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119 pages 3 hours read

Madeline Miller

The Song of Achilles

Fiction | Novel | Adult | Published in 2011

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary

Patroclus recalls the story of his parents’ marriage. His father, Menoitius, was a king who married Patroclus’s mother when she was fourteen because she was proven “to be fruitful” (1). His father did not care that his young bride was “quite stupid” (1), but he did not allow her to hold Patroclus when he was born. Patroclus’s small stature and lack of strength and singing ability made him a disappointment to his father. His best quality was his heartiness; illnesses that struck his peers never seemed to affect him.

When Patroclus was 5, his father hosted the Panhellenic games. Patroclus recalls one of the runners, a handsome, golden-haired youth (later revealed to be Achilles) who won the foot race. The youth’s father, King Peleus, was proud of his son, provoking envy in both Patroclus and his father.

Patroclus’s only other early memories are “scattered images from his life” (3). He remembers skipping stones for his mother and spending time with her along the Aegean coastline. Patroclus reflects that this is his only specific memory of his mother, and he doubts its veracity since he cannot believe his father would have left the two of them alone together.

Chapter 2 Summary

When Patroclus is nine, his father instructs him to present himself as a suitor for the hand of Helen, a princess of Sparta who is said to be a daughter of Zeus. Her mother, Leda, gave birth to two sets of twins, Clytemnestra and Castor by her husband Tyndareus, king of Sparta, and Helen and Polydeuces by Zeus.

When Patroclus and his father arrive at Tyndareus’s palace, suitors have already begun to assemble. Patroclus plays with toys he brought from home and ones given to him by a sympathetic soldier. Eventually, his father prepares to present him to Helen with a gift of a gold mixing bowl decorated with the story of Danae, a princess who Zeus seduced. Their union produced Perseus, “Gorgon-slayer, second only to Heracles among our heroes” (7). Menoitius instructs Patroclus not to disgrace them.

Suitors overflow in the room where Tyndareus accepts gifts for Helen. Beside him sit three veiled women, Clytemnestra, Helen, and Penelope. Tyndareus invites each man to present his gift and his case. First is Philoctetes, a “comrade of Heracles” (7) who presents the hero’s bow, given to Philoctetes after Heracles’s death. Next, Idomeneus, king of Crete, presents “a double-headed ax” (8). Menelaus follows, presenting a “beautifully dyed cloth” (8). His brother, Agamemnon, is married to Tyndareus’s other daughter, Clytemnestra.

Among the suitors, Patroclus is the only one under twenty. Menoitius speaks for him. When Tyndareus notes that Patroclus is “not yet a man” (9), Menoitius replies that he is man enough for them both. He promises to make Helen queen since his own wife is unfit to rule. A man who has not yet presented himself, Odysseus, son of Laertes, remarks that he thought Patroclus, not Menoitius, was the suitor, angering Menoitius. Tyndareus asks Patroclus to present himself. He declares himself a suitor and identifies himself as the son of a king.

The line of suitors continues until only Odysseus, who is not a suitor, remains. He wonders aloud how Tyndareus will avoid the losing suitors declaring war on him, then offers a solution: allow Helen to choose her husband after each suitor swears an oath to uphold her choice. The idea of allowing a woman to choose her own husband scandalizes the suitors, but captivated by the hope of being Helen’s choice, they consent. A priest sacrifices a goat, and each suitor swears the oath. Helen chooses Menelaus. Odysseus reveals that he has been promised Penelope, the third woman.

After Patroclus returns home, the events become “distant and pale, like something a bard had spun” (14) rather than a lived experience. The oath too seems “foolish and improbable” (14) in his memory.

Chapter 3 Summary

At the age of 10, Patroclus becomes an orphan when he is exiled for accidentally killing a nobleman’s son. Patroclus had been playing with his dice alone in a field. The nobleman’s son demanded the dice, sneering that Patroclus’s father called him a coward. When the boy begins to advance on Patroclus, he shoves the boy, who falls, hits his head on a rock, and dies. The boy’s family demands Patroclus’s exile. To avoid a feud, Menoitius agrees, sending Patroclus to Phthia with his weight in gold as payment. Patroclus notes that this was cheaper than killing him and having to plan a lavish funeral.

