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Britney SpearsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes references to mental illness, substance use disorder, and coercive psychiatric treatment.
A few days after shaving her head, Spears returns to Federline’s house with her cousin. On the way, paparazzi harass them. Spears’s cousin asks them to leave them alone, but they do not listen. Spears starts screaming in frustration. Paparazzi record her while she does this, looking smug. Spears takes an umbrella and smashes it on a paparazzo’s car. She is embarrassed by this and sends an apology letter to the photo agency.
Spears’s father tells her that she is a disgrace, but that if she goes to rehab, she might get custody of her sons back. When she gets out of rehab, she is able to negotiate a temporary 50/50 custody agreement with Federline.
Spears’s management team forces her to perform at the 2007 VMAs to combat the negative portrayal of her as mentally unstable. They believe a televised performance will send the message that she is fine, though she does not feel fine. Backstage at the VMAs, she runs into Timberlake. The encounter unnerves her—it’s a shock to see him, and devastating that he’s on top of the world in his life and career, while she feels like everything is falling apart. She feels under-rehearsed for her performance and unhappy with how she looks. The media pans the performance and heavily criticizes her body and appearance. Her management team quits, and one of her old bodyguards testifies against her in her custody case, accusing her of doing drugs; he is not cross-examined. Spears’s witness, a court-appointed parenting coach, tells the judge that Spears “loves [her] children” and that they are “clearly bonded” (128), but her testimony does not make the news.
In January of 2008, Spears visits her sons. At the end of their visit, when one of Federline’s bodyguards comes to pick them up, she panics, suddenly fearing that they will take her children away for good. She runs to the bathroom with Jayden and locks them both inside. A SWAT team arrives, breaks down the bathroom door, and takes Jayden from her. The medics restrain Spears, tying her to a gurney, and take her to a hospital on a medical hold. In a new custody hearing, a judge further limits Spears’s visitation rights with her sons. Spears also learns from a tabloid magazine that Jamie Lynn is pregnant at 16. Her family has hidden the pregnancy from her.
Spears continues to spiral deeper into depression. She starts taking large amounts of Adderall and begins dating a photographer (and former paparazzo) 10 years older than her. She describes him as chivalrous and claims he helps her with her depression by giving her attention and encouraging her to have fun and do whatever she wants. They are constantly followed and photographed. Once, Spears spins her car 360 degrees while trying to escape paparazzi, and they almost go over a cliff. She feels alive. Spears’s parents do not approve of her relationship. On a visit to her parents’ beach house, she is surrounded by a “SWAT team of what seem[s] like twenty cops” (135).
Spears learns that her father has become very close with a woman named Louise Taylor, and the two of them have conspired to force Spears into a conservatorship. Jamie and Louise set up two kinds of conservatorship over Spears: conservatorship of the person and conservatorship of the estate, essentially placing Jamie in control of every aspect of Spears’s personal and professional life. Spears begs the court to appoint any other person than her father to be her conservator, but no one listens to her. Spears’s father is now in control of every aspect of her life, including her finances and her bodily autonomy. Spears notes that before filing for conservatorship over her, Jamie was $40,000 in debt to Taylor. This, she says, is a conflict of interest.
While Spears’s life is falling apart, her mother writes and releases a memoir. Spears accuses her mother of capitalizing on her suffering and not being there for her as a mother during such a traumatic time. She reflects that she would never try to profit off of her own child’s pain.
Spears’s father claims that she needs to be under a conservatorship because she is incapable of taking care of herself, yet he immediately requires her to go back to work. Jamie bars Spears from seeing her photographer boyfriend again and spins a narrative to the media that the conservatorship is “a great stepping stone on the road to [her] ‘comeback’” (142). Spears realizes her father only cares about money and sees her not as a daughter—or even a person—but as a means to an end. He tells her, “I’m Britney Spears now” (143).
The conservatorship gives Spears’s father an unchecked amount of control over every aspect of her life. When she goes to a friend’s house, security sweeps the place to make sure that there are no drugs or alcohol on the premises. Anyone she wants to date has to have a background check, sign an NDA, and take a blood test. Spears’s court-appointed lawyer is unhelpful, but, unaware of her legal rights, she believes she cannot fire him and hire someone else. Spears retreats into herself, hoping that if she goes along with everything her father asks for a while, he will eventually let her see her sons. She loses touch with friends and becomes more and more isolated. Her father often confiscates her phone.
Spears goes along with her father’s rules and is eventually rewarded with getting to see Sean and Jayden. She works an extremely busy schedule, making a huge profit, of which she is only allotted a small allowance. Her father becomes a millionaire.
Spears struggles under the conservatorship. She constantly battles to see her sons and feels like her fire is going out. She notes that other people, especially men, go through a hard time and behave badly without having their autonomy taken away. She argues that shaving her head and acting out was her way of rebelling against the intense scrutiny she has always lived with.
Spears’s father starts placing strong restrictions on what she can eat, telling her that she needs to “do something about [her weight]” (151). Spears feels empty and loses all of her passion for the things she used to love doing. She feels like her father “stripped [her] of [her] womanhood, made [her] into a child” (151). Despite how incapacitated her father makes her out to be, the many awards she wins for her work during this time refute that version of the narrative.
Spears starts dating Jason Trawick, with whom she initially has a good relationship. Spears’s mother and father get back together in 2010 after being divorced for eight years, which Spears views as a betrayal—her mother aligning herself with her father, becoming further complicit in his abuse and corruption. Trawick proposes to Spears, and they get engaged. In 2012, when Trawick is made her co-conservator, Spears’s feelings for him change, and she breaks off the engagement. On tour, no one is allowed to drink alcohol. Spears feels like a child with no freedoms. She’s not producing much music that she feels proud of. Her father accepts a residency on her behalf to perform in Las Vegas.
