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52 pages 1 hour read

Paul Bowles

The Sheltering Sky

Fiction | Novel | Adult | Published in 1949

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Book 3, Chapters 26-30Chapter Summaries & Analyses

Book 3: “The Sky”

Chapter 26 Summary

Kit wakes up underneath her tree as dawn is about to break; she believes the desert is most beautiful at that time of day. A new day promises new beginnings; that is, until the day wears on, and one realizes that all is quite the same. Kit has determined to travel further into the desert, to lose herself amid the dunes: “Even as she saw these two men [natives traveling with a caravan of men and camels] she knew that she would accompany them, and the certainty gave her an unexpected sense of power: Instead of feeling the omens, she now would make them, be them herself” (281). She does indeed go with them, riding in front of one of the men on horseback, keeping herself motionless and wondering if she were already dead.

At the height of the day’s heat, the band reaches an oasis and stops to eat and rest. After food, Kit succumbs to the sexual assault of first the young man she has been riding with, then the older man who was also on horseback. During the first encounter, she gives in to her assailant, “considering him with affection” and deciding that “there was a perfect balance between gentleness and violence” in his actions (285). The second encounter is not so pleasant, and she feels betrayed by Belqassim (the first man), who willingly hands her over. As the caravan travels onward, these encounters are a daily occurrence, although Belqassim appears to grow more troubled by the other man’s claims to Kit’s body. The other man, for his part, seems to grow agitated at what Kit can only guess are Belqassim’s ultimate plans for her.

Once they reach a settlement—Kit knows not where—Belqassim has her disguised as an Arab boy, binding her breasts and dressing her in traditional garb. He takes her into a house where she is locked in a small room, not tall enough to stand up in comfortably, with only her small valise to keep her company.

Chapter 27 Summary

She is kept there for an unknown amount of time. “An ancient Negro slave woman” (296) brings her food and water several times a day, and Belqassim comes to engage in sexual intercourse with her each afternoon. Everyone else in the home believes that she is a lost Arab boy that Belqassim is nursing back to health before returning him to his family. Kit slowly realizes that Belqassim has several wives, three of which live in this home with their various children and servants. The women are intrigued by this Arab boy that Belqassim might be bedding—they are not bothered that he might be having homosexual relations with him, but they want to know how attractive he is—so they send in one of the children to get a better look at “him.”

During the interaction, in which the child dances and scampers about, he brushes against her breasts, and Kit realizes he has discovered her secret. Shortly after he leaves, the wives come rushing in and claw all of her clothes off her. They begin to violently attack her until Belqassim comes to intervene. Time loses focus, and she does not know what has happened, but she finds herself coming to in Belqassim’s lap while the sullen wives stare at her. Belqassim takes their jewelry as punishment for their assault and gives it instead to Kit, but she is not comforted: “She knew that all the women hated her, and that he never could protect her from their hatred” (302). She also belatedly realizes that this was some kind of matrimonial ceremony, and now Belqassim “owned her completely” (304). Their sexual encounters become more violent—and also more infrequent.

Between his visits, Kit is given mugs of tea laced with something to make her ill and sluggish; she believes the wives are trying to poison her. While Kit is initially distraught at Belqassim’s inconsistent visits—she needs him like a drug—she is jolted out of this dependence by the thought of the poison. She decides to escape. She is caught by the wives as she is leaving, but she assures them she has left all of their jewelry, and some of her own, behind for them to retrieve. While they fear Belqassim’s wrath, they ultimately help her out of the compound.

Chapter 28 Summary

She wakes up amid the rocks and desert outside of the town, disoriented. When she grows hungry, she walks back into the town, surprised that she passes through the market crown unnoticed. She drinks some buttermilk from a vendor who refuses to accept her money and demands proper payment. A Black man wearing “European trousers” (316) explains to her—he speaks French—that her Algerian money is considered contraband here.

In the confusion, she begins to remember that people might be waiting for her, trying to find her, as she slowly comes back to herself. This makes her panic, as she does not want to be found, and she begs the man to take her to his house. She has sex with the man, Amar, and asks him to save her. While Amar is gentle with her, he is fully aware of how much money she has. She knows she will again be found, and “a merciless beam would be turned upon her; the pain would be unendurable and endless” (323-24). Amar’s friend, Atallah, counts Kit’s 1,000-franc notes as she sleeps.

