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64 pages 2 hours read

Nikki May

This Motherless Land

Fiction | Novel | Adult | Published in 2024

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Part 2, Chapters 14-19Chapter Summaries & Analyses

Part 2: “1986”

Part 2, Chapter 14 Summary: “Liv”

Content Warning: This section of the text depicts racism, drug and alcohol dependency, suicidal ideation, and sexual harassment and assault.

In the hospital, Liv remembers little from the accident. She wakes up to find Margot there, comforting her, and is shocked that she is not angry with her. She decides that Kate must not have told Margot the truth and decides to remain quiet about it.

Liv writes Kate a note, thinking she is in Bristol, and puts it with her real birthday card. She thanks Kate for not telling anyone the truth.

Part 2, Chapter 15 Summary: “Kate”

Kate continues to refuse to adjust to life in Nigeria. She calls her father’s new wife “aunt,” can’t bring herself to call her dad’s son Femi, and does not even unpack. She convinces herself that she will only be there briefly until Liv tells the truth and sorts things out. However, she does go into town and has her hair done in braids like Bimpe used to do, telling the hairdresser that her name is “Funke.”

The next day, Kate wakes up and is sick. Bisi takes her temperature and tells Kate she must have malaria from going out at night. Kate realizes that she may have the same allergic reaction to quinine as her mother, but she takes the pills from Bisi anyway.

Part 2, Chapter 16 Summary: “Liv”

As Liv starts to recover, her mother stops visiting. When Grandma comes, Liv asks about Kate. Grandma tells her that Kate “decided” to go back to Nigeria, but that her father wrote a letter saying that Kate has died of malaria. Liv becomes hysterical, sobbing that she killed Kate, until the nurses subdue her.

At home, Liv tells Grandma and Margot the entire story—starting with her nude photos. Margot still tries to blame Kate for driving under the influence of drugs, as Liv repeatedly tells her that she drugged Kate. Liv realizes that Margot “liked her version of events too much” to “believe the truth” (161).

Liv leaves The Ring to live in London, doing her best to escape Kate’s “ghost.” She works several temporary jobs, doing so hungover, and does drugs with her three roommates. She eventually turns to cocaine, realizing it is the only thing that stops her from thinking so much about Kate.

Part 2, Chapter 17 Summary: “Funke”

After Ndidi saves Funke’s life at LUTH, Funke begins living with the Bensons. She acknowledges that she knew taking the pills would likely kill her. After her recovery, she confesses to her father that she needs to move in with her friends, and Chloé enrolls her at Medilag to study medicine.

Funke is nervous at school, but immediately befriends her two roommates, Morenike and Blessing. They call her “Yellow Funke,” but she decides to “embrace” it, realizing that she has the chance to decide who she wants to be in this new space (173).

Funke immediately gets used to life at Medilag, even the bathing which requires using a bucket and heating it with a coil. The men on campus constantly hit on her, so she decides to get her hair done in Bantu knots to ward them off. It helps, and she learns to angrily dismiss them, deciding that she will embrace the fact that she stands out. She begins to like a boy in her anatomy class, Bola, who helps her catch up on the work she missed.

Every Saturday, Blessing gets dressed up and goes out. When Funke asks where she goes, Morenike admits that she has sexual relations with an older man for money. Funke is disgusted, but Morenike admonishes her, saying that not everyone is as lucky as she is. Funke initially argues, then realizes that she has her own privileges in the form of her parents’ money, friends, and even Margot’s family. Morenike teaches her the phrase “Eniyan l’aso mi,” which expresses the importance of having people for support, and it becomes Funke’s “mantra” (179).

Part 2, Chapter 18 Summary: “Liv”

Liv continues to move from job to job, doing drugs and drinking every night. On Christmas, Liv is alone in her apartment. She finds a package from Grandma, who asks her to come home, but Liv can’t bear the thought of going back to The Ring.

