Theseus

Zoomorphism means that animalistic features or tendencies are placed onto non-animal characters or events in a story. The Minotaur is an example of zoomorphism in “The Cruel Tribute” because it is not an animal, though it is also not entirely human. Being both human and animal allows it to be a vehicle for exploration of the dual-sided nature of humanity. The Minotaur walks the line between human and animal and, therefore, represents both.

Zoomorphism complicates the character of the Minotaur because it can be seen in two different lights: the man and the monster. In conjunction with the Labyrinth, it also shows the different approaches humans can take when trying to find the true self: The Minotaur surrenders to its animalistic tendencies and becomes a monster, but its duality indicates that people can choose whether to surrender to their instincts or focus on their humanity.

Describing a story as an allegory means that it can be read on at least two levels: the literal and the figurative. The literal level includes the events and characters of the story being told; the objects and ideas that the characters and events represent can be read on the figurative level.

For example, on the surface, “The Cruel Tribute” is the story of Theseus’s entering the Labyrinth to defeat the Minotaur and returning home as the savior of his people to be king of Athens after his error with the sail color causes his father’s death. On the figurative level, “The Cruel Tribute” is a story of self-discovery and overcoming the darker side of humanity. This requires logically solving challenges and becoming the bravest, most loyal version of the self, but remaining susceptible to the harm caused by one’s tragic flaw.