Chapter 29 Summary

Kit awakens in a church, refusing to speak. One of the nuns says to another, “They took everything but the passport, and we were lucky to find that” (325). Kit overhears the nuns discussing the travel arrangements made for her; she will be taken back to Oran, in Algeria, where someone will presumably be waiting for her. A guardian will accompany her to keep her safe—and close. She tries to escape en route to the airplane to begin her journey back to the city, but she is unsuccessful. After a couple of nights in a hotel, during which “[s]he had soiled her clothes” (329), they head out for the Mediterranean.

Chapter 30 Summary

Miss Ferry, from the American Consulate, greets Kit as she arrives. She is unenthusiastic about escorting this disturbed young woman, but she tries to be upbeat and kind. When Miss Ferry first catches sight of Kit, she thinks, “[s]he’s really hit bottom” (331). When Kit says that all has been lost, Miss Ferry assumes she means her luggage and optimistically suggests that everything eventually turns up in the desert. While they are transporting Kit to the Majestic hotel, Miss Ferry informs her that a Mr. Tunner “has been bombarding us with wires and letters for months” (334). Kit turns ghostly, and Miss Ferry is at a loss to know what the matter is. The book concludes as the car reaches the hotel: “It was the end of the line” (335).

Book 3, Chapters 26-30 Analysis

The last book is a horror of inexplicable, terrifying, and brutalizing events—all inflicted on (or self-inflicted by) Kit. When she first awakes, underneath the tree, “she knew immediately where she was” (279), in contrast to Port’s awakening in the first paragraphs of the book: Now he is lost forever, while Kit must forge her own—reckless, martyred—path. She emerges from her baptism in the pool reborn, a new person—without fear certainly, but also without self-regard. Her determination to accompany the men in the caravan is a decision marked by despair, an escape from her circumstances, from herself.

She slowly dissolves herself into the ruthless rhythms of the desert caravan, submitting to the daily rape by both men. Notably, she cannot communicate with the men—and they cannot understand her, of course—and she simply stops speaking: “It was so long since she had canalized her thoughts by speaking aloud, and she had grown accustomed to acting without the consciousness of being in the act. She did only the things she found herself already doing” (289). She loses all sense of Self and becomes only Body, a receptacle for the sexual desires and fantasies of the men. When Belqassim assaults her in front of the caravan at an unplanned stop, thorns dig into her flesh, and this disturbs him: “He saw the red welts and was angry because they marred the whiteness of her body, thus diminishing greatly the intensity of his pleasure” (289). This is another colonialist trope (which is also often played out in narratives about Black and white relationships within American culture), the native desire for whiteness, which symbolizes purity and power. Belqassim conquers Kit’s body, avenging the imperialist incursions into his desert landscape.

Later, after Kit escapes, she is still dissociated from herself. When she awakes in the rocky landscape outside of the unknown town, “she had no feeling of being anywhere, of being anyone” (315). It is only when someone (Amar) speaks to her in French that she starts to remember who she is, that people are almost certainly searching for her, and that she must hide or escape to avoid returning to civilization. She again uses her body, trading it to Amar in exchange for safety: Her gender is her “passport,” though she will be betrayed yet again. Indeed, the narrative throughout Book 3 serves as a (potentially unintentional but undeniable) justification of the casual racism and suspicion with which the Westerners view the natives. Belqassim is a rapist and a prison warden, while Amar steals her money and belongings, turning her over to the Western authorities she hopes to escape. In the end, the native reveals himself to be just as untrustworthy and avaricious as the Westerners have always suspected. It is an imperialist’s self-affirming narrative.

Finally, though, Kit must be returned to “civilization”—the Mediterranean at the end of her long journey back is noteworthy as the de facto bridge to civilization, the waterway that separates Europe from Africa—to face Tunner and the implications of her actions. When Miss Ferry mentions Tunner, Kit suffers an internal breakdown: Miss Ferry “looked at the face beside her as the car door opened; at the moment it was so strange and white, so clearly a battlefield for desperate warring emotions, that she felt she must have said something wrong” (334). In the end, Miss Ferry thinks Kit to be insane, and it certainly appears that Kit’s indiscretion, with all that it has wrought, will follow her back to New York.

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