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52 pages 1 hour read

Salman Rushdie

The Satanic Verses

Fiction | Novel | Adult | Published in 1988

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Part 5Chapter Summaries & Analyses

Part 5: “A City Visible but Unseen”

Part 5, Chapter 1 Summary

Jumpy Joshi, feeling guilty for sleeping with Saladin's wife, tries to find Saladin somewhere to stay. He takes Saladin to the Shaandaar Café to meet Muhammad Sufyan, a former academic and political activist. While Muhammad is willing to rent a room to Saladin, his wife Hind is horrified by the half man, half goat who now resembles the devil. Joshi tries to explain to the café owners how Saladin miraculously survived the terrorist attack. Mishal and Anahita, the café owners' daughters, are fascinated by "radical" (147) Saladin and they convince their mother to allow him to stay.

After settling into his new rooms and reflecting on how he escaped the hospital, Saladin contacts Mimi Mamoulian. Mimi is his former colleague who worked on the television show in which Saladin was a voice actor. She tells Saladin that he has already been replaced by a white man, so that he has "lost work as well as wife, home, a grip on life" (156). Mimi also mentions that she has begun a relationship with Billy Battuta, a man with a less than stellar reputation. Saladin tries to warn Mimi that Billy is "a con-man, basically" (157), but she insists that she is aware of his reputation” Mishal and Anahita remain fascinated by Saladin and explain to him how their family makes money by rending rooms to immigrants who have “little hope of being declared permanent” (159).

Saladin remembers how he got his role on The Aliens Show: his willingness to ignore any race-based politics impressed an agent named Hal Valance. In Saladin’s absence, however, a community leader named Dr. Uhuru Simba leads protests against the firing of the non-white cast. Saladin meets Valance, when the agent espoused the virtues of then-British Prime Minister Margaret Thatcher and her attempts to revolutionize the middle class. Despite Saladin’s pleas, Valance insists that he has no job.

Hind reads a magazine. She is shocked to learn that the famous movie star Gibreel Farishta is still alive. Gibreel is about to make a comeback in a new movie about the “encounter between a prophet and an archangel” (164). The film will be produced by Billy Battuta and S. S. Sisodia. Saladin is outraged. The angrier he becomes, the more his goat-like features seem to become “diminished” (165). Later, however, Gibreel’s big comeback hits a stumbling block. Billy Battuta is arrested due to corruption. Mimi is also arrested.

Despite the momentary fading of his goat-like features, Saladin’s transformation continues. He grows a tail and the horns on his head become larger. Despite his best efforts to “stay away from the big house in Notting Hill” (168), Pamela and Joshi continue their affair. She refuses to acknowledge Saladin or her growing alcoholism until Pamela becomes pregnant. In the café, Mishal Sufyan has a secret relationship with Hanif Johnson, the lawyer who mocks Joshi in the café.

Though Mishal and Anahita have taken him “under their wing” (170), Saladin cannot remain hidden in the café for very long. Soon, the people in the community begin to notice the devil-like man in the café. They begin to see Saladin when they dream, so much so that the so-called “dream-devil” (172) becomes something of a local celebrity. He even becomes a symbol for a political movement, though the police decide that the sudden prevalence of Saladin’s image is due to a devil-worshipping cult among the young Black and Asian teenagers in London. A serial killer begins murdering old women. Nicknamed the “Granny Ripper” (173), the white majority in the community begin to suspect any non-white people of the murders.

Jealous of her older sister’s secret affair, Anahita tells Hind about the relationship between Hanif and Mishal. Hind is furious, so she blames Saladin for corrupting her daughter. Though she wants to kick Saladin out of the room, removing him has become physically difficult. Saladin is “over eight feet” (175) tall and blows smoke from his nose. Mishal and Hanif arrange for Saladin to stay elsewhere. They contact their friend, a deejay named Pinkwalla who works at the Hot Wax Club. Saladin is allowed to sleep in the club each night after it closes. One night, Saladin lies awake. He reflects angrily on Gibreel, blaming him for everything that has happened to him. His anger emanates from his body, melting the wax figures that are stored in the club. Saladin is struck by a sudden pain all over his body. Only when the pain subsides is he able to fall asleep. The next morning, Pinkwalla comes to the club with Hanif and Mishal. They find that Saladin has been “restored to his old shape […] by the fearsome concentration of his hate” (178) though his eyes still glow red. 

