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55 pages 1 hour read

John Grisham

The Reckoning

Fiction | Novel | Adult | Published in 2018

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Themes

The Corrupting Influence of Racism

The corrupting influence of racism pervades the narrative from the outset. Though Pete and Liza are shown to be kind and even generous to the Black field hands living on their land, they act in ways that reflect the naivety that their being white affords them in the time and place that they live. On one level, Pete works to improve the lives of the Black people with whom he interacts; he insists that the children of his field hands attend a school that his father helped establish on the family’s land. Liza, who did not grow up around Black people, is shocked by the poverty in which many of them live and is compassionate to Pete’s Black employees. However, neither Pete nor Liza does anything to radically change the social systems that repress Black people, nor do they seem to realize that their own profitable farm and comfortable lifestyle are dependent on the subjugation of Black people.

Liza is free enough from racist beliefs to engage in an affair with Jupe. Only when she becomes pregnant does the racism of her time begin to manifest. Liza understands that whatever she says or does, giving birth to a mixed-race child would have serious repercussions; it is possible that her outraged neighbors might try and lynch Jupe or another Black man who they suspect is the baby’s father. Knowing this, Liza decides to accuse Jupe of rape to try to protect herself and her reputation. By saying she was raped, Liza would elicit sympathy from the townsfolk and avoid some of the ostracization that giving birth to a mixed-race baby would cause. Though Pastor Bell ultimately persuades Liza to abort the baby rather than accuse Jupe of rape, Liza’s actions reveal that she views Jupe as expendable, and their relationship is corrupted by the racist beliefs that she has unwittingly absorbed.

Pete’s own actions are, in part, driven by the trauma resulting from the maltreatment he received at the hands of the Japanese soldiers, who were motivated by ideas of racial superiority. Pete was corrupted by the horror and violence of his experiences in the Philippines—violence that was heavily influenced by the racism of the Japanese conquerors, who viewed the native inhabitants and the Americans as “lesser” and subjected them to inhuman treatment.

Joel and Stella see the injustice and immorality in Pete’s actions. They are appalled by their mother’s willingness to sacrifice Jupe. Unlike Pete, they forgive her, knowing that she believed herself to be both infertile and a widow. They were not repelled by the fact that their mother engaged in an affair with a Black man. The loss of their land—representing the corruption of the time and place—signifies that Joel and Stella are escaping the culture and corrupting racist beliefs that destroyed their parents.

War and Trauma

War and its resulting trauma are the driving forces behind Pete’s tragic downfall. Pete experiences post-traumatic stress disorder (PTSD) as a result of his wartime experience in the Philippines. His flashbacks and nightmares show how the trauma of war can have lasting psychological effects. The changes in Pete’s psyche leave him rigid and vengeful. Through sickness, starvation, pain, and fear, he held to the memory of Liza as a beacon of life and comfort. When he returns home and is unable to resume his former passionate relationship with Liza, Pete places the blame on Pastor Bell. He believes that Pastor Bell caused Liza's breakdown and consequently Pete’s own loneliness and misery.

PTSD can lead to feelings of helplessness. Those affected may feel disconnected from their surroundings and relationships. They may also experience intense emotions such as fear and anger, leading to outbursts. As a soldier, prisoner, and guerrilla fighter, Pete’s driving motive became revenge against every Japanese soldier he encountered. That impulse to revenge kept him alive, and it became deeply imprinted on his psyche. While the impulse was appropriate for wartime conditions, it is maladaptive in the supposedly rational world of Clanton, ruled by law, justice, and reason. Nevertheless, vengeance is Pete’s overwhelming instinct wherever he feels pain, betrayal, or injustice. Brewing in his loneliness for Liza, his sense of betrayal, and the trauma inflicted by war, the only outlet Pete can conceive of is to kill the man he believes has hurt him.

Pete’s emotional and psychological trauma is exacerbated by the physical trauma of the wounds he sustained in his legs. The leg that was shattered gives him constant, sometimes severe, pain that will probably grow worse rather than better as he ages. The prospect of lifelong pain exacerbates Pete’s feeling that he is already living on time borrowed from the universe. That Pete will almost certainly die because of the murder seems insignificant to him compared to the relief of killing the “enemy” who destroyed the life he dreamed of coming home to.

Emotionally and psychologically, Pete was never able to leave the trauma of war behind him. Instead, he projected that trauma onto Pastor Bell. By killing his last symbolic “enemy,” Pete feels he can finally put an end to all the pain and suffering he has endured since he left Clanton. Afterward, in jail and facing near certain death, he finds peace.

Family, Legacy, and Tradition

The first paragraphs of the story show Pete thinking about the importance of the family land. One of his greatest concerns is that the land will stay in the family, in the hands of his children, and won't be taken from them because of his actions. For Pete, the land represents five generations of the family heritage that he wants to pass along to his children. It represents security and identity. Instead, Pete’s irrational decision to commit murder destroys his legacy, robbing his children of their heritage represented by the farm.

Joel and Stella initially feel no attachment to the family farm and the heritage it represents, except as the farm supplies them with money and a safety net as they establish themselves in the world. When they realize that it might be taken from them, however, they discover in themselves a sense of history and connection they had not previously realized. They remain conflicted, wanting to retain the past while pursuing their own futures.

The loss of their heritage is emphasized in the way that Jackie Bell’s new husband abuses the field hands. The Bannings bore responsibility for their field hands, allowing them to live on the land rent free and paying them for their labor. The new owners represent the present and the future. Errol McLeish anticipates being a merchant farmer and influential member of the community, but he lacks Joel and Stella’s legacy. He treats the field hands like independent tenants and employees, but they are less well-off. The new owners sweep away a past and replace it with something cheap and commercial.

When Joel and Stella learn the full story of the murder, they recognize that the land represents the long history of racism in the world they were raised. Looking at their own family, they see how their heritage is connected to the land and how that heritage is tainted by Pete and Liza’s tragedy. They find it easier to reconcile themselves to letting go. Their parents’ tragedy represents the death of the old world, and Joel realizes what matters most is not land or heritage or legacy but one’s own choices and character.

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