Part 2, Chapter 19 Summary: “Funke”

Over the next several weeks, Funke learns to live in Nigeria again. She deals with the constant heat, the electricity going out, the lack of water, and the need to lock up all her belongings. However, she also enjoys school and continues to get along with her roommates.

At Christmas, Funke goes back home, where her father and Bisi do everything they can to make her comfortable. She also enjoys seeing Bobo—her nickname for Femi—and Funmi. When she goes to Chloé’s house, her nephew, Toks, is visiting. They go to the club, where all the service staff recognize her and honor her from their past experiences with Mum. She feels “connected” to her mother, promising to “be the daughter [she] wanted [her] to be” (186).

Part 2, Chapters 14-19 Analysis

One important element in this section of the text is May’s use of dramatic irony. Dramatic irony is when the reader knows something that the characters do not, heightening the drama, humor, and/or suspense of a given situation. When Kate returns to Nigeria, Liv is told by her mother that Kate chose to go there, then she is told that Kate has died. Due to the shifting point-of-view of the novel, the reader sees that this is untrue, seeing through Kate’s perspective that she was forced to return to Nigeria and that she survived her malaria infection. This irony builds the suspense and intrigue surrounding the cousins’ eventual reunion, while also serving to establish Margot as the central antagonist in the text. As the reader knows what Margot has done, seeing the results of her actions—in the form of both Kate and Liv’s grief—further conveys her despicable nature.

Funke again experiences complete dislocation and removal from her home, an experience which mirrors her arrival in London earlier in the text. When Dominic pushes Funke into the pool in Part 1, she allows herself to sink to the bottom, then feels “disappointed” when she is saved. Now, she willingly takes iodine, knowing “she shouldn’t swallow the pills [and that] there was a fifty-fifty chance she’d be allergic. She swallowed them anyway” (157). These two instances of suicidal ideation reflect her complete feelings of unbelonging and aloneness, conveying The Importance of Support in Surviving Trauma. However, just like before, when Funke was saved by Liv both physically in the pool and emotionally through their friendship, she is again saved by Ndidi, who keeps her alive and then allows her to move out of her father’s home to be near her friends.

Ultimately, Funke’s resilience wins out, as she survives in the hospital and decides to redefine who she is to flourish. She again changes two key components about her identity: Her name and her hair. The chapters return to being entitled “Funke,” reflecting her changing identity, and she goes to a barber and asks to have her hair braided the way it used to be by Bimpe. Her hair and her name reflect the theme of Self-Identity Amid Cultural Dislocation, as she adjusts who she is to fit into the society of which she is now a part.

Another key component of her identity is her mother, whom she continues to search for traces of in her life. When Funke goes to the club, she sees her mother’s legacy in the form of her kindness and treatment of the staff. Several workers tell her the things that Lizzie did for them, like paying for their children’s education or helping with their medical treatments. As a result, she realizes that “She’d searched that motherless land in vain, looking for Mum all over The Ring, tried to find her by the lightning tree, sought her out at the folly. But she’d been in Lagos all along” (171). 

As a result, Funke realizes that someone’s identity comes in many forms, the most important of which—at least to Lizzie—is in the legacy that is left behind with the people that she helped. With this realization, Funke notes how she “will try to be the daughter [Lizzie] wanted [her] to be” (186) by creating an identity for herself that is kind and helpful to those around her. This discovery helps Funke understand that she is allowed to define herself, not by her family name, wealth, or status, but by the life that she lives—just as her mother did.

This realization also emphasizes the theme of The Interplay Between Prejudice and Privilege. Once again, Lizzie stands in stark contrast to her sister, Margot. Both women had privilege from their family’s wealth and status, but Margot is vindictive, prejudiced, and greedy, plotting to keep as much wealth as she can for herself. Conversely, Lizzie used that wealth for years to help the people of Lagos, ignoring the prejudicial nature of the society around her and helping as many Nigerian people as she could.

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