54 pages • 1 hour read
Grady HendrixA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Slick is in the hospital and deteriorating rapidly. The doctors assume she has an autoimmune disease, and her husband is worried people “are going to think she has AIDS” (326). Most of the original book club comes to the hospital to visit Slick. This is the first time in a while that they have gathered without men present. This doesn’t last, as James Harris appears in the doorway, offering his best wishes to Slick. Patricia sees the opportunity to plant Francine’s driver’s license, so she asks James for a ride home.
Driving, James blames Slick’s condition on Leland, stating that Slick probably has an STD Leland picked up from one of his many business trips affairs. Patricia asks James if Carter has also been unfaithful on those trips, and James confirms her suspicions. Before she gets out of the car, she inconspicuously drops Francine’s driver’s license under a car seat.
That night, Patricia awakens to a noise coming from Korey’s room. To her horror, she finds James and Korey in bed naked. James is latched onto Korey’s inner thigh the same way he had been to Destiny Taylor.
Horrified, Patricia springs into action, hitting James with one of Korey’s cleats. She manages to get him off her daughter, but after detaching himself, he throws Patricia against the wall. Blue wakes up and starts down the hall, but Patricia tells him to go back to bed. James flees. Patricia helps Korey, who is bleeding on the bed. From the bruises on Korey’s thigh, Patricia is sickened to realize that this is not the first time James has attacked her. She laments that she’d “been so obsessed with the children in Six Mile and Blue that she hadn’t seen the danger to Korey” (337).
The following day, James calls Patricia. He claims that his relationship with Korey is consensual: For him, it’s a process similar to dialysis, and for Korey, it feels good. Patricia realizes that James wants her family and won’t stop until he has it. At the end of the call, James tells Patricia he found the driver’s license she planted in his car. Feeling hopeless and alone, she phones Mrs. Greene and invites her to book club.
The book club meeting is held at the hospital so Slick can still participate. Patricia tells the group that James Harris is a vampire, and Slick admits that she is in the hospital because he raped her. Patricia passes around a photograph of Korey’s leg, which has the same marks that were found on Mrs. Savage and Destiny Taylor and that the police dismissed as drug-related.
While some in the group believe Patricia, Grace can’t bring herself to commit to bringing down James Harris. Furious, Mrs. Greene asks Grace, “Am I trash to you?” (349), and tries to shame her into helping: “What are you made of, Mrs. Cavanaugh, that lets you walk away from your friends?’’ (350). Grace hurriedly leaves the room, but the rest of the women agree to kill James. His weakness is that he is alone, while they have each other.
To get Korey to safety, Patricia tells Carter that Korey needs to go to drug rehab. Meanwhile, James is impatient to take over Patricia’s family. He gives her 10 days, and Patricia realizes that to protect Korey, she is going to have to give James what he’s wanted all along: herself. She dons a sexy black dress and tells James she wants to see him.
As she tries to seduce James, he erupts in laughter. Mocking her, he brags about how easily he has manipulated this town of stupid Southerners. When Patricia begs James to spare Korey and to take her instead, he agrees to spare Korey for a year. He does promise to kill Carter and take Blue. He then takes Patricia up to the bedroom, tells her to strip, lies on top of her, and then bites her.
Kitty, Maryellen, and Mrs. Greene have been parked in the driveway, waiting. They enter the house and find James Harris sucking Patricia’s blood in bed. Kitty hits him on the side of the head with a baseball bat and the sudden blow causes James Harris to tear open Patricia’s leg. The women attack, with Kitty doing most of the fighting. After they get James on the ground, Kitty stabs him in the neck until “his body went slack” (373). This does not kill him, but the wound is significant.
The three women get James Harris into the bathtub, aware that Patricia may bleed out if they don’t hurry. James tempts them with power and wisdom, pleading for them not to kill someone who has the key to immortality. Maryellen, Kitty, and Mrs. Greene ignore him and saw his body into pieces, using a diagram that makes this dismemberment “just like dressing a deer” (379). The bathroom and bedroom are a bloody mess, and they are about to clean it up when the doorbell rings downstairs.
Grace is at the door. She has come to help after all. The women wonder what to do with the body. Maryellen mentions Stuhr’s, the funeral home she works for, and Grace suggests they cremate the remains in two parts, leaving “his head in one [urn] and the rest of his remains in the other” (386), and then alter the funeral home’s records to cover their tracks. Grace then ushers the others out the door so she and Mrs. Greene, who have “been cleaning up after men [their] entire lives” (387) can get rid of the blood that cakes the walls and floors the house. When Patricia gets a call that the other women successfully disposed of the remains, she is overwhelmed with relief. Grace comforts Patricia and reads to her as she falls asleep.
Patricia is home, healing from James’s bite. She sees Miss Mary’s ghost one last time. When Carter worries about the missing James, Patricia tells him she wants a divorce.
Slick isn’t getting any better in the hospital. Members of the book club take turns staying with her until she passes away, so that she is never alone at the end.
The Campbells’ dog Ragtag has a brain tumor and isn’t likely to live much longer. Blue pleads with his parents to bring Korey home for the dog’s final days. Patricia agrees, keeping “her distance while Blue and Korey hung all over Ragtag that weekend, soothing him when he barked at things that weren’t there” (396). Ragtag dies surrounded by his family. The caring way in which the children treat Ragtag when he loses his mind shows Patricia that they will also take care of Patricia in her old age, comforting her.
Patricia and Carter tell their kids about the divorce, and to both parents’ surprise, Korey and Blue choose to live with Patricia over Carter.
All of the events, both heartfelt and horrific, of the book have led up to this. At long last, Patricia leads the way to killing James Harris by sacrificing herself to his hunger. James Harris’ speech to Patricia about how he pulled off his plan to feed on the town is riddled with fallacies, but also presents some undeniable truths. While he may have underestimated the women, he was correct in that the families are greedy enough for the plan to work. When money is on the table, the people of the Old Village are all too quick to turn a blind eye to anything that might be harming anyone outside of, or even inside, their own community.
The novel’s climax connects its themes of racism, economic disparity, patriarchal sexism, and injustice. The bloodbath that ensues serves as a catharsis for the book club and the novel’s readers, killing in James Harris a greedy and manipulative land developer who embodies capitalism run amok, a sociopathic rapist and murderer of women and children, a racist white man who blames innocent Black people for his crimes, and a misogynistic oppressor so committed to disempowering women that he mansplains vampirism to them even as they kill him. The novel does its best not to pretend that these systemic failures can really be fixed with the disposal of one evil man: To create room for reconciliation and peace in the Old Village and Six Mile, Gracious Cay goes up in flames, Patricia gets up the nerve to divorce the horrible Carter, and Grace disobeys her domineering husband.
The novel’s reference in this section is to John Gray’s widely criticized 1992 book of pop psychology, Men Are from Mars, Women Are from Venus, which argued that men and women are so deeply different from one another in terms of their emotional makeup, communication styles, and psychology in general, that they might as well be from different planets. Gray built an empire out of this initial work—which might account for its inclusion in this section of the novel, as James Harris’s own empire of lies, manipulation, and greed comes tumbling down.
By Grady Hendrix
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