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51 pages 1 hour read

Clive Barker

The Thief Of Always

Fiction | Novel | YA | Published in 1992

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Chapters 15-26Chapter Summaries & Analyses

Chapter 15 Summary: “New Nightmares”

Harvey tries to explain the realities of Holiday House to his aged parents, but his memory is strangely clouded. Although he dreads the idea of finding the place again, he remembers Lulu’s misery and makes himself a promise to rescue her. The next morning, Harvey and his father try to locate the House. The town has changed since Harvey last walked through it, and he has trouble finding his way. No one has seen the House, and Harvey isn’t surprised. He becomes obsessed by the idea of simply undoing all the damage that his sojourn in the House has caused.

The next day, Wendell visits Harvey in tears, upset about all the changes in his life. His father has divorced his mother, who now is old and fat. He and Harvey realize that although the House will continue to hide from adults, it wants the two boys back. They decide to find it themselves and figure out how to retrieve all the lost years. Harvey leaves a note for his parents so they won’t think that his visit was just a dream. 

Chapter 16 Summary: “Back to the Happy Land”

Without adults at their side, the boys quickly locate the magic wall. Harvey says that their goal is to get back inside, find Mr. Hood, and make him give back all the years he stole. They re-enter the grounds and are welcomed with warm sunlight, enticing aromas, and beautiful sounds. In moments, Wendell is entranced once again and wants to visit the treehouse. Harvey reminds him of their plan, but Wendell says, “Who cares?” Frustrated, Harvey heads for the House, and Wendell follows, drawn by the delicious kitchen smells.

Chapter 17 Summary: “Cook, Cat and Coffin”

Once they’re inside, Rictus slams the door shut and welcomes them, saying he knew they’d return. Wendell hurries to the kitchen, but Harvey resists. Stew-Cat appears and rubs against Harvey’s legs. Harvey tells Rictus that he left his presents and thinks they might be in his bedroom, and Rictus hurries to retrieve them. Harvey finds Jive cooking in the kitchen and Wendell devouring platefuls of food. Remembering that all the food is probably made of dust, Harvey resists the temptation to join Wendell.

Stew-Cat stares at Harvey, and then walks up the stairs. Harvey follows, and the cat leads him to a door he hadn’t noticed before. The cat rubs against a nearby table on which Harvey finds a boxed key that he uses to unlock the door and follow the cat down a dank, dark staircase that ends in a dusty cellar. In the center is a large, padlocked coffin-shaped box. Stew-Cat jumps on it and begins clawing at it. Hanging out of the box is an apron string. Harvey calls out, for Mrs. Griffin and is answered by a thump from within the box. Harvey finds two rocks, breaks the padlock, and opens the lid.

Chapter 18 Summary: “The Bitter Truth”

Harvey helps Mrs. Griffin out of the box, and she says that Rictus and Jive locked her in. Harvey insists that Mr. Hood must have given the orders; Mrs. Griffin agrees, and to her surprise, sheds tears. She says happily that Harvey has broken the curse that prevented her from crying. She explains that she was the first child to visit Holiday House after she ran away when her cat died and her father refused to get her another one. The first gift the House gave her was three cats, and the voice of Mr. Hood promised that, if she stayed, she would never die and never weep again. Trapped there, she grew old quickly, and all she could do was try to make the visiting children as happy as possible. All she wants now is to die, but Mr. Hood won’t let that happen.

Marr appears on the stairs and tells Harvey to come to her so she can convert him into something “humble” like a worm. He walks toward her, asking what she dreams of being. She looks confused. He grabs her hands—he wants nothing more than to be himself, so her magic no longer has any effect on him—and the power she emits reflects back onto her. Her body begins to dissolve and ooze away, and she shrinks down, saying, “I dream of nothing” (145). She disappears into a grimy puddle. Harvey says there are three to go, and Mrs. Griffin warns him that Carna is still alive as well, shrieking at night and hungering for revenge. Mrs. Griffin admits that Harvey is the first child who has a chance of vanquishing Mr. Hood.

Chapter 19 Summary: “Dust to Dust”

Rictus meets Harvey at the top of the stairs and calls the boy a murderer, but Harvey replies that none of the servants are alive to begin with. Instead, they’re “illusions.” He lets Mrs. Griffin outside and heads for the main stairway. Jive appears with a plate of delicious-looking ice cream and pie, which Harvey refuses to eat, reasoning that it might be poisoned. When Jive takes a bite of the food to prove it’s safe, Rictus cries out a belated warning, but it’s too late. Jive drops the plate and clutches his stomach. Dust pours from his mouth, and he begins to crumble. Calling for help from Mr. Hood, Jive tries to climb the stairs, but he collapses in a cloud of dust. Quietly, Harvey intones, “Two down.”

