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49 pages 1 hour read

Vanessa Chan

The Storm We Made: A Novel

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

Skin Color

The color of one’s skin is a motif that symbolizes the unfair treatment of Malayans under colonial rule. It shows the similarities between the British and the Japanese, even if the Japanese present themselves as an alternative that rejects Western ideals and standards. The first time the concept of skin color is invoked is in Chapter 2, which describes Cecily’s Eurasian heritage. Even if Cecily possesses some inherited white features, the Europeans still view her as an uncivilized member of Malayan society.

Skin color is brought up again when Abel is introduced. Among his family members, Abel has the fairest skin color. This makes him stand out among his peers at the labor camp, causing him to be an easy target for Japanese harassment. The novel explains that the reason for this aggression is that the Japanese see Abel as a representative of the white enemy they have come to expel. At one point, the camp supervisor, Master Akiro, makes a show of this by wounding Abel and comparing his blood with that of another boy whose skin his darker than Abel’s. He shows that both boys bleed the same color, suggesting that they are both equally despicable. Ironically, this shows how Malayans are poorly treated by both of their colonizers in the novel, either being seen as too Asian or too white to fit with the rest of the group. Freddie emphasizes this attitude when he arrives at the camp. Because his skin is lighter in color than Abel’s, he becomes the new favorite target for harassment.

Finally, when Mrs. Yap reinvents herself as Lina, she tries to reintegrate herself into high society by imitating the appearance of European women. Her skin is described as so pale that it matches the color of her dress, making her appear nude. This contrasts against her flamboyant appearance as Mrs. Yap, which Cecily saw as irritating and undesirable. To make herself more appealing to Europeans, Lina literally tries to pass herself off as one of them.

Freddie’s Drawings

Freddie’s drawings are a motif for Overcoming Trauma With Memory as a theme. They first appear in Chapter 7 when Abel spies Freddie working on something late at night while the others are asleep. When Abel investigates, he finds that Freddie is drawing sketches, intending to hold on to what has happened to him at the camp. Freddie uses makeshift materials for his sketches, repurposing toilet paper to draw on, taking some of his hair to stick to a brush, and, most significantly, drawing his own blood for ink. In this way, Freddie’s drawings also take on a symbolic role, representing the need to remember in order to live.

At first, Abel is bewildered by Freddie’s need to remember. It clashes against his need to repress his memories, which is in turn represented by his addiction to toddy. Soon after he discovers Freddie’s drawings, he asks him to make one of his sister, Jasmin. Abel describes Jasmin from memory, attempting to hold on to her the way Freddie has chosen to hold on to his experiences. At the end of the novel, Abel rescues the drawings, preserving them from destruction by the British bombers. He reaches home and asks Jujube for the sketches. When he looks at the drawing of Jasmin, he suddenly realizes that he has forgotten her true appearance, stressing the importance of memory in overcoming grief and loss.

Toddy

In contrast to the drawings, toddy serves as a symbol for repression. It is described as a cheap alcoholic drink and is referred to by the British as “workingman’s opium.” The novel explains that toddy was used to control Indian laborers. The boys at the labor camp begin to steal the toddy when they realize how easy it is to claim them from the supply trucks without being noticed. Later, the camp supervisor, Master Akiro, openly barters with Abel, offering him toddy in exchange for killing Brother Luke.

Toddy pacifies the rebellious urges that characterize Abel. It also helps him to forget traumatic experiences, such as his rape or Brother Luke’s murder. Not long after the latter, he begins consuming toddy at such great quantities that he stumbles through his days, eventually ending up back at the chicken coop where both traumatic experiences occurred. Abel’s addiction to toddy causes the other boys to look upon him with pity. Abel is disgusted with this reaction, which causes him to act belligerently. He eventually gives up his despondent attitude in order to save his friends from the British bombers that have come to “liberate” the labor camp.

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