The king of Phthia is the “clever, brave, handsome” (17) and pious Peleus, who was favorited by the gods with a sea-nymph, Thetis, for a wife. Because Thetis had been unwilling to marry a mortal, the Olympian gods instructed Peleus to surprise her while she was lying on the rocks and rape her, since “deflowering was as binding as marriage vows” (18). The gods ordered Thetis to stay with Peleus for one year. During that time, she bore a son, Achilles. At the end of the year, she returned to the sea and only visited Phthia to see her son.

When Patroclus arrives in Phthia, Peleus is away. His son, Achilles, receives Patroclus with disinterest. Remembering him as the ideal son who had sparked jealousy in Menoitius, Patroclus instantly dislikes Achilles. His dismissal reminds Patroclus of how far he has fallen from a king’s son to an exile. He lives in a dormitory with other foster children of Peleus. After dinner, a boy asks Patroclus if he would like to play dice, and he backs away in horror. That night, he dreams of the dead boy, fearing his vengeance. In the morning, Patroclus joins the other boys in spear and sword training. He realizes that Peleus accepts young boys who have been exiled because “well-trained and indebted, we would one day make him a fine army” (23). Finding Patroclus strange, the other boys avoid him. Every night, he dreams of the dead boy.

Chapters 1-3 Analysis

Relying heavily on Homer’s Iliad, The Song of Achilles revolves around Patroclus and Achilles’s love story, which Patroclus narrates chronologically. The first three chapters cover his early life, from his first meeting with Achilles to the exile that brings him to Peleus’s court, where he meets and eventually falls in love with Achilles. The events of these chapters introduce key themes and motifs that Miller develops throughout the novel: fate, honor, and glory, identity, competition, and the role of women.

Patroclus does not fit the mold of the typical ancient Greek hero. Though hearty, he lacks the qualities, skills, and disposition of a warrior, the primary means of achieving glory in the ancient Greek world. As a Greek king, Menoitius wants a son who can not only carry on his name but also further enhance its prestige. This is reflected in Patroclus’s name, which in Greek means glory (kleos) of his father (patera). In addition to his given name, Patroclus carries a patronymic, Menoitiades, indicating the importance of lineage. A man does not exist as an individual answerable only to himself but as a link in a family chain, with a responsibility to uphold and confer honor to his family.

Menoitius consequently expects Patroclus to exude confidence and authority as well as exhibit physical prowess, none of which come naturally to him. His earliest memories involve his father being disappointed in him. Aware that his father finds him inadequate, Patroclus never feels safe or at ease, fueling his lack of confidence and further frustrating his father. Patroclus is trapped in a cycle in which he can never meet his father’s expectations.

This cycle of expectation and realization illustrates the concept of fate as it functions in the novel. While Miller treats gods and goddesses as real characters with agency within the story world, she also alludes to fate being tied, as it was in antiquity, to human actions and choices. Prophecies are, to an extent, self-fulfilling, as is shown throughout the novel. In the opening chapters, Patroclus lacks self-confidence and acts accordingly. As a result, when he accidentally kills one of his peers, he fails to defend himself appropriately and successfully, resulting in his exile and loss of identity. His father’s position is that a future king would need to project authority and vigor, as Achilles does.

Achilles is Patroclus’s polar opposite. Fated from birth to be “the greatest warrior of [his] generation,” he walks through the world with a sense of destiny, and this bestows confidence that fuels success (85). Patroclus and Menoitius recognize this when Achilles competes in the Panhellenic games that Menoitius hosts. Both father and son envy, respectively, the pride Peleus takes in his son’s excellence and the apparent ease with which Achilles performs. Achilles fits the heroic ideal. He is strong, proud, and physically exceptional. Trained to value competition as an opportunity to excel, Patroclus compares himself to Achilles and feels even more inadequate and resentful.

While the novel is primarily concerned with the relationship between Achilles and Patroclus, Miller returns, throughout the text, to the condition of women in the ancient Greek world. This theme is established in the first chapter through the characterization of Patroclus’s mother who remains, significantly, unnamed. Although described as “simple,” “stupid,” and prone to “dribbling wine on herself” (1-2), she is deemed a good match for Menoitius because her father has a significant fortune that will be given to her husband, and she is fertile.

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