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The novel’s protagonist, Mika Moon is a 31-year-old witch of Indian descent living in England. Like all witches, Mika is an orphan. She was raised by Primrose and cared for by a series of nannies and tutors, and Primrose wiped their memories of Mika upon their leaving the job to keep Mika’s magic and peculiarities a secret. As a result, Mika guarded herself against the potential pain of getting close to people, which worked out perfectly for her because Primrose’s rules prevent witches from getting close to other witches or revealing their magic to non-witches.
When Mika takes the job at Nowhere House, she’s under the impression that it will be yet another in a string of short-term jobs that she leaves in a few months with no connections to the people there. However, Mika breaks with Primrose’s rules to work with the young witches of Nowhere House, perhaps because of her yearning for connection. Mika struggles to let others in because “she had never belonged anywhere and had never been enough for anybody” (197). However, she finds it difficult to keep her promise to herself—“don’t get attached” (242)—after forming bonds with the residents of Nowhere House, particularly Jamie. With his help and the love of the house’s other residents, Mika learns to open herself up to connection and love.
Mika’s journey with the people of Nowhere House leads her to realize that she has been missing out on family and love all this time, and she begins to feel she is worthy of love. In addition, she begins to realize that Primrose’s rules are hindering the lives of witches to the point that safety isn’t worth the sacrifice of interpersonal connections. Mika encourages other witches in the Society to defy Primrose and eventually finds the confidence to stand up to Primrose face to face. In the book’s final chapters, Mika argues that witches are stronger when they can work together and protect each other—and that the benefits of interpersonal connections outweigh the risks of allowing certain people to know about witchcraft. She manages to save her newfound family from Primrose’s strict hand, and she ends the novel having finally found a place she can call home.
A 36-year-old white man, Jamie is the resident librarian of Nowhere House. He was taken in by Lillian at age 16 after he ran away from home. Jamie was close to his father, who died when Jamie was 12. For the four years afterward, Jamie’s older brothers made his life hell, having resented Jamie for being their father’s favorite. Before his father’s death, Jamie was “Before-Jamie” whose “glass had been more than half-full” (101). Like present-day Mika, Jamie as a child was optimistic and happy. However, once his life changed, he became a brooding and mistrusting man.
Because of his stark change of outlook, Jamie initially dislikes and mistrusts Mika. He worries that the house has “secrets […] he didn’t want unburied” (100) but admits that he’d be mistrustful of anyone. His real problem with Mika is that she’s “so aggravatingly, relentlessly sunshiney” (100). His dislike for her demeanor slowly morphs into an admiration for her character as he gets to know her and learns about her upbringing and residual trauma. Like Mika, Jamie has his own battle with allowing people to get close. When he learns about Mika’s past, he becomes afraid she’ll leave like she leaves everyone and everything else. However, Ken advises him to “leave a window open” (213) for people who leave so that they know they’re welcome back—and despite his concerns, Jamie grows closer to Mika, falling in love with her and her passion for magic.
As Jamie begins to let Mika in, he allows her into his childhood, telling her about his trauma after his father’s death. His being vulnerable and letting her know that hidden part of him mirrors how Mika allows him to know the magical side of her. By letting her in, Jamie is able to face his childhood trauma and gain the closure he needs from his biological family. When he reveals Lillian’s death, scaring Mika away, he takes Ken’s advice and leaves a window open, extending an invitation to Mika to return and stay forever. At the end of the book, Jamie and Mika are in a relationship and are raising the girls together at Nowhere House.
The eldest witch of the Very Secret Society of Witches, Primrose is also the twin sister of Lillian Nowhere—a major revelation near the novel’s end. Primrose enforces strict rules on the witches of the Society to protect them from the evils of a world that’s fearful of—and thus hostile to—magic. As an elder witch who guides the Society, Primrose embodies the Old Crone archetype. The witches of the Society both respect and fear Primrose because of her wisdom and influence. The other witches obey her rules because they fear the ostracization and consequences that come with her wrath.
Primrose raised Mika, having known Mika’s grandmother and mother. After Mika’s mother died, Primrose took Mika in—but rather than violate her own rules about witches being in the same place, Primrose had Mika hired by a series of caretakers and educators, whose memories of Mika she promptly removed once their time with the girl was over, creating a traumatic and isolating childhood for Mika. Primrose is a source of wisdom for Mika, though this wasn’t always the case. Mika recalls asking Primrose questions and receiving dismissive answers as she grew up, making it difficult for Mika to fully understand her witch side.
However, in Chapter 16, Primrose reveals to Mika the history of witches gathering, explaining that the reason all witches are orphans is that a spell, cast by a group of witches working together, went wrong. They realized that gathering was dangerous, not only because of the powerful climate of witch hunters at the time but also because the greater the magic, the greater the potential for it to go wrong. Primrose rigidly believes that “[a]lone is the only way we survive” (189), not just because of history but also because of her own upbringing. As children, Primrose and Lillian were treated terribly by the relatives who raised them, causing Primrose to retreat inward and never let anyone close enough to risk pain or exposure. Mika recognizes this and uses it as a means of communicating to Primrose the importance of a support system and convincing her to allow the residents of Nowhere House to stay together despite four of them being witches. Primrose ultimately learns to be more flexible with her precautions and value the connections that witches can make in modern society.
The three young witches whom Lillian adopted are Rosetta, Terracotta, and Altamira. All three girls have spent their childhood lives at Nowhere House and have received little to no guidance on how to use their magic.
Rosetta is the oldest, at 10 years old. She’s Black, and Lillian found her in London after her parents died in a house fire. Rosetta embodies her namesake, the Rosetta Stone, because she’s passionate about the written word and inquisitive about interpersonal connections. She loves to read and even reads to Mika when Mika is bedridden. Mika can tell that Rosetta is “lonely” because Mika remembers being a lonely young witch longing for connections too. With Mika’s help, Rosetta grows confident in her powers and begins to make trips outside of Nowhere House to practice keeping her power in check, while having opportunities to socialize. In the novel’s last chapter, Rosetta gets to meet an older Black witch, Belinda, an exciting connection for her as a young Black witch longing for community.
Terracotta is the middle child, and her connection to Mika is the most difficult early on. Born in Vietnam, Terracotta was orphaned when her parents died of an illness. Mika sees that Terracotta is “ferociously protective of her sisters, the grown-ups who looked after them, and this safe haven they’d built together” (94), which is why Terracotta is so standoffish toward Mika. Terracotta takes after Jamie, and she picks up on his initial mistrust of Mika, which emboldens her to continue to reject Mika’s tutelage. This conflict reaches its climax when Terracotta manages to levitate despite Mika’s insistence that it’s too dangerous. When Mika intervenes to help her, the encounter results in a bolt of wild magic that gravely injures Mika. Terracotta learns her lesson about ignoring, mistrusting, and fighting against Mika, who only wants what’s best for her.
Altamira, who’s seven, is the youngest of the three girls. Lillian found Altamira in the rubble of a Palestinian hospital. Altamira takes cues from her older sisters and looks to them for guidance. She quickly latches on to Mika and shows a willingness to learn to harness the boundless magic that surrounds her.
An elderly married couple, Ian and Ken look after Nowhere House and its gardens. Lillian Nowhere hired Ken to keep up the gardens, and Ian, a retired stage actor, came with him. They’ve been at Nowhere House for years and, along with Lucie, the housekeeper, helped raise Jamie when he arrived. Now they, along with Lucie and Jamie, have been raising the three young witches.
Ian is an eccentric man who can see magic in the air the same way that witches can because his mother was a witch. This is how he identifies Mika as a real witch by watching her videos as a fake witch. Ian has a trusting nature and is transparent with Mika early on about the desperation of their situation given Edward’s looming visit. However, he, Ken, and the other Nowhere House residents hide the truth about Lillian’s death from Mika until it’s too late to prevent Edward’s witnessing unharnessed magic in the three young girls when he arrives earlier than expected at the house.
In addition to their roles at the house, Ian and Ken act as a guide for Jamie as he navigates a growing romantic tension with Mika. While Ian pushes Jamie and Mika together into situations where they can be alone, Ken guides Jamie’s heart, helping him let Mika in. Ken explains that Ian wants Jamie to find love because he can “feel his own mortality and […] the idea of leaving you alone terrifies him” (212). Ken also advises Jamie that, should Mika run away as she tends to do, the best course of action is for Jamie to “leave a window open” (213) and let her know she’s wanted. This advice ultimately saves Jamie and Mika’s relationship, bringing Mika back to Nowhere House for good.
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