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57 pages 1 hour read

Jess Lourey

The Quarry Girls: A Thriller

Fiction | Novel | Adult | Published in 2022

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Chapter 12-Interlude 9Chapter Summaries & Analyses

Chapter 12 Summary

The Girls prepare to play their gig at the county fair. Maureen, Brenda, and Junie look like rock stars, Heather thinks, and she notices new gold earrings hanging from Maureen’s ears. Brenda passes out mood rings for everyone to wear. Sheriff Nillson, Agent Ryan, and Heather’s dad stop at the stage to wish them luck, and Brenda won’t look at Sheriff Nillson. He mentions they should wear less makeup to avoid unwanted attention, and Maureen asks why he doesn’t tell them to just quit looking. Sheriff Nillson asks if he can introduce them to the crowd. Even though Heather is nervous to play in front of the entire town, they start to play their set.

Chapter 13 Summary

The Girls play well and receive resounding congratulations from their friends. When it’s over, Maureen rushes backstage and into Ed’s arms with her bandmates close behind. When Ed sees Junie, he comments on her appearance, which makes Heather uncomfortable. Ricky asks whether everyone is coming to his party at the quarries, and Ed and Ricky demand that they all drive out together—Maureen, Brenda, and Heather riding with them. Before they take off in separate directions, Maureen and Heather have a moment alone, and Maureen tells Heather that no matter what she tries, she never feels full.

Interlude 6 Summary: “Beth”

Beth believes she’s been trapped for four days. She tries to stay awake so she can hit Ed with the lamp and escape, but she falls asleep. When she wakes up, Ed is on top of her, and all she can smell is fair food.

Chapter 14 Summary

Heather feels relief that she is finally attending her first quarry party, although the water terrifies her. A sense of dread looms in her. She sits around a bonfire with Ed, Ant, Ricky, and Brenda while other teenagers from St. Cloud party around them. Heather thinks she might see Maureen, too, but she isn’t sure. They pass around a joint and a bottle of Southern Comfort. Brenda signals to Heather that she doesn’t have to join in, but Heather participates. Ricky and Brenda flirt across from Heather, though she notices how aggressive Ricky is with her. Heather remembers a time when she went to his house with her mother as a child. She saw his mother with a black eye and a split lip before Constance shut the door.

Ed begins to interrogate Heather about her ear and then her father, asking her if she believes in the death penalty. Ant tries to defend her, but Ed presses on. As Heather begins to feel the effects of the marijuana and liquor, Brenda and Ricky disappear. Heather follows Ant to a cabin set back in the woods.

Chapter 15 Summary

Heather is excited about the prospect of her first kiss, which she realizes is likely going to happen in the cabin. She laughs and jokes around with Ant but keeps seeing looks cross his face that seem serious and ominous. When Ant leads Heather to the bedroom, they kiss, and Ant asks Heather if he can take her picture, telling her repeatedly how pretty she is. Heather notices how desperate Ant seems—something that makes her feel powerful. However, Ant asks her to take her shirt off for the picture, and all she wants to do is leave. When she tells him this, Ant threatens her and tells her she can’t leave until he gets his picture. Heather starts crying, but she takes off her shirt. Ant snaps a Polaroid and tells her Ed will take her home.

Chapter 16 Summary

Heather’s mother surprises her, appearing in the kitchen with her makeup done and curlers in her hair. She asks Heather how her show was, then tells her to get to practice and promises she’ll be at her show this evening. Heather walks over to Maureen’s, thinking about her encounter with her mother and reflecting on her childhood. Maureen’s mother, Mrs. Gloria Hansen, and Constance were really close until Junie was born. Then, her mother started getting sicker and showed up only for dinner parties and social events, until Heather’s accident.

When Heather arrives at Maureen‘s, Brenda is already waiting in her front yard. She has a huge black eye. When Heather asks her what happened, Brenda tells her she walked into a tree. Heather doesn’t believe her, but Brenda swears it’s the truth. She tells Heather that it’s only a matter of time before Ricky does hit her, though, and they consider going to wake up Maureen.

