60 pages • 2 hours read
Ngũgĩ wa Thiong'oA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
While the harvest is plentiful this year, the villagers worry because the last time crops were bountiful, a great famine followed. During the famine, Chege left the hills and warned people about the encroachment of colonialism. Shortly thereafter, Joshua and Kabonyi converted to Christianity in Siriana, and Chege cut off ties with them, believing that Christianity and “followers of Joshua would bring so many divisions to the land that the tribe would die” (41). On the day before the circumcision ceremony, the village of Kameno prepares with music and dance. Alongside Waiyaki are several other candidates, including Muthoni and Kinuthia. Waiyaki senses that distance has grown between him and his bodily understanding of Gikuyu ways. While he is not able to dance as well as the other boys due to his time amidst the white culture of Siriana, Waiyaki cherishes his experiences and success at Siriana Secondary School. His father’s prophecy now feels unreal to him after his time away, but he looks forward to the circumcision.
Waiyaki also mulls over Muthoni’s bold rebellion against her religious father. He does not believe that he could rebel against his own father. Meanwhile, Chege also contemplates female circumcision and reflects on the necessity of this “central rite in the Gikuyu way of life” (41), for no one in Gikuyu society would pay a dowry for an uncircumcised girl. Chege wonders about the fate of the tribe and places his hope in Waiyaki, but he questions the plan to defeat the Europeans using their own tenets.
The narrator describes the eve’s dances, which erases the divisions of age and gender and allows discussion of conventionally taboo subjects. Waiyaki himself does not feel this freedom fully, for he beholds the festivities from the point of view of the white missionary, Livingstone. Waiyaki’s conflicted reverie is broken by the glorious sight of Muthoni dancing and singing, and he is soon swept into the communal ecstasy. Waiyaki finds himself in the center with Muthoni and analyzes her expression, sensing magic and sadness. On the edge of the forest, naked and alone, he meets Muthoni. When he challenges her about her rebellion against her father, she stresses that she wants to be a Christian and to follow the ways of the tribe. Her voice transfixes Waiyaki as she shares her dream of the future—being a full woman in a tribe and caring for her home, children, and husband. Waiyaki is reminded of another dream, one he cannot quite pinpoint. Overcome with confusion, he feels separate from the others, as though he is missing something vital.
The next morning, Waiyaki waits in the river Honia for the circumcision to take place. Despite having anticipated this precipice of manhood for years, he is afraid. The ritual is carried out, and a “religious bond link[s] Waiyaki to the earth, as if his blood was an offering” (46). He resents the pain, and his thoughts drift to Muthoni’s experience. The pain causes him to come in and out of consciousness, as if in a dream-state. Within this delirium, he recognizes similarities between Livingstone and Chege’s abilities to stand apart from the group. Despite conjectures among the villagers that living among the white people would make Waiyaki unable to tolerate the pain of the ceremony, Waiyaki handles the occasion well. All of the newly circumcised boys are swollen and in pain, but they are soothed by the stories they hear about other men who have gone through this same rite of passage.
Chege learns that all of the girls are faring well except for Muthoni. While other girls have dried scars, Muthoni’s wound grows large. Chege believes it to be the curse of her father. After healing, Waiyaki visits the still-ailing Muthoni in her aunt’s house. Because Muthoni misses her sister and mother, Waiyaki seeks out Nyambura. He finds her by the Honia and takes her to see Muthoni. Alarmed by Muthoni’s state, they decide to take her to the hospital in Siriana. Muthoni dips in and out of lucidity, stating deliriously that she is “a woman now” (49). Nyambura informs their mother of Muthoni’s grave condition, and Miriamu is deeply distraught.
Muthoni dies in the hospital in Siriana. Her last words are about both Jesus and her feeling of belonging to the tribe. To Waiyaki, the sky and the animals seem unusually quiet as he wanders, not wanting to return home after Muthoni’s death in Siriana. He sees her face before him and thinks of her aunt, Njeri, who is a childless widow; Muthoni’s presence once brought joy to her pale life. He thinks of the close relationship that Muthoni had with her sister Nyambura, and he wonders why Muthoni chose to be circumcised, “clinging to that obsession which had led her from Makuyu to Kameno” (50).
The chapter shifts to the perspectives of Joshua, Chege, and then Livingstone. Upon learning of his daughter’s death, Joshua remains mostly stoic and scornful of his daughter who “longed for the cursed land” (51). He continues to focus on his goal of building a new Jerusalem. Chege takes the news with feelings of inevitability and concern and considers Muthoni’s death a “punishment to Joshua” and a “punishment to the hills” (51). He wonders if the god Murungu is angry, if the ridges will avenge this conversion to a new foreign religion, and if anyone will be able to unite the two villages. He wonders if Waiyaki’s time with the Europeans was a mistake. Livingstone sees Muthoni’s death as a clear sign that the Gikuyu traditions are savage.
Like Chege, Livingstone is aware of his aging body and mind. After 25 years in Siriana, he has learned the Gikuyu language. Heroic dreams sent him from Europe to Kenya, dreams of saving the souls of Black people through Christ. He thought himself clever to learn the local language and seek to understand Gikuyu customs, but the initiation rituals disgusted him. Generally disappointed in his own progress, he continues to carry out his duty to the Lord, converting souls to Christianity with the help of Joshua and Kabonyi. After Muthoni’s death, abolishing circumcision becomes a priority for Livingstone and the missionaries. A woman of the Mission tells him that Muthoni is Joshua’s daughter, and Livingstone believes that this will start a war among the ridges.
