119 pages • 3 hours read
Viet Thanh NguyenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Liem, an 18-year-old Vietnamese refugee, arrives at an airport in San Francisco. Bewildered by the flight and the foreignness of America, he searches for his sponsor, a British man named Parrish Coyne. When he finds Parrish and his companion, Marcus Chan, he is overwhelmed by the affection Parrish shows him. Parrish mispronounces Liem’s name, using two syllables instead of one, but Liem does not correct him. Liem is slightly intimidated by Marcus because “compared with Marcus, he was sorely lacking in every regard […] Marcus had the posture of someone expecting an inheritance, while Liem’s sense of debt caused him to walk with eyes downcast” (27). They get in Parrish’s car, and as they drive, Liem tells them his story even though he’s tired of telling it.
Parrish tells Liem that he and Marcus are a couple. Liem assumes this is an idiomatic expression for good friends until he sees Marcus staring at him in the rearview mirror. Liam claims that he is liberal and open-minded, but he remembers the discomfort of the nights he spent in the crowded workhouse as other men masturbated. As they drive, Liem is struck by the diversity of cultures represented by the businesses they pass.
During his first few weeks in Parrish’s house, Liem wishes he could call Mrs. Lindemulder, his immigration agent, and say she made a mistake sending him to live with Parrish. He is reminded of when his family sent him north to Saigon in 1974 to earn money. He worked in a tea house, where he picked up rudimentary English from American GIs, which he used to get a cleaning job in a brothel. In April of 1975, when Saigon began to fall, Liem fought his way aboard a barge to escape and wound up in Camp Pendleton near San Diego, California, as a refugee. He worries about his family’s fate; he has written them two letters, but they have not replied.
Parrish and Marcus argue often. Parrish refuses to let Liem pay rent, but Liem finds a job at a liquor store anyway. He studies a book, Everyday Dialogues in English, hoping to better understand Parrish and Marcus, but he finds it to be little help. Liem worries that the filth from his job will not wash off. He showers at the end of the day, trying not to think of Marcus’s body. One night, he runs into Marcus after his shower; the two are comically unable to pass each other, each stepping to the same side.
Parrish leaves for a weekend in November to attend a conference on the environmental impact of nuclear power. Marcus complains to Liem about Parrish’s activism. Marcus takes Liem to a dim sum restaurant in Chinatown; Liem feels comforted by the presence of Asian crowds. Liem asks Marcus about his family. Marcus grew up in Hong Kong and now attends San Francisco State University. His father, a business executive, disowned him when a former lover sent him Marcus’s love letters and revealing candid pictures. Parrish now pays for Marcus’s expenses.
Liem tells Marcus about his family: “all farmers, hawkers, and draftees” (35). Liem is the first of his family to leave Long Xuyen. Liem vividly recalls parting with his parents: he was so anxious to board the crowded bus to Saigon that he did not tell them he loved them. Marcus tells him not to dwell on it and to just worry about himself. Unable to think of a viable future for himself, Liem tells Marcus he just wants to be good.
Liem pays for the meal, and Marcus shows him around San Francisco. They have sushi, watch One Flew Over the Cuckoo’s Nest at a theater, and split one of Parrish’s bottles of wine back home. Liem finds it easy to speak with Marcus.
Liem rushes home from work the next day and finds Marcus lounging on a bathrobe on the couch. He says a letter came for Liem. Liem is reluctant to open it. He sits with Marcus, and Marcus insinuates that he knows Liem is gay. Before long, they have sex; Liem, who is in the habit of forgetting details of his life, has a hard time remembering their intimacy. Afterward, he tells Marcus he loves him. Marcus tells Liem that for some people, love is just a reflex; Liem will feel differently after some time passes.
After Marcus falls asleep, Liem decides to read the letter. His father’s tone is falsely jovial, praising the communist party and the reeducation of Liem’s uncles. He concludes the letter by saying that America must be more sinful than Saigon and that Liem must be careful because “The revolutionary man must live a civil, healthy, correct life!” (40).
Liem puts the letter away. He goes to the dark window and looks at his reflection. He sees two men walking side by side on the sidewalk. He once would have thought they were just friends but now realizes that they could be lovers. One of the men waves to him. Liem waves back, sharing this momentary connection.
One of the most prominent threads in “The Other Man” is culture shock: Liem is from a small village in Vietnam, and he is the first of his family to ever leave their village. While Vietnam is a multiethnic country, containing 54 ethnic groups recognized by the Vietnamese government, over 85% of the country is Kinh (also known as Viet, the dominant ethnic group). On his first day in San Francisco, Liem is overwhelmed by the presence of white, Black, and Latino cultures intersecting in a city that is completely different than anything he has experienced before—geographically, politically, and architecturally. He sees Marcus as an idealized version of himself; raised with more opportunities than Liem ever had, Marcus is eloquent, cosmopolitan, and handsome. Liem aspires to be like him, but he struggles with the language barrier; the rudimentary English he learned to get by with American soldiers in Saigon is insufficient in the US. He has particular trouble with idiomatic expressions and innuendo, aspects that are often difficult for new language learners to master.
Marcus also represents Liem’s repressed sexuality. Nguyen hints early in the text that Liem is gay or at least questioning his sexuality. When Parrish tells him that he and Marcus are a couple, Liem has a visceral reaction:
The small hairs on his arms and on the back of his neck [stiffen] as they’d done before whenever another boy […] had brushed his elbow, sometimes his knee, while they walked hand-in-hand or sat on park benches with their arms slung over each other’s shoulders, watching traffic and girls pass by. (28)
This bodily clue, coupled with Liem’s ambivalent memory of hearing other men masturbate in the workhouse dormitory where he slept in Saigon (and participating, based on the shame with which he regards his own hands), is indicative of another form of culture shock he experiences. San Francisco in the 1970s was known as a haven for gay culture and a beacon for gay rights in an era where LGBTQ people were still highly discriminated against. Seeing Parrish and Marcus living openly as a couple opens the door for him to accept his own sexuality.
Liem indicates that homosexuality is stigmatized in Vietnamese culture. This is also implied by Liem’s father’s letter, where he insinuates America “must be even more sinful than Saigon, so remember what the cadres say. The revolutionary man must live a civil, healthy, correct life!” (40). Though the language in his father’s letter is veiled to appease any censors that may spy on it, his words push against Liem’s wish to be a good person—that is, be true to himself. He is left in limbo between two different ethical estimations of what it is to be “good”: the traditional, conservative values he left back with his family in Long Xuyen, or the liberal, accepting culture he finds with Marcus in San Francisco. He is left without a clear image of his own identity, represented by his inability to clearly see his reflection in the window after having sex with Marcus and reading his father’s letter.
By Viet Thanh Nguyen
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