Wendell comes in from the kitchen with his mouth full of food. Seeing the dust cloud, he wonders if someone has been beating the carpets and says happily that the food is delicious. Shaking his head in disappointment, Harvey goes upstairs.

Chapter 20 Summary: “The Thieves Meet”

Harvey climbs to the top floor hallway, where five doors await, each slightly ajar as if tempting him. Instead of entering the rooms, he finds a chair, places it beneath a ceiling trapdoor, and pulls himself up into the attic. By contrast with the rest of the House, the attic is dark, dank, and cobwebbed. Harvey calls to Mr. Hood, demanding that he show himself, and hears the growl of Carna, who rises up from a cluttered corner. Harvey backs away as the creature heaves its wounded body forward. The boy notices four glowing balls rising up through the floorboards toward the roof. He looks up and sees Mr. Hood, whose face is spread out across the ceiling with his mouth stretching 10 feet wide. Hood berates Harvey for killing Marr and Jive and threatens to send Carna after the boy in retribution.

Hood offers to take Harvey back into Holiday House, insisting that he has done the boy no damage. Harvey protests that Hood stole years of his life, but Hood retorts that he merely saved Harvey from living the days he didn’t want. He tells the boy, “We’re both thieves, Harvey Swick. I take time. You take lives. But in the end we’re the same: both Thieves of Always” (160). He offers to train Harvey in the “Dark Paths,” adding that Harvey already has something of a vampire in him. Harvey cringes—Hood might be right—but he refuses the offer. Hood commands Carna to devour Harvey. Carna lifts itself and moves toward the boy, but Harvey reaches out and touches the creature gently on the head. Carna groans with relief, presses its head briefly against Harvey’s hand, then backs away and collapses into a thousand dry and dusty pieces. Harvey climbs out of the attic. As he departs, Hood says, “Oh my little thief […] What shall we do with you now?” (163).

Chapter 21 Summary: “Tricks and Temptations”

Rictus nervously awaits Harvey and offers the boy anything he wants in exchange for staying forever at the House. Harvey wants his years back; Rictus says, “Anything but the years, thief. You can’t have those” (165). He warns Harvey that he can’t kill Hood, who’s already dead. Harvey asks about the fish in the lake, and Rictus lies and claims that they are happy. Harvey pushes the servant aside and heads downstairs. Rictus follows, offering him motorcycles, books, puppies, parrots, even tigers, but Harvey rejects everything.

Harvey walks outside. Mrs. Griffin, holding Stew-Cat, smiles. Harvey calls for Wendell, but there’s no answer. From the porch, Rictus suggests that Wendell went swimming and wonders if the boy might look better as a fish. Harvey yells up at the House, crying that hurting Wendell is unfair. All Harvey has left are his wits, “and his wits [are] about at an end” (170).

Chapter 22 Summary: “Appetite”

Harvey demands to speak to Hood again. Rictus gestures toward the House, and when Harvey asks if Hood is still in the House, Rictus replies, “He is the House” (172). Harvey asks the House if it will give him anything in exchange for his agreeing to stay. The House answers by forming words out of creaking, rattling noises and claims that anything can be had. Harvey demands another ark with live figurines. The House obliges. Harvey then demands flowers everywhere, with no two blossoms alike. The House obeys, the ground shakes, and thousands of blossoms burst forth from the lawn.

Next, Harvey demands special cuisine: roast swan, frog’s legs, caviar, oysters, horseradish. The food appears in the hallway, dish upon dish, until Harvey feels nauseated by all the smells. He begins making up new dishes, stating, “I want crawfish cooked in cherry soda and horse steaks with jelly-bean sauce, and Boston Cream Cheese and pastrami soup” (176). Straining to perform all this magic, the House begins to crumble. Realizing that Harvey is testing its limits, the House insists that the boy can have only one more wish, and then he must swear allegiance forever. Harvey demands all the seasons at once.

Chapter 23 Summary: “The War of Seasons”

The seasons appear simultaneously on the grounds and battle one another. Storms fight sunlight while spring growth gets shredded by gales. Snow becomes rain, and rain becomes vapor in an endless cycle. Harvey stands firm, determined to witness the last thing he may ever see as a free person. The weather beats and tears at the House until a lightning strike sets fire to the structure, which finally collapses.