The Las Vegas residency begins toward the end of 2013. Spears enjoys it as much as she can and gains a lot of confidence while performing. She starts taking energy supplements, recommended to her by a boyfriend. Her father finds out and is angry. Even though the supplements are over-the-counter, not prescription, he sends her to rehab again.
After a month in rehab, Spears goes back to performing in Las Vegas. Her father puts her on a diet where she eats “nothing but chicken and canned vegetables” (160) for two years. Her body no longer feels like her own. Meanwhile, her family continues to profit off of her work. They stay in beach houses that Spears bought and eat and drink extravagant meals bought with her money. Despite the fact that Spears does 248 shows in Las Vegas, each of which makes hundreds of thousands of dollars, she is only given a weekly allowance of $2,000. One night, when she takes the dancers from her show out for dinner, she wants to pay the tab for the whole group but is unable to because she does not have enough money in her allowance account.
Spears starts teaching dance classes to kids. In 2014, she pushes for an end to her conservatorship. She approaches the court and puts forward her father’s “alcoholism and erratic behavior” (164) as a reason to end the conservatorship, but the judge refuses her request.
Spears starts working with songwriters Julia Michaels and Justin Tranter. They write an album together, and Spears feels her passion for music returning. She calls the album Glory at her son Sean’s suggestion. Around the same time, Spears starts dating Hesam Asghari. She also starts taking her energy supplements again, and when her father finds out, he forces her to start attending Alcoholics Anonymous (AA) meetings four times a week. Spears is inspired by the stories she hears from the women in her group.
Jamie forces Spears to attend AA meetings, even when she is exhausted. Lynne does not speak up for her. The limits on her freedom continually wear her down. One day, her hairdresser suggests that her schedule is too busy; Spears never sees that hairdresser again.
Spears finds small ways to rebel against the conservatorship by holding herself back while performing. This changes when she releases her album Glory. She starts to get her passion back and believe in herself again. She and Asghari become closer and start thinking about having a baby together. Her father refuses to let her get her IUD removed. His control becomes suffocating. All of her movements are monitored, even when she goes to the bathroom, and none of her calls or texts are private. She vows to escape from her father’s control.
The loss of freedom and autonomy inherent in Spears’s conservatorship effectively severs her personal connection to Music as a Source of Power, underscoring the parallel between her relationship to music and her relationship to herself. This section of The Woman in Me chronicles the early years of Spears’s conservatorship. Jamie is now the one who reaps the most power from Spears’s music and career; Spears is no longer in control of her art. In fact, one of the ways that Spears tries to maintain power during the conservatorship is by holding back during her performances. Instead of letting music make her feel powerful, Spears retains a modicum of power by refusing to perform at her best. Near the end of this section of the book, things gradually start to change when Spears writes her new album, Glory. The album is the first hint that Spears will re-establish a strong connection to music and, in doing so, find herself again.
Spears’s conservatorship is the literal representation of the enemy Spears battles in her fight to Reclaim Womanhood and Autonomy. Though Spears struggles to connect to her music, her father capitalizes on it for his own financial gain. A conservatorship, as Spears points out, is intended to appoint a guardian for an individual who is not capable of caring for themself. A conservatorship is a relationship of care that is meant to improve the conservatee’s quality of life, rather than a relationship based on coercive control as a means of financial exploitation. In many cases, Jamie’s behavior veers into overt cruelty. His control over what Spears eats is intended to ensure that she maintains a maximally profitable appearance, regardless of what she herself wants. Her allowance account keeps her from financial independence and control over the profits of her own labor.
Over and over again, Spears is accosted with the clear message that she cannot be trusted to live her own life without intervention from others—a tactic typical of abusive relationships designed to demean and humiliate. Even before the conservatorship comes into play, Spears has a hard time maintaining control over the things in her life that matter most to her. She wants to keep custody of her sons, but her access to them becomes more and more restricted. When she locks herself and her son in a bathroom, she is forcibly institutionalized even though she did not hurt Jayden or herself. She talked in the book’s second section about feeling infantilized—a feeling exacerbated in this section. Every action she takes to try to regain some control over her life, such as shaving her head to make a statement or trying to get her IUD removed, is weaponized as further proof that she is not fit to make her own choices.
For Spears, The Pressures of Celebrity Status are embodied by the paparazzi, who seem to take a perverse glee in photographing and filming Spears during the worst days of her life when she most needs and wants the opposite—compassion and care. Reacting to that invasive presence in any way just adds fuel to the fire, giving them the opportunity to paint her as out of control and even dangerous. As the conservatorship’s hold on her gets more intense, the betrayals Spears experiences in her family relationships cause them to further disintegrate. Her mother’s memoir strikes Spears as particularly exploitative: Her life is already on display, and now someone who is meant to protect her has profited off of her pain and trauma without her consent.
Spears emphasizes the misogyny that enabled the approval and maintenance of her conservatorship, noting that many adults, including celebrities, go through crises, behave badly, and act in ways that could jeopardize their careers. When men do these things, she argues, they maintain their autonomy and might even develop an archetypically attractive bad-boy image that ultimately serves their career. When Spears does these things, she is completely stripped of her autonomy. As Spears notes, she was required to maintain a grueling performance schedule and career, but she was not considered competent enough to decide what food to eat or make her own medical decisions. The abuse she endures gaslights her into believing that she has no recourse—another key characteristic of abusive relationships. Though she is told and believes that she cannot hire a new lawyer to represent her, she later learns this is a lie.