Part 5, Chapter 2 Summary

Alleluia Cone grew up in England as the daughter of a Polish couple who emigrated from Poland to Great Britain. Throughout her life, she has struggled to get along with her sister Alicja. She is shocked when she finds Gibreel unconscious on a park bench as the snow falls around them and wonders whether he is another of her “visual aberrations” (182), a problem that has plagued her since she climbed to the top of Mount Everest without an oxygen tank. She takes Gibreel back to her home. He stays asleep for a week and, when he wakes up, he and Alleluia have sex. She believes his story about falling from the exploding plane because she has also had visions before, including the image of a fellow mountaineer who seems to follow her. She still feels “infected by Everest” (184). Gibreel and Alleluia live together for some time and rekindle their relationship. However, Alleluia is perpetually convinced that something terrible is about to happen; coupled with Gibreel’s aggravating habits, their relationship cannot last long. Gibreel is too possessive, and Alleluia is afraid of commitment. Gibreel convinces himself that he is “nothing less than an archangel in human form” (191) and, when he sees a “vision of the Supreme Being” (193), he decides to leave Alleluia’s house. He walks through “unstable” (194) London to search for people he can help. However, the people he passes assume that he has lost his mind. While he walks, he is haunted by the memory of Rekha Merchant. She appears beside him and throws insults at Gibreel. She tells Gibreel that Alleluia is only interested in him because she wants to be a mother.

Gibreel tries to demonstrate his angelic abilities by performing a miracle for Orphia Phillips, the sister of Hyacinth Phillips. He fails, and Rekha appears again to mock him. She offers him a deal: She will stop haunting him, “if he would only say he loved her” (202). Gibreel argues with Rekha until he falls into a stupor and, when he comes to, she is gone. Determined to prove his worth as a “celestial being” (204), he steps in front of a moving car. The car hits Gibreel and hurts him. The car contains famous film producer S. S. Sisodia, who recognizes the injured Gibreel from his many films. Sisodia takes Gibreel back to Alleluia, explaining that it was a “mimi miracle” (205) that he was not hurt. While receiving treatment, doctors diagnose Gibreel with schizophrenia and prescribe powerful medication. The experience heightens Alleluia's love for the damaged Gibreel. Sisodia is also a frequent presence during Gibreel’s recovery. Sisodia wants Gibreel to return to the movie industry and eventually blackmails him with the threat of legal action for abandoning his old contracts. Despite Alleluia’s reticence, Gibreel agrees to star in a film as the archangel Gibreel. The more he becomes like his old self, however, the more his relationship with Alleluia begins to suffer. When he attends a promotional event for his new film, Gibreel struggles to separate the role in plays in his film from the role he plays in his dreams. Gibreel slips into a trance and feels himself floating “high over London” (214). From this vantage point, he is convinced that he can see Saladin, who still resembles a goat. Gibreel collapses on Alleluia’s doorstep through some “homing instinct” (216). She finds Gibreel and helps him into bed. 

Part 5 Analysis

Saladin’s transformation reaches its climax. Not only is he turning into a devilish figure, but he is exposed to people in this new, terrifying form. Saladin cuts a fearsome figure, and Hind does not want him living in her home. Saladin is thrust into the working-class immigrant communities he considers beneath him. Whilst in this community, the once arrogant Saladin is now ostracized and reviled. His transformation is physical and psychological; the changes that affect his body force him to change his perspective on the world. The experience of transforming into a devil and living among the same people he once despised teaches Saladin to see the world in a different way, making him a more empathetic person and foreshadowing his later reunion with his father.

The theme of transformation continues throughout Part 5. Pamela changes once she becomes pregnant with Joshi’s baby; her marriage has transformed, her body begins to change to accommodate the baby inside her, and her hair turns white. The Granny Ripper changes the community, and jealousy changes Anahita’s relationship with her sister. Almost through his presence alone, Saladin seems to have the power to encourage transformation in others. Just as he appears in people’s dreams, he haunts people’s thoughts and prompts them to view the world in a different way. In a passive fashion, without truly intervening, Saladin has the power to change the world.

One of the few constants in the novel is Saladin’s dislike for Gibreel. The men are bound together by their shared experiences and can never escape from one another. However, this constant bond does not endear Gibreel to Saladin. In fact, his hatred for Gibreel becomes so intense that he melts all the wax dummies in the night club. Saladin’s loathing for Gibreel is so intense that it can turn Saladin back into his old self. The negative emotion becomes a fuel for Saladin to change himself. His hatred for Gibreel gives him a purpose and a direction; by focusing the strength of his negative emotion entirely on one person, Saladin overcomes his external devil-like appearance. However, his hatred festers within him, corrupting his personality and laying the foundation for the ways he will ruin Gibreel's life.

Alleluia's backstory reveals the inherent tragedy of triumph. In many ways, she is like Gibreel. They both see visions of seemingly dead people; they feel haunted by these ghosts but for different reasons. Gibreel is haunted by Rekha Merchant due to unresolved guilt. Rekha’s ghost is a manifestation of Gibreel's repressed guilt, appearing to him because he lacks the strength or courage to take responsibility for his actions. Alleluia's visions are rooted in a physical rather than psychological source. She climbed Everest without an oxygen tank, and the thin air took a toll on her brain, just as the climb took a toll on her body. The visions seem real to Alleluia, but she might be suffering from brain damage. At the same time, her visions are a reminder of her fears. She has climbed Mount Everest and now has nowhere else to go. There are no higher peaks to climb, meaning that her greatest achievement is already behind her. The visions of dead mountaineers that Alleluia experiences speak to the tragedy of her achievements; the visions of dead men remind her that her life has peaked and now, like them, she is just waiting to die. 

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