Chapter 17 Summary

Mrs. Hansen began hoarding right around the same time Constance started spending more time in her bedroom, and Heather finds it increasingly difficult to go to Maureen’s because of the mess. Once inside, Heather notices how much worse the Hansen home has gotten. Once, she asked her dad to help them, but he said no.

Mrs. Hansen tells Brenda and Heather they can go wake Maureen up, but when they get upstairs, they can’t find her. They plead with Gloria to call the police, and when she does, Sheriff Nillson comes. Heather asks Brenda whether they should tell him about what they saw, and Brenda tells Heather that Sheriff Nillson was one of the men in the basement with Maureen.

Chapter 18 Summary

Heather doesn’t clearly remember Sheriff Nillson’s face, but she knows Brenda is right. Brenda tells Heather she thinks it might have been Sheriff Nillson’s basement, too, which surprises Heather since Maureen is a minor. As they talk, they realize they don’t know who Maureen rode out to the quarries with.

Interlude 7 Summary: “Beth”

Beth reminds herself how much she has to live for. She discovers something rough in the dirt—something she might be able to use to escape—and starts digging.

Chapter 19 Summary

Heather spots a stranger while riding her bike through town and realizes she recognizes him from the county fair: He is the operator of the ring toss game. She’s suspicious of him, and she learns later from Junie that Maureen was talking with him at the fair, around the same time everyone else left for the party. Heather decides she’ll go investigate him since The Girls canceled their show that evening due to Maureen’s absence. Heather also learns from Junie that Ed promised her a corn dog if she went to the fair again tonight. Heather tells her to stay away from him.

When Heather gets to the fair, she hovers near the ring toss, trying to look inconspicuous. The operator calls her out anyway, and before she gets a chance to ask whether he is Theodore Godo, Sheriff Nillson storms toward her, asking if she’s at the fair alone. She runs away from them both.

Chapter 20 Summary

The next morning, Heather attends church with her family and everyone else in Pantown. While there, she talks with Claude. She feels shame about the picture Ant took and wonders what Claude would think if he found out. After she tells him that she suspects that the ring toss operator kidnapped Maureen, she decides to sneak Maureen’s diary out of her room.

Chapter 21 Summary

At dinner that evening, Heather asks her father how the search for Maureen is going. He replies that this is not involved with his department, but he’s doing all that he can. She wonders if she should tell him what she saw the night they were playing in the tunnels. While Junie and Heather clean up dinner, Junie mentions something about hitchhiking, which makes Heather worry Maureen might have been trying to catch a ride to the quarries and was abducted instead. She picks up the party line to call Brenda but catches a snippet of conversation between Ant and someone else. They mention a woman and a basement before Junie interrupts the call.

Fearing Maureen is locked in someone’s basement, she decides she’ll take a key and check, though she’s scared to do it alone. She decides to get Maureen’s diary and then stop at Claude’s to see if he’ll come with her. No one answers at Maureen’s, though, so she heads to Claude’s house. Before she enters his room, spots him on his bed looking at something. When he hides the object under his pillow, she sees a copper chain on his wrist.

Interlude 8 Summary: “Beth”

As Beth continues to dig at the artifact she’s found in the dirt, she’s cautious to ensure she can cover it up quickly when Ed returns. She has to go slowly since the dirt is packed and her nails and fingers are brittle and bloody. She hears voices overhead and covers up her work.

Chapter 22 Summary

Claude and Heather talk. Heather asks whether he wants to go to Father Adolpho’s camp, something many Pantown kids do. Claude says he isn’t going, and Heather shouldn’t either. He heard from Ant that Father Adolpho was mean to him the entire time, and Heather realizes that when Brenda and Maureen came back from the camp, they were quiet and didn‘t tell her anything about it. When she brings this up to Claude, she tells him the girls never tell her anything anymore, sharing her fear that they’re no longer best friends. Claude tries to quell this worry, and when she asks whether he’ll come with her to the tunnels to find Maureen, he asks if she can wait until tomorrow night. Heather declines, saying she’ll be fine without him. When she returns home, she realizes she is frightened because she fears what she might find. When she heads to her basement to enter the tunnels, she is surprised to find someone already downstairs.

