logo

60 pages 2 hours read

Tahereh Mafi

This Woven Kingdom

Fiction | Novel | YA | Published in 2022

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 4Chapter Summaries & Analyses

Part 4, Chapter 25 Summary

Content Warning: This section of the guide briefly discusses suicide.

Alizeh is working in the household of Duchess Jamilah. As she hides and gets lost in her thoughts in the duchess’s room, she is jolted back to reality by the arrival of Prince Kamran, who is the duchess’s nephew. Alizeh’s attempt to quietly exit the room goes awry when she spills soapy water and injures herself in a slip. Mrs. Amina berates Alizeh and is poised to punish her when Prince Kamran intervenes, highlighting the illegality and immorality of beating servants. This intervention spurs a tense discussion between Kamran and Duchess Jamilah about the treatment of servants.

Part 4, Chapter 26 Summary

Prince Kamran grapples internally as he witnesses the mistreatment of Alizeh. While he engages in a conversation with his aunt, Duchess Jamilah, his thoughts are preoccupied with Alizeh’s circumstances. Kamran is baffled by her submissiveness despite the evidence that she is more than capable of defending herself, especially when her life is in danger. Puzzling over her decisions, he concludes that her position as a servant must offer her a degree of anonymity and protection, which makes her occupation an ingenious cover. Kamran’s internal turmoil is exacerbated because he is in Baz House as a spy at the behest of his grandfather, King Zaal. The king believes that the girl has powerful allies, so Kamran has been tasked with investigating her quarters. While Kamran disagrees with the conspiracy, he acknowledges the challenge of appeasing the king without endangering Alizeh.

Part 4, Chapter 27 Summary

Kamran negotiates the details of fulfilling his task to spy on Alizeh in Baz House. To deceive the watchful servants, he behaves dramatically until he believes that he is off their radar. Sneaking upstairs, Kamran expects to find Alizeh living in squalid conditions due to her position as a trial servant in the house. However, he is surprised to find that her closet-room is cozy and tastefully adorned. As he inspects the room, he is caught off guard by Alizeh, who threatens him with what he perceives to be a knife but turns out to be scissors. The two engage in an intense conversation, revealing mutual knowledge of each other’s identities. Alizeh accuses Kamran of sending men to kill her, but he denies this. Their discussion is charged with tension as Kamran grapples with his mission, his loyalty to his grandfather, and his undeniable attraction to Alizeh, while she expresses feelings of betrayal and suspicion.

Part 4, Chapter 28 Summary

Alizeh is dismissed from Baz House and finds herself emotionally and physically distraught after all the upheaval in her life, along with the imminent dangers she still faces. As she grapples with her precarious situation, she unexpectedly encounters Prince Kamran. Their intense bond, the truth of which is affirmed by the nosta tool that Hazan gave to Alizeh, leads the seamstress and the prince through a whirlwind of emotions from playful banter to deep declarations of affection, culminating in a passionate kiss. Despite their evident connection, Alizeh is painfully aware of the looming threats from the king and Prince Kamran’s upcoming nuptial choices. While Kamran yearns for a future with Alizeh, she decides that they must separate for the sake of their personal safety and the stability of their kingdoms. This decision leaves Kamran heartbroken.

Part 4, Chapter 29 Summary

Frenzied, Kamran races through the mansion, overtaken by emotions that both scare and energize him. As he is lost in his emotions, he is abruptly pulled back to reality by Duchess Jamilah, his aunt, who shows concern for his distraught state. Kamran reflects on the depth of his feelings for Alizeh, appreciating her genuine nature and lack of pretension. She neither glorifies nor fears his royal status, making her judgment of him pivotal to his self-worth. These reflections are interrupted by the presence of Hazan, who bears urgent news, hinting at another looming challenge.

Part 4, Chapter 30 Summary

Alizeh enters Deen’s apothecary shop, seeking a remedy. A cloaked figure, believed to be Hazan, had been observed asking about her earlier. The shopkeeper is intrigued by her concealed appearance and initially assumes that she is disfigured. After a brief exchange, Alizeh makes a trade, exchanging a rose for a very specific remedy. As she exits, the shopkeeper presents her with an unexpected gift: a meticulously wrapped box containing a stunning gown meant for her, which he claims was left by a tall man with an interesting hat—potentially Hazan.

Taken aback, Alizeh inspects the gown and finds it to be of exceptional quality and perfect for an upcoming event. She and Deen share a moment of understanding and empathy about the pressures of societal expectations and the masks that people wear. They acknowledge a sense of kinship, given that both feel forced to hide their true selves. As Alizeh departs, preoccupied with the gown and her exchange with Deen, she remembers a note that came with the gift. It informs her that if she wears the gown, only those who wish her well will see her, implying protection and intrigue surrounding the upcoming evening at the ball.

Part 4, Chapter 31 Summary

The grandeur and strategic defenses of the Royal Palace, nestled in Narenj Canyon, are described in intricate detail. Kamran stands with King Zaal on a drawbridge overlooking a river, reflecting on his memories of their surroundings. Flashbacks reveal a traumatic childhood event, in which Kamran eagerly awaited his father’s return from a war only to discover his father’s decapitated head instead. Overwhelmed by grief, the young Kamran attempted suicide by jumping into the raging river but was saved by his grandfather.

