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39 pages 1 hour read

Héctor Tobar

The Tattooed Soldier

Fiction | Novel | Adult | Published in 1998

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Important Quotes

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Sleep under the freeway. Antonio had heard this phrase more than once in the weeks leading up to this humiliation, as the money in his wallet slowly disappeared and the prospect of eviction became a certainty. Sleep under the freeway. It was almost a refrain in the neighborhood.” 


(Chapter 1, Page 7)

When Antonio and his roommate José Juan are evicted from their apartment, they begin their search for a campsite under the freeway bridges. That “sleep under the freeway” is spoken so frequently suggests the extent of the homeless issue in LA: Everyone knows where the homeless stay, and so many stay there that they’re impossible to ignore.

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“To live forever with the voices of boys and girls, their last words, the calling out to their mothers. That was the biggest sacrifice. All of them cried before you silenced them for good, and a lot of them shit and pissed. Even now, the smell reminded him of death.” 


(Chapter 4, Page 65)

Longoria considers how the brutality he committed as a soldier affected him as a person. This is significant because he has internalized so much of his life as a soldier, even tattooing his battalion’s namesake onto his body as an expression of identity. But some acts are too horrible to compartmentalize or ignore, and killing children is one that continues to haunt Longoria.

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“The Leninists were gaining influence because the movement had come under violent attack. During the day, soldiers dressed as civilians came to kidnap professors and students.” 


(Chapter 6, Page 87)

Much of the novel explores how individuals are marked and then targeted due to aspects of their identity, whether their gender, their race, their economic status, their political affiliation, etc. This quote shows how education factors into that marketing and targeting, especially in an authoritative regime like what existed in Guatemala. This is ultimately why Antonio and Elena were targeted, and why Elena was murdered.

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“It occurred to Elena that she could take this tall man, who was still almost a boy, and mold him into the lover she had always wanted. He would be beautiful, intelligent, respectful, and passionate, and he would never lie to her.” 


(Chapter 6, Page 90)

Elena is struck by the differences between Antonio and her prior boyfriends. Although her other boyfriends were active in the reformist cause, they were womanizers who treated her poorly. Antonio, however, is kind. Elena prizes his good nature and his honesty, and she imagines she can stoke passion for social causes within him.

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“Antonio wore that childlike look of distress and tragic loss that had become so familiar these past few days. Everyone she knew had come to wear this face. She was a member of a generation perpetually in mourning, a generation whose brazen voice had faded to a somber whisper.” 


(Chapter 7, Page 101)

Chapter 7 reveals that Elena’s ex-boyfriend was kidnapped and murdered due to his association with reformists. Later, Elena and Antonio are stopped by border guards who exploit their power to extort the pair for money. These incidents illustrate the violent transition unfolding in Guatemala, which is marked by death and oppression, and which etches fear and grief into the faces of everyone around Elena.

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“Antonio’s presence in the kitchen was making her nervous. He was reading the newspaper while she fed the baby. Always reading. He read instead of talking. He got to read while she fed the baby. There was a lingering tension between them, a smoldering resentment carried over from one day to the next.” 


(Chapter 9, Page 129)

Elena is a woman caught between two roles: her duties as a wife and mother and her dedication to social reform. She never manages to acclimate to her new domestic responsibilities or reconcile these different aspects of her life, as she’s murdered before she gets the chance.

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“All of this sewage is draining straight into the river. This is like the nineteenth century, things I read about in books, conditions that belong to history. And I’m seeing it right here. No lo puedo creer.” 


(Chapter 9, Page 133)

Elena heads to the outskirts of town to discover why the people there hold so many funerals for children. The poor conditions of the slum there shock her, as such destitution seems like something from history or fiction. This revelation sparks a fire in Elena; she cannot forget or ignore what she’s seen, and so she commits herself to addressing the issue.

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“Although he had rarely encountered an armed enemy and his life was seldom in danger, he was proud of having survived so much war and destruction. It was exhilarating to find yourself still walking and breathing when you left a village that would soon disappear into the smoky sky.” 


(Chapter 10, Page 135)

Longoria was forced into the Guatemalan army, but with training and time he has largely accepted this service as part of his identity. This passage demonstrates how thoroughly he has embraced his role and even thrived in the position. Consumed by his personal experience of adrenaline and exhilaration, he spares no empathy for the murdered victims or burned villages.

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“The easiest thing would be to forget about the man.” 


(Chapter 11, Page 163)

In observing Longoria’s movements to better plan his revenge, Antonio follows Longoria to his workplace. Antonio is struck by Longoria’s low position as just another subordinate. In a flash of pity, Antonio recognizes that walking away would the best thing to do. But the moment is fleeting, and Antonio’s grief and need for revenge override any sympathy for Longoria’s present circumstances.

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“It was a slap across the face to see the soldier with a woman, bathed in her obvious affection. The soldier’s life was the negative image of his own. The soldier had a job, Antonio did not. The soldier had a girlfriend, Antonio was all alone.” 


(Chapter 12, Page 172)

This passage highlights one way in which Longoria is a foil to Antonio: Longoria took everything from Antonio—his wife, his son, his life in San Cristóbal—yet here in Los Angeles Longoria has a girlfriend, a job, and an apartment. Antonio perceives the fact that Longoria enjoys all the things he stole from Antonio as a cruel injustice.

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