that it is better to sacrifice the relationship rather than oneself. She thus encourages readers to follow her example in daring to defy a patriarchal structure that insists on honoring one’s parents regardless of the personal cost.
In 1998, just before she turned 20, Strayed married her first husband, Marco Littig. She would divorce him in 1995, after her heroin addiction, infidelity, and bereavement would render her unable to ignore the internal voice that demanded she leave the relationship. Strayed acknowledges that her first husband is a good man and shares many traits with her second husband, such as left-leaning politics and a passion for books, cats, and the outdoors. This made it difficult to have “a clean break” with him, so she made it “dirty” by cheating and falling into heroin addiction so that he would have no choice but to leave her (172). She adds that “divorcing him is the most excruciating decision [she’s] ever made” and “the wisest one too” (173). While Strayed remains haunted by the damage she inflicted on Littig, she also says that her freedom was worth the price, especially as he was resentful of her talent as a writer.
The ghost of the first husband emerges in the Sugar column every time a woman wants to leave a partner who seems perfect for her on paper. Strayed advises the women to go sooner rather than later, before they cause more unnecessary destruction to themselves and their partner. She thus wants to safeguard both parties from experiencing the hurt that she inflicted in delaying the end of her first marriage.
Strayed married her second husband, the documentary filmmaker Brian Lindstrom (born 1961), in 1999. They have two children together, Carver and Bobbi. She refers to this man as Mr. Sugar in her columns and sets them up as perfectly matched. Although Lindstrom has many traits in common with Strayed’s first husband, there is a “magic sparkle glue” in their bond that was missing from her previous marriage (173).
In the columns, Mr. Sugar emerges vividly as Strayed’s co-parent, passionate-sex partner, springboard for her ideas, and companion who lies on the couch opposite her during reading marathons. While the second marriage might be idealized by readers as the promised land that awaits them if they leave unsuitable relationships, Sugar makes clear that “Mr. Sugar and [she] have been neck-deep together in the muckiest mud pit too” (173). She reveals that Mr. Sugar always had trouble staying faithful in relationships and that the first year of theirs was no exception, when he cheated on her with a woman from another town. While Sugar was devastated and contemplated ending the relationship, the frank discussion that ensued about sex and fidelity ultimately saved it. Here, as with the misunderstanding about whether either of them liked spanking during sex, Sugar shows that good relationships are not characterized by being devoid of conflict but rather are vehicles for greater levels of self-awareness and connection.