The storms subside; only motes of dust and floating petals are left. The glowing light balls from the attic sail off toward the lake. Mrs. Griffin says they’re the souls of the trapped children. She looks down and is delighted to see that she and her cat are becoming translucent. She tells Harvey that he’s the “brightest soul” she’s ever known, and she hopes that he’ll keep shining. She says goodbye, and she and the cat disappear.

Chapter 24 Summary: “A Fledgling Thief”

Lulu appears. She’s wet, but her fish shape rapidly returns to a human one. Harvey runs and hugs her. In the distance, other fish from the lake transform back into children and walk toward the remains of the House. Among the ruins, they find a box of clothes and select things to wear. Lulu gives Harvey a kiss on the cheek and heads for the clothes. Wendell appears and jokes that he’s not going to kiss Harvey. A roaring sound erupts from the lake; Harvey hurries toward it and sees the water escaping in a whirlpool.

Harvey turns and discovers that Rictus is still alive. The servant has a small globe filled with magic that he stole from Mr. Hood and states his plans to start a new house, with Harvey as his servant. From the rubble, a hand reaches up and grabs Rictus by the neck, and a voice demands that he return the magic. Terrified, Rictus breaks the globe, and the magic pours into the ground. A human-like shape rises from the ground. It’s Mr. Hood, wearing robes made of curtains, his body built from the remains of the House.

Chapter 25 Summary: “The Vortex”

Hood grabs Rictus and twists off Rictus’s head, which flies away like an open balloon, foul air escaping from it until it falls lifeless onto the ground. Rictus’s body shrinks and disappears. Hood grabs for Harvey and catches him by the jacket. Harvey slips out of the jacket and runs to the lake, where Lulu is calling to him. Hood catches up and offers Harvey a quiet death. When he reaches for the boy, Harvey rips away Hood’s robes, revealing a void of nothingness at the monster’s center.

Enraged, Hood tries to snatch back the robes. Harvey retreats to the slippery rocks at the edge of the water vortex. Hood follows, and Lulu hits him from behind with a length of timber. Harvey tosses the robes into the vortex; Hood lunges for them and falls into the water, where he is dragged screaming into the whirlpool and disappears into the yawning maelstrom. Harvey hugs Lulu, and they laugh and cry. Wendell arrives and points to the flotsam still spinning in the whirlpool, asking what it is. Harvey replies, “Who cares?” 

Chapter 26 Summary: “Living Proof”

Free at last, the children say goodbye at the wall of fog. Harvey asks them to tell the story to others and to recall it every morning so they will never forget what happened. Wendell makes Harvey promise to recognize him, even if they’re no longer the same age in the real world. They shake hands, and Wendell leaves. Lulu says she wishes she could grow up with Harvey, but her time in the real world will be much earlier than his. Once through the wall, Harvey heads for home, but, exhausted by the long day, he falls to the ground. A couple of strangers offer to help him, and he accepts. The next thing he knows, he is waking up in his old bedroom. When he sees his parents he whoops for joy to realize that they are still young. He tells them the whole story, but they don’t believe it.

The next day, he walks them to where the House once stood and finds that it is now just a park enjoyed by visitors young and old. Harvey digs into the soil, but the House’s ruins are nowhere to be found. A man standing nearby agrees that it’s strange that all evidence of Mr. Hood is gone. Harvey’s parents ask what he knows of their son’s story; the man assures them the boy tells the truth, and that Harvey is a genuine hero. He points down the hill to a young woman wearing a white dress and says she was there. Harvey starts to walk to her, but the man asks him not to, saying the woman wants him to remember her as a child. He shakes Harvey’s hand and says he hopes he’ll be as good a husband to her as Harvey was a friend. In the following weeks, no more is said about Harvey’s adventure, but the family knows that it’s good to be together. They’re all grateful, and they enjoy every precious day.