Rumors abound about the cause of Muthoni’s death. The elders of Makuyu see the anger of god in the violent weather patterns across the ridges. They regret not listening to Chege’s portents, and they fear it is too late to save the tribe from Christianity, as Chege himself is dying and the Christians are full of vigor and conviction. Siriana and encroaching settlements in the ridges now seem much more dangerous and sinister; Makuyu is building a strength that will soon rival Kameno’s, and abolishing circumcision has become the central rallying cry. Meanwhile, Waiyaki stays home with his dying father. He wonders if the two villages will war with one another, and speculates that this may have been the foreigners’ intention all along. He predicts that more animosity will surface as Livingstone implements ever-more-draconian policies due to Muthoni’s death. To Waiyaki’s surprise, Kabonyi renounces the Christian faith while Joshua remains steadfast in his devotion. The fractious state of the villages saddens Waiyaki. He himself feels a “stranger to his land” (55).
Later, Waiyaki learns that he cannot return to finish his schooling in Siriana because he has been circumcised; no one who follows tribal customs will be allowed in Siriana on Mission grounds. This dismays him, for he deeply loved pursuing his education. Later, Waiyaki finds his mother crying at home; this is the first time he has ever seen her cry. Upon seeing a group of elders exit his father’s hut, Waiyaki runs to catch one last glimpse of his father alive.
In this section, Ngugi uses the controversial setting of the circumcision ritual to highlight The Complexity of Cultural Negotiation and Resistance; thus, the rite of passage becomes a microcosm for the larger ideological wars that are beginning to tear apart the fabric of Gikuyu society. The spiritual presence of the land is also a significant factor, for the author makes it a point to personify the defiant, capable Honia as being both indifferent and maternal; in fact, the river offers a womb-like space that embraces Waiyaki during his transition from boy to man. Yet not all the imagery is protective in nature. Before the actual ritual, Waiyaki suffers severe inner conflict over his failure to fully immerse himself in his tribe’s evening dance, and this moment represents the rift that has grown between his natural Gikuyu identity and the customs of the Europeans, which he has internalized during his time at school. Significantly, Waiyaki does not condemn either community; instead, he ponders both worldviews deeply. However, the scene emphasizes that his schooling has become more real to him than his father’s prophecy, and thus, Ngugi presents the idea that adulthood is marked by an inner reckoning during which individuals must redefine what is of greatest importance. Amidst such a crucial debate, the world loses its usual edges and markers.
During the dance, the real and the unreal therefore twist and blend for Waiyaki, similar to the ways in which the warring ideologies of the Gikuyu ways and the Christian are tearing his society asunder. Seeing the conceptual similarities between Chege and Livingstone, Waiyaki grapples with his evolving understanding of the nature of dominant men, and a significant part of his ascension to adulthood involves adjusting his view to perceive the Gikuyu leaders and the white men around him more clearly.
Significantly, Waiyaki’s self-consciousness goes beyond his inner conflict over the Gikuyu ways, for he must also reconcile his growing sexuality as he leaves the familiar interpretations and feelings of boyhood. Throughout the dance, Waiyaki is drawn to Muthoni, and she becomes a guiding light that allows him to fully immerse himself in the ritual and forge a new sense of self. His fixation upon her during the dance allows him to reconnect with his Gikuyu origins, rather than viewing the proceedings through Livingstone’s biased eyes. Whenever Waiyaki interprets the scene through the language and sensibilities of the Europeans, he feels a distance from his own culture, but Muthoni’s fervor for the ritual brings his awareness closer to the Gikuyu way of being. Ultimately, the evening represents a complicated time in which multiple identities are lost and reformed.
Despite contracting a fatal infection from the ceremony, Muthoni never voices regret over her decision to be circumcised. Throughout her devolving illness, Muthoni expresses her desire to combine traditionalism with Christianity, and her convictions will inform and bolster Waiyaki’s own desire to unite the tribes and find a way to coalesce the Gikuyu and European worldviews in a way that will benefit his people. In light of Waiyaki’s long-term goals, Muthoni’s decision to participate in the ceremony haunt him throughout the novel as he fights to not lose himself or betray the tribe. Significantly, Ngugi imbues both the ceremony and Muthoni’s passing with an element of ambiguity, for a lingering question remains over whether the Gikuyu ceremony is unnatural, or whether Christianity is the foreign force at work. As Waiyaki ponders this dilemma and questions the seemingly murky desires of humanity, God, and the land itself, it is clear that Muthoni’s death—and the meaning he ascribes to it—will inform his decisions in the future in the face of the Europeans’ increasing presence in his world.
Amidst these philosophical conflicts, it is also important to note that Chapter 11 is the first chapter that juxtaposes the voices of all the elder men and spiritual leaders in the novel, including the deeply biased European voice of Livingstone, the Christian missionary. As Ngugi highlights each of the men’s reactions to Muthoni’s death, these descriptions accentuate the characters’ distinct and conflicting worldviews, for Chege embodies Gikuyu traditionalism while Joshua evokes the views of a Gikuyu Christian convert. As a stark contrast to them both, Livingstone himself finally steps forth to represent the essence of white colonialism and the invasive imposition of Christian tenets into the local society. Thus, Muthoni’s death galvanizes the white and Black Christians alike, intensifying their antagonism toward traditional Gikuyu ways and refocusing their desire to spread Christianity. Faced with this growing element of zealotry, the Gikuyu villages regret that they did not listen to the prophesy of Chege, especially since he is now near death.
By Ngũgĩ wa Thiong'o
African American Literature
View Collection
African Literature
View Collection
Colonialism & Postcolonialism
View Collection
Colonialism Unit
View Collection
Coming-of-Age Journeys
View Collection
Community
View Collection
Education
View Collection
Family
View Collection
Fathers
View Collection
Religion & Spirituality
View Collection