Pulled back to the present by his grandfather’s voice, the prince is compelled to discuss his inexplicable interest in Alizeh and his recent actions at Baz House. The king expresses disappointment, questioning Kamran’s judgment and susceptibility to his emotions. The conversation then shifts to politics and the imminent arrival of King Cyrus from Tulan, hinting at potential conflict. The chapter closes with an emotional revelation; the king made peace with their enemies to protect Kamran from witnessing further violence.

Part 4, Chapter 32 Summary

In a room at Follad Place, Alizeh and Miss Huda engage in a revealing conversation. Alizeh reflects on Miss Huda’s earlier conduct, deducing that her vulnerabilities stem from deep-rooted insecurities. As the conversation delves deeper, Alizeh assures Miss Huda of her genuine intent to protect her from her own murderous mother, evoking a soft, unexpected response from Miss Huda. The atmosphere thickens when they discuss an unfinished gown. Alizeh confesses she has been dismissed from Baz House and lacks the resources to complete the dress. While initially outraged, Miss Huda senses Alizeh’s desperation and suggests that Alizeh finish the gown in her room. In a bid to expedite her departure, Alizeh reveals her Jinn identity and her capability for invisibility. Miss Huda, taken aback by this audacious revelation, rebukes Alizeh, highlighting her own esteemed lineage. As the chapter reaches its climax, Alizeh decides to remove her snoda, a symbol of her disguise, exposing her true identity. As a result, Miss Huda, with widened eyes, recognizes Alizeh.

Part 4 Analysis

Identity, in the narrative of Alizeh’s journey, emerges not merely as a static concept but as a fluid, multifaceted construct. It is shaped by both internal choices and external pressures, a dance of self-definition against the backdrop of societal expectations. Alizeh’s decision to adopt the role of a servant encapsulates this dynamism. While on the surface, her humble disguise appears to be a mark of subservience, deeper examination reveals it to be an act of agency—a deliberate choice to don a cloak of invisibility that grants her a semblance of safety in a world fraught with danger. While the overt power structures of the society might subjugate her in her servant role, she taps into the diffuse nature of power by using her Jinn identity in more covert ways, challenging the conventional hierarchy. Power is not always derived from overt dominance or force. Often, it is birthed from adaptability, from the ability to shape-shift one’s identity based on circumstance. Alizeh’s oscillation between her guise as a servant and her inherent Jinn nature emphasizes this. While her Jinn (and royal) identity speaks of her inherent power, her servant facade offers a different kind of power––the power of anonymity and the strategic advantages that come with it. In a society with rigid hierarchies and defined roles, the ability to navigate and manipulate these roles grants an otherwise powerless individual an avenue of agency over their fate.

The encounter at Deen’s apothecary shop further deepens this exploration of identity. Although it is a place of remedies, the shop ironically represents the primary ailment of society: the pressure to conform. It is significant that both Alizeh and Deen touch upon the concept of masks during their interaction, for just as Alizeh hides her Jinn nature, Deen’s assumptions about her concealed appearance hint at his own experiences with societal judgment and the expectation to fit a mold. The scene therefore underscores the lengths to which individuals will often go to appear to align with societal norms, even if doing so requires them to bury essential parts of themselves.

While Alizeh’s incidental encounters are designed to raise reflections upon the realities of societal rules, the emotional undercurrent of these chapters is defined not by these shorter interactions, but by Alizeh and Kamran’s quickly evolving relationship. Their connection, cemented by the nosta tool, exemplifies the tension they feel between their personal feelings and their larger societal or political responsibilities. Kamran’s internal reflection following their passionate encounter sheds light on his emotional turmoil even as it also underscores the challenges of navigating personal desires amidst a backdrop of political intrigue and looming threats. Thus, the two characters inadvertently explore another aspect of the theme of Divine Union and Earthly Division, for their desire to be with one another is inevitably thwarted by the social and political boundaries that divide them.

In these chapters, Alizeh and Kamran’s evolving relationship also brings themes of love to the story. Love, in the context of mythology, often places individuals at the mercy of larger cosmic forces yet champions the strength of human emotion to transcend such preordained paths. In Islamic mythology and epic poetry, love has been celebrated as both a divine and earthly force. The idea of “ishq” (intense love) is pervasive in Islamic literature, reflecting both a lover’s longing for their beloved and the soul’s yearning for the divine. One of the most iconic tales is that of Layla and Majnun, in which love is depicted as an overpowering, all-consuming force that threatens to overwhelm one’s sanity. Like Alizeh and Kamran, Layla and Majnun are ensnared by societal expectations and familial responsibilities, making their love a tragic yet transcendent experience.

The context of Islamic poetry, particularly the works of Rumi, reveals an understanding of love as a path to divine truth. Love, in this spiritual context, is not just a personal emotion but a cosmic force that draws individuals closer to the essence of existence. The nosta tool, which confirms the authenticity of Alizeh and Kamran’s statements to each other, can be seen as a symbolic representation of this idea. Their love is not just bound by personal feelings but is anchored in a larger, universal truth, much like Rumi’s poetic expressions of love leading to divine realization. However, with this kind of mythological love comes the weight of destiny. For Alizeh and Kamran, their love story unravels against a backdrop of political intrigue, looming threats, and predefined societal roles. Their personal desires are constantly at odds with their societal and political responsibilities, as well as their predefined roles of prince and future queen. This tension can be seen as a manifestation of love and destiny. Their internal struggles echo the sentiments of countless mythological heroes, brought together by a twist of fate and torn between personal desires and larger cosmic responsibilities.

blurred text
blurred text
blurred text
blurred text