Chapter 23 Summary

Heather’s mother is sitting on their couch in the basement. This is something she hasn’t done since Heather’s accident. Heather panics, worrying about the state of her mother’s mind. She sees the scars on her mother’s wrists and remembers the times Constance has been like this.

Constance tells her that she hears voices and pulls her down to the couch with her. This terrifies Heather because the last time they were in the basement together, her mother—who’d been upset with Mrs. Hansen after a party at their house—threw kerosene over Heather’s head and set her on fire, burning her ear. Gently, Heather asks whether Constance would like to help Junie put on makeup. Constance agrees, and Heather keeps an eye on them, realizing she’ll have to explore the tunnels another time so she can keep Junie and her mother safe.

Chapter 24 Summary

Heather visits the jewelry counter at Zayre’s to see if she can find out who owns the copper ID bracelet from the night she caught Maureen in Sheriff Nillson’s basement. She turns up nothing, but she does see the same pair of gold earrings Maureen was wearing the night she disappeared. The cashier tells Heather that three pairs had been stolen, and these were their last set.

On her shift, Ricky asks whether she’s heard anything about Maureen and tells her he is worried. Maureen never made it to his party at the quarries, and he asks Heather to come to him if she hears anything. Ed yells at him from the counter.

When Heather leaves work, she goes by Maureen’s to get her diary. Gloria seems worse and struggles to concentrate. She tells Heather that Sheriff Nillson assumes Maureen stole medication from her mother and ran away to sell or use the medication. She insists Sheriff Nillson is wrong and that no one cares about strong women in Pantown. She also tells Heather that the night Maureen disappeared, her phone rang. It was too quick for her to answer, but she thinks it has something to do with Maureen’s disappearance. When Heather finally gets up to Maureen’s room, she finds her diary, which reads: “If I disappear, I’ve been murdered. Don’t let him get away with it” (146).

Interlude 9 Summary: “Beth”

While Beth listens to the men’s voices overhead, she thinks about seeing Ed at the diner before he kidnapped her. It was difficult to tell if she was in actual danger since Ed wasn’t the only man who gave her cause for concern. Beth realizes all men believe women to be beneath them, and she thinks about how men like her father and boyfriend grow up with the same messages but don’t kidnap and rape women. The men that do, she concludes, are broken. As she hears sounds approaching, she prepares to attack, no matter who comes through the door. When the voices recede, she directs her energy back to the object in the dirt and begins furiously digging.

Chapter 12-Interlude 9 Analysis

As the narrative progresses, the sexism and misogyny rampant throughout Pantown—and 1970s America—continues to abound. When Sheriff Nillson, who has already abused Maureen, tells her and the rest of the band to wear less makeup, Maureen asks “Why don’t you tell them to stop looking instead of us to stop shining?” (76). This dialogue captures a common thread of rape culture, which posits that women who dress scandalously or wear a lot of makeup are “asking for it.” Maureen’s response is indicative of feminist critiques of the idea that women should be held responsible for men’s violence. She tells Nillson to direct his commentary toward the men, and he responds by saying “Beneath the nice words and clothes, we’re animals. Might as well get used to it” (76). Coming from a police officer—tasked with enforcing the law—this interchange reveals the structural nature of misogynistic violence and the tendency to blame women for men’s transgressions. Additionally, Nillson compares men to wild animals, which reveals the way sexism dehumanizes both men and women. In this dynamic, women become prey and objects, while men lose their capacity for humanity and reason.

This ideology, in turn, allows violence to breed within Pantown’s young men, as Heather begins to discover. Ed’s influence over Ant and Ricky, coupled with their childhoods witnessing violence from their fathers and a culture that excuses lecherous behavior, turns both young men into violent perpetrators—Ant forces Heather to take the topless photo, and Ricky gives Brenda a black eye. Heather realizes the power Ed holds over not only Ant and Ricky but all of her friends when they are at the quarries. She thinks, “I still couldn‘t figure out exactly