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Claire MessudA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Claire Messud is an American author and creative writing professor. Born to a Canadian mother and a French Algerian father (on whom the characters of Barbara and François are based) Messud grew up in various countries, including the US, Canada, and Australia. She studied at Yale University and Cambridge University and has taught at various schools, including Hunter College, the University of the South, Amherst College, the University of Maryland, Yale University, Kenyon College, and the Wilson College MFA Program for Writers in North Carolina. Currently a senior lecturer at Harvard University, she’s married to author and literary critic James Wood.
Messud was drawn to literature from an early age and credits her mother with nurturing her interest in reading, especially works by female authors. She lists Djuna Barnes, Katherine Mansfield, Elizabeth Bowen, and Jean Rhys as particular influences, citing the way that each author explores themes related to gender and identity. Barnes is best known for her experimental novel Nightwood (1936), an exemplar of inter-war Modernism that delves deeply into themes related to female sexuality and women’s gender roles against the backdrop of an ever-shifting 20th century. Mansfield, also a Modernist author, is particularly known for her short stories, including Marriage a la Mode (1921), and was keenly interested in the complexities of female identity in New Zealand during the early 20th century. Messud shares an interest in colonialism, identity, and the impact of World War II with Bowen, an Anglo-Irish Modernist best known for her novel The Last September (1929). Rhys, best known for her novel Wide Sargasso Sea (1966), was, like many in Messud’s family, a white woman of European descent, born and raised in a European colony (the Caribbean island of Dominica) during its colonial occupation. Wide Sargasso Sea is an acclaimed prequel to Charlotte Bronte’s Jane Eyre (1847) told from the point of view of a Caribbean woman.
Messud’s own work evidences her interest in these and other notable female authors of the early-to-mid 20th century. Known for character-driven narratives featuring multiple settings and strong female figures, Messud is keenly interested in how identity and relationships evolve over time and how historical events impact individuals, families, and communities. Her first novel, When the World Was Steady (1995), follows sister protagonists as they search for identity and meaning in midlife, moving back and forth between Australia and the UK. She followed her debut with The Last Life (1999) which traces three generations of a French Algerian family and, like This Strange Eventful History, explores the complexities of colonial identity, cultural preservation, and shifting family dynamics in exile. Although it tells the story of a different family, it prefigures This Strange Eventful History in many ways, and the texts share key points of connection. The Emperor’s Children (2006), a best-selling novel that was longlisted for the Man Booker Prize, follows three friends as they navigate family and career in New York City during the early 2000s. It showcases the complex characterization and insightful examination of human relationships that characterizes much of Messud’s work and is also on display in This Strange Eventful History. The Woman Upstairs (2013) is set in New England, features an unreliable narrator, and examines immigration and cross-cultural differences. The Burning Girl (2017), like This Strange Eventful History, takes a long view of identity, following a pair of female protagonists throughout much of their lives. In addition, Messud authored a set of novellas called The Hunters (2021) and an autobiography in essays titled Kant’s Little Prussian Head and Other Reasons Why I Write (2020).
The French occupation of Algeria, part of its broader colonial project in Africa, Asia, Latin America, and the Caribbean, began with the French invasion of Algeria in 1830. Under the guise of “civilizing” the portion of the world that is now referred to as the Global South, France (as well as other colonial powers) exploited vast territories for their resources and for political gain. Prior to the French invasion, Algeria was part of the Ottoman Empire’s large network of semi-autonomous though centrally governed states. Long a base for piracy in the Mediterranean, Algeria was seen as a problem by various European powers, and by the time France invaded, it had been the site of numerous conflicts. The local population, indigenous Muslims, endured myriad difficulties during the years of French colonial occupation. Widespread population decline resulted from war, disease, and starvation, and many local communities were displaced by the massive influx of European immigrants who flocked to North Africa during the 19th and early 20th centuries.
The term pieds-noirs (which translates to “black feet”) denotes the group of people of French and European descent who were born in North Africa during the French occupation. Like the term “Creole” when it’s applied to people in the Caribbean, the term pieds-noirs typically refers to the descendants of European immigrants (born in the colonies) rather than immigrants themselves. It’s meant to describe white colonial culture in colonized spaces. Culture and identity were complex for the pieds-noirs. Like Messud’s characters in This Strange Eventful History, they occupied an identitarian position that was somewhere between French and Algerian. Because their presence in Algeria was recent and entirely dependent on a forced occupation, they couldn’t quite claim Algerian heritage. They were white, Christian, and European and had no connection to the region’s rich Muslim history. However, like Denise in particular, they also experienced stigma and stereotyping from the French, who saw them as not truly French either. Indeed, the moniker “pieds-noirs” began as a pejorative term lobbied at French Algerians by the native-born French. Despite these cultural and identitarian conflicts, the French Algerians held a privileged position within French Algeria. They had greater economic power, more social capital, and all the freedoms of the colonial (exploiting) class.
Because of the widespread lack of equality and France’s exploitation of Algerian people, land, and resources, an Algerian independence movement formed. By 1954, an armed conflict had begun between the Algerian National Liberation Front and the French Army. Messud describes the lead-up to this conflict, if only obliquely, during the incident in which a vehicle on the streets of Algiers strikes Denise: The vehicle’s driver and passenger are members of the Algerian independence movement, and their act of violence against a French Algerian citizen is part of the broader fight against French rule in Algeria. The French Algerians, for the most part, staunchly supported France, and incidents that pitted Algerians against French Algerians were common during the years of the war. Although most Algerians favored independence, a group of indigenous Muslims called Harkis remained loyal to France and fought alongside the French to maintain colonial rule in Algeria. The long, complex Algerian war led to a civil conflict within the state of Algeria, but by 1962, Algeria won its independence. Algeria’s war for independence was part of a global, anti-colonial movement in which many countries worldwide overthrew their colonial occupiers, and the states that emerged from former colonial territories irreparably altered global geopolitics.
By Claire Messud
Books on Justice & Injustice
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Brothers & Sisters
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Childhood & Youth
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Colonialism & Postcolonialism
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Coming-of-Age Journeys
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Community
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Daughters & Sons
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Equality
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Family
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Fathers
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French Literature
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Friendship
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Globalization
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Marriage
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Memorial Day Reads
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Memory
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Military Reads
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Mortality & Death
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Mothers
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Nation & Nationalism
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Order & Chaos
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The Best of "Best Book" Lists
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The Booker Prizes Awardees & Honorees
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The Future
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The Past
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Trust & Doubt
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Truth & Lies
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War
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