61 pages • 2 hours read
Diane SetterfieldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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One day during the first week of Margaret’s visit, she sees a visitor drive up and enter the house. Before she can find out who it is, her daily session with Vida begins. That day, Vida tells the story of the perambulator (baby carriage) owned by a woman named Mary, or as the twins called her, Merrily. The twins, Emmeline and Adeline, became fascinated with the carriage owned by Mary and her husband, Fred Jameson. All day, as Mary does the washing and the rest of her chores, she parks the carriage in the garden, with their baby inside. One day, while she is not looking, the twins steal the carriage with the baby still inside. They take it, with much difficulty, to a large hill, take the baby out and set him on the ground, and Adeline climbs in. She sets off down the hill in the carriage, and it gains speed until it hits a rock and flies through the air, overturning. When Emmeline runs to the bottom of the hill, she finds Adeline with a broken arm, but still thrilled with her ride. Eventually, the men in the village find the carriage and the baby, wrapped in his blanket and still sitting on top of the hill, forgotten by the twins but unharmed.
After that day’s interview, Margaret tells Vida that she will be leaving for a few days. Vida is reluctant to let her go, but Margaret insists that she needs to do research in London and gather some of her things for a longer stay. Soon after, while Margaret is typing up her notes from the day, the man who came that morning asks to speak with Margaret. He is Dr. Clifton, Vida’s doctor, and she has asked him to explain the severity of her illness as a way of emphasizing the urgency of their work together. Before he leaves, he asks her if there has been any word of the thirteenth tale. She replies that, even if there had been, she would not tell him, and he leaves soon after.
After the twins steal the carriage and baby, some of the men from the village go to Dr. Maudsley, who acts as a sort of town elder. They are tired of their homes and property being intruded on and think that something is wrong with the twins. The doctor asks his wife to go to Angelfield and speak to Isabelle, thinking that Isabelle may talk to another woman more easily. Upon arriving at Angelfield, Mrs. Maudsley is not able to find anyone in the house. The house itself is filthy because the Missus is getting old and is not able to clean it properly.
Mrs. Maudsley tours the house, and in the music room, sits down and plays the piano. It is horribly out of tune, and while she is playing, a woman in white, unseen by Mrs. Maudsley before, gets up from the chaise lounge and hits her in the head with a violin. The Missus finds her, unconscious and injured, on the floor and summons the doctor, who tells them that Mrs. Maudsley will be fine. She tells them about the woman in white, and when Isabelle comes through the door, identifies her as the woman with the violin. The doctor questions Isabelle and determines that she should be sent to a psychiatric care facility. The following day, she is taken away, unresisting, and Charlie signs the papers to have her taken there. Once the carriage has disappeared from view, Charlie becomes distraught.
Margaret is preparing to transcribe that day’s interview. She will be leaving the next morning for three days and is packing when Vida summons her to the library. Vida talks of the characters that crowd her thoughts, each demanding that their story be told. Throughout her life, and behind all of the other characters, a green-eyed girl has been patiently waiting for her turn. Now she is the only character left. Margaret responds that the girl is Vida, and Vida replies that she is someone Vida used to be.
Margaret returns to London and starts her research with the almanacs in her father’s bookshop. She finds an entry for George Angelfield (Isabelle’s father) and confirms everything Vida told her. The information is spare, and she knows that Vida could have looked these facts up just as easily as Margaret did. The information she finds about Charlie Angelfield indicates that he had been legally declared dead, the usual legal process when a person has been missing for a number of years. She also finds a portrait of the twins’ father, Roland March.
Margaret goes to the offices of the Banbury Herald, a small local newspaper that would cover any news of Angelfield. In the archives, she finds information about the fire that Vida mentioned, deemed accidental. According to the story, the twin nieces of the owner had been home, but had escaped unharmed, and the owner, Charlie Angelfield, was believed to have been abroad at the time. While she is at the archive, Margaret looks for evidence of the boy in the brown suit that Vida had written about in her first letter, who had worked at the Herald and come to interview her. Margaret finds no evidence that such a boy ever existed. She believes that Vida made him up in order to lure her in and is disappointed that Vida lied to her.
Margaret continues on her research journey and makes her way to the Angelfield estate. The building has been destroyed in a fire and is a ruin. She explores the building from the outside, then realizes that she is looking in at a library and enters the building. She carefully climbs the stairs of the ruin and is just about to enter one of the still intact rooms when the doorknob begins to turn under her hand.
Margaret runs down the stairs in a panic and falls amidst the debris littering the house. A large man comes down the stairs, concerned for her and apologizing for frightening her. He offers to make tea and goes back upstairs to the room where he keeps some provisions. When he comes back down, he has a first aid kit, and cleans and bandages her injured leg. The man introduces himself as Aurelius Alphonse Love. He serves her tea and homemade cake, and they talk. He asks her if she has a mother and tells her that he does not. Mrs. Love is the woman that took him in, but he does not know who his mother and father are. Margaret asks him if he lives in the Angelfield ruin, but he lives in a cottage nearby. He gives her his card and tells her to call him if she visits the ruin again, so that he can have her for tea.
After Margaret leaves Angelfield, she goes to the local church. She finds John-the-dig’s and Mrs. Dunne’s graves, and then goes inside the church to locate the Angelfield family graves. She finds George’s and Isabelle’s graves but is unable to find Charlie’s. When she does find it, it is made of black stone, plain and small and hidden, with no dates. That night, when she speaks to her father, he asks her to visit their home and her mother. Instead, Margaret tells her father she is going back to Vida’s house the next day. In the middle of the night, Margaret wakes up feeling her twin again, but in the morning, there is no sign of her.
As the story of Emmeline and Adeline continues, it becomes clear that their bond, The Bond Between Twins, exists to the exclusion of all else. To them, as the Missus notes, it is as if they are the only people in their world, which gives them license to do whatever they want, with no regard for others. Ironically, it is this very understanding that will lead to Hester’s arrival and their separation. With their endangerment of a local child, they have set events in motion that will lead to their separation. Although one might hesitate to call their life at Angelfield up to this point “normal,” it is their status quo in the novel, and one that will be disrupted by outside interference. The eccentric household has now affected the village’s inhabitants, and at that point, action is taken.
Chapter 13 ends with a suspenseful moment that is classically gothic. The heroine, in an abandoned ruin, feels a doorknob start to turn under her hand. The atmosphere, combined with Margaret’s immersion into the story of Angelfield, conspires to have her instinctually believe that she is witnessing a supernatural act. However, the next chapter reveals a natural explanation for this incident: There was a man in the room (Aurelius), and he turned the doorknob because he heard her outside. With this event, Setterfield has once again drawn a parallel between The Thirteenth Tale and gothic convention, whereby a seemingly supernatural event has a banal explanation rooted in reality.
The sense of the supernatural, or the magical, continues with Aurelius’s fantastic name and appearance, as he is referred to in Chapter 14’s title as “The Friendly Giant.” Aurelius speaks of knowing that he somehow belongs to Angelfield. As Aurelius continues his story, he will reveal that he was abandoned as a baby and taken in by a woman, Mrs. Love, who lives in a cottage in the woods. These references create a sense of mystery and magic around Aurelius and Mrs. Love, developing the theme of The Function of Fairy-Tale Elements within Gothic Novels.
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