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Britney SpearsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes references to mental illness.
Timberlake launches his solo career and begins acting standoffish with Spears. He breaks up with her via text while she is shooting a music video. Spears is devastated and becomes unable to speak to anyone for lengthy periods of time. She goes back to Kentwood to recover. Timberlake visits her and brings her a framed letter explaining his feelings and the reasons for their breakup, which sends her deeper into a depression.
Despite her heartbreak, Spears returns to work to finish her tour. When she tells the record label that she wants a break once the tour is over, they respond negatively. They do not want her to leave the spotlight and lose career momentum. She does an interview from her home in Kentwood to assure people that she is “doing well and ‘just taking a little break’” (68).
At home, Spears’s mother divorces Jamie, who is nowhere to be seen during this period. Spears notes Jamie Lynn’s behavior, which she views as entitled and frustrating. Spears feels like a ghost—isolated and alone.
Spears visits Donatella Versace in Milan. The visit helps her feel confident, and she tries to get over Timberlake. However, when she returns to America, Timberlake is promoting his first solo album and doing interviews in which he claims she broke his heart. Timberlake’s press tour shatters the illusion, created by Spears’s managers, that she was an “eternal virgin,” as he is asked about and confirms their sexual relationship. Though Spears is upset with Timberlake for not admitting that he cheated on her, she feels grateful not to have to pretend to be a virgin, and be more open about her sexuality. However, Timberlake’s descriptions of her make her feel as though she is a bad person.
Spears decides that since Timberlake has been openly sleeping around since their breakup, she should also start dating. She briefly dates actor Colin Farrell and tries to make more public appearances, but she begins to deal with extreme social anxiety. She fears “being judged or […] saying something stupid” (80) and starts to isolate herself in her New York apartment. One of the few people who visits her is Madonna. Spears is in awe of Madonna’s confidence, and Madonna begins to mentor her. They decide to perform together at the VMAs in 2003.
During the performance, they kiss on stage. The kiss gets a lot of attention from the press. Later, Madonna and Spears collaborate on Spears’s song “Me Against the Music.” While shooting the music video, Spears is “in awe of the ways Madonna would not compromise her vision” (85) and the way that she demands respect and attention. Spears resolves to be more like this while also being kind to others.
One day, four men show up at Spears’s apartment. One of the men is her father; she does not recognize the other three. The men ask her a number of questions, but Spears does not answer them. The next day, her team tells her that she is going to do an interview with Diane Sawyer about her relationship with Timberlake. Sawyer asks her invasive questions about their breakup and why she broke Timberlake’s heart. The interview makes Spears feel even more vilified, and she sinks deeper into depression.
Spears goes on a trip to Las Vegas with some friends. They drink heavily, and she hangs out with a childhood friend. The two end up drunkenly getting married at the Little White Chapel. The next day, her family arrives, furious with her for her reckless behavior. Spears does not understand their anger, seeing the experience as a silly youthful fling. They force her to sign papers and get the marriage annulled after only 55 hours. Perturbed by her family’s reaction, Spears wonders if they rushed in not to protect her but to protect her money since they are all supported by her financially.
Spears begins the Onyx Hotel Tour. Her brother, Bryan, is working as part of her team. Spears becomes extremely depressed and suffers an injury to her knee; she is not enjoying the tour. She starts dating Kevin Federline, who accompanies her on tour. Their relationship is playful and loving at first, but Spears later finds out that he has two children, a fact he chose to hide from her. Despite this, Spears falls in love with Federline, and they get engaged.
While on tour, Spears injures her knee a second time and has to have surgery. Her doctor prescribes her Vicodin to help with the painful recovery. She does not want to go back to performing and wishes she could have actually taken the time to recover from her breakup with Timberlake before touring again. Spears and Federline get married after only three months of dating, and Spears thinks more about taking time off. She announces to her fans that she is taking a break, proud of herself for setting a boundary.
Spears gets pregnant and gives birth to her son Sean in 2005. Three months later, she gets pregnant again. She is happy to be having kids so close in age, though her second pregnancy is hard on her body. She tries to stay out of the public eye, but paparazzi follow her everywhere she goes, harassing her and documenting everything she does with her son. The tabloids comment on her body while she is pregnant, which frustrates Spears, who does not understand why she is expected to still have the body of a teenager.
Federline attempts to launch his own music career when Sean is a baby. Spears feels distant from him since he commandeers her studio and equipment, refusing to let her inside while he is recording or hanging out with his friends and smoking weed. Spears realizes that fame and power has gone to Federline’s head. Later, she tries again to see Federline, this time in Las Vegas, but a security guard who used to work for Spears bars her from going into Federline’s recording studio. She is devastated.
Spears’s second son, Jayden, is born in 2006. Spears loves her sons and is happy to feel comfortable in her body again after two years of being pregnant. Tabloid magazines continue to harass Spears, and she has to dodge paparazzi everywhere. She wants to keep her sons safe from exposure to the press. In hindsight, she recognizes that she became overprotective of her sons, especially when she refused to let her mother hold Jayden for the first two months of his life. She realizes that she was suffering from perinatal depression and becoming increasingly isolated without support from Federline or her family.
The months following Jayden’s birth are busy, but Spears feels creatively fulfilled when she goes back to the studio to record another album. She feels like her work is for herself, not for her parents or managers. Being in the studio again also allows her to momentarily escape the scrutiny of paparazzi. She releases the album, Blackout, of which she feels proud. Federline’s lengthy absences increase ostensibly due to his work commitments, and Spears almost never sees him. Although he claims to care about his sons, Spears feels he is a neglectful father.
Spears’s lawyer tells her that she should file for a divorce from Federline before he does. She files for divorce, and Federline demands that she pay his legal fees. They both ask for full custody of their sons. Because she filed first, Spears is vilified in the media for breaking up their family. The media also paints an unflattering picture of Federline, which upsets Spears despite her feelings about him. After her relationships with both Federline and Timberlake, she notes that she “never really did trust people again” (115).
After her divorce, Spears finds comfort in her friendship with Paris Hilton. Hilton is kind to Spears and encourages her to have fun again. Spears and Hilton start partying together frequently, and the tabloids spin headlines accusing her of promiscuity and drug use. Spears insists that while she did drink heavily, she never had a drinking problem or took hard drugs. She admits to taking Adderall because it made her feel less depressed.
One night, Spears asks her mother to babysit her sons while she goes out with Hilton. When she returns home drunk late at night, her mother screams at her, and they get into a fight that Spears describes as “a turning point” (118) in their relationship. Spears feels upset that her mother does not show her any grace or understanding for what she is going through.
Spears continues to struggle with the challenges of motherhood in the public eye. She suffers from postpartum depression and feels escalating pressure from her parents and the media, who scrutinize her every move. Federline tells people that she is out of control in a bid to get full custody of their children and suggests that she should not be allowed to see her sons at all.
Federline eventually forbids Spears from seeing their sons when the boys are five and 17 months old respectively. She goes to his house to plead with him to be reasonable, but he refuses to let her inside. Paparazzi staking out the house watch it all happen. Later that night, she shaves off all her hair, “out of [her] mind with grief” that her children have been taken away (122). Both the press and her family frame her actions as evidence of a psychotic break, but from her perspective, she’s just a mother in an impossible situation desperate to see her sons.
The Pressures of Celebrity Status in Spears’s life dramatically heighten the isolation she feels as she navigates two major breakups, anxiety and depression, and the challenges of becoming a parent. She remains in a continuous push and pull with her family because her status as their daughter is conflated with her status as their breadwinner. When she spends time in Kentwood, she feels infantilized despite the fact that she supports them financially, foreshadowing her later experiences under her conservatorship. She gradually pulls herself out of her post-breakup slump, though she does not feel that her family makes that process any easier. When she pushes back against their efforts to control her by going to Las Vegas and getting married, she begins to recognize the degree to which her parents want to control her and restrict her actions in order to preserve their financial stability at her expense. These incidents lay the groundwork for the further breakdown of Spears’s familial relationships as her memoir continues.
The lack of privacy inherent in her status as a pop-culture phenomenon contributes to the isolation Spears feels and the difficulty she experiences finding appropriate support. Although Spears is no longer a teenager, she still has very little say in what she does and where she goes during the promotional periods for her albums since her public image is so crucial to her financial success, which sustains not only her own livelihood but that of her family and those she employs. When Spears would like to take a break after her relationship with Timberlake ends, she is required to continue touring to fulfill her contract. Refusing to perform would hurt not only her own fame and career but also the wellbeing and security of her parents and siblings. Spears develops more acute mental health issues, including social anxiety and perinatal/postpartum depression. Like all aspects of her life, her mental health comes under extreme scrutiny. Many people go through periods of poor mental health, difficult personal relationships, and other challenges. Most people get to go through those things with their privacy intact; For Spears, privacy is not an option. A key element of Spears’s journey toward Reclaiming Womanhood and Autonomy will eventually involve a personal renegotiation of the boundaries between her personal and public life.
Throughout Spears’s memoir, the motif of paparazzi represents the way in which her privacy, autonomy, and sense of self are constantly stripped away, replaced with an image of her as seen through the (often literal) lens of the outside world. Even Spears’s children feel the impact of their mother’s fame from their earliest days. They are relentlessly photographed in public, pushing Spears to become fiercely overprotective of them. Paparazzi photograph and film her when she is trying to recover from breakups, when she tries to have fun with her friends, when she is holding her babies, and when Federline prevents her from seeing her sons. Spears notes their fascination with her romantic relationships in particular—an aspect of her life that, in theory, has nothing to do with her work. The intense push to always embody an idealized, archetypal version of herself in the face of challenging personal issues drives Spears to strike back against the constant barrage by shaving her head. She knows that to many of her fans, especially older men, long hair is seen as traditionally sexually attractive, and shaving her head is an attempt to take back control over her own image.
While Spears’s childhood self found safety and empowerment in music, her adult self understands Music as a Source of Power that can be used against her. Timberlake uses his music to craft his own public narrative of their breakup, which he uses to promote his album regardless of the negative consequences for Spears. Without the freedom to make her own choices with regard to her music—when and how long she will tour, when she can take breaks to rest and recuperate—music loses its power for her as a person and becomes another tool wielded by those around her to control her and keep her in line. Toward the end of the section when Spears records Blackout, she finally starts to regain some of her early love of music. Recording the album brings her joy during a dark time in her life. In the midst of her divorce and her postpartum depression, Spears feels that music is a source of hope and light—a way to connect with her friends and allies. She cites her collaboration with Madonna as a highlight of her career that helps her better understand her own power to dictate the terms of her own life.