Chapters 15-26 Analysis

The final chapters chronicle Harvey’s return to vanquish Holiday House and rescue the children trapped there, and in this section of the novel, The Thief of Always once again demonstrates its classical influences, for just as Odysseus himself must endure a dark, dangerous trip into the Underworld, so too must Harvey venture back into the ominous netherworld of Holiday House to overcome the evil things that reside there. However, the business of Transcending Illusions is no easy matter, for Harvey must first confront and outwit each villainous creature, one by one, before he will be able to destroy the power of the House and return to the true home that he knows and loves. Accordingly, Jive’s transformation into dust symbolizes Harvey’s realization that everything at Holiday House is an illusion made of ashes, and each of the other villains is similarly crafted of illusory materials; Marr hates her trapped life and dreams of being nothing, so in an ironic twist, Harvey causes her wish to be fulfilled just as she and the other servants fulfilled the dysfunctional wishes of the children they trapped. Likewise, Rictus is revealed to be made of nothing but hot, malodorous air, and even the sinister Mr. Hood is made of nothing but a “terrible emptiness,” “a bottomless pit” (142) that he yearns to fill with human souls. And just as children surrender their souls by falling into the illusions of the House, so too does the House succumb to oblivion once Harvey actively denies each and every one of its illusions. Only Carna’s death reveals a deeper longing, a hint of substance even in the midst of existential nothingness, for at the moment of its death, the creature seems relieved to feel Harvey’s kind touch, and the release that the monster feels allows it to relinquish what is left of its strange half-life and gain some semblance of peace.

In the tradition of such cautionary tales that The Thief of Always represents, characters who have acted with evil intent but later regret their decisions must often pay for their misdeeds with death, and even the more well-liked denizens of Holiday House must suffer the consequences of their immoral actions. Thus, even Mrs. Griffin must pay for the Faustian deal she made as a child: to accept immortality in exchange for helping Mr. Hood to trap children and steal their souls. Although her core intentions were never as evil as the four malicious servants of Mr. Hood, she nonetheless played a key role in keeping the captive children enthralled by the sensual offerings of the House, and her regret over that choice causes her to wish for death. Thus, her death is simultaneously a punishment and a release from the spiritual prison of endless years that stretched into an unbearable eternity.

When he first escapes back to his world, Harvey appears to complete a classic example of the traditional “Hero’s Journey,” a literary approach common in adventure stories. In this narrative pattern, the hero leaves their home to visit another realm and witnesses marvels both wondrous and dangerous. After struggling for a time, the hero receives precious knowledge that allows for the completion of the quest and returns home with new wisdom and perspective. In Harvey’s case, the crucial information he receives is the realization that the realm’s temptations are imaginary and destructive; knowing the House’s gifts to be nothing but illusions proves to be the ammunition that causes those illusions to vanish. Harvey’s journey, however, takes a significant detour from the traditional structure of the Hero’s Journey when he willingly returns to the other realm to rid it of evil. This action renders him as a true hero: someone who is willing to risk himself for others. Motivated by the need to help Lulu and Mrs. Griffin and by his anger at Mr. Hood, he successfully braves the dangers of the ethereal realm a second time; in the context of classic literature, this would be akin to Odysseus returning to the Underworld after he had already well and truly escaped its dangers.

In addition to the physical dangers that await the boy, Harvey is also beset by the darker aspects of his own soul, and therein lie the more Faustian elements of Barker’s novel. It is significant that Mr. Hood, the ultimate villain of the story, recognizes in the boy the makings of a fellow “vampire,” and Harvey is shocked to realize that Hood is not entirely wrong on this point. Thus, Harvey must first commit to Confronting Vampiric Tendencies that lie within his own soul before he can use his innate “vampiric” strengths to extract not blood, but the energy that the House has stolen, returning it to the victimized children. As the author puts it, “Harvey is empowered by realising that he has this desire to ‘bleed’ the enemy dry” (Barker, Clive. “What’s The Thief Of Always All About?CliveBarker).

In a further demonstration of the novel’s versatility and multiple interpretations, The Thief of Always can also be read as an allegory of child abuse. Rictus, a stranger, sweet-talks kids into coming with him, and, once they do, they are systematically stripped of their youth and innocence. At its simplest level, the story’s moral is something along the lines of “Don’t take candy from strangers,” for it warns young readers that not every seemingly wonderful thing that adults may offer is what it appears to be. With the real-world magic of storytelling, Barker thus crafts a story that, like Rictus’s initial offer to Harvey, entices young readers to enter the realm of Holiday House and ride the roller-coaster of dangerous adventures themselves until they arrive at the crucial realization that nothing comes without a price, and things that seem too good to be true must always be carefully examined for hidden traps. Accordingly, Harvey himself comes to realize that even his own heroism exacts a spiritual price: the friendship he hoped to build with Lulu. Her brief appearance before him as an adult, and her quiet nod to him, are all that he has left of his grand adventure—that, and his many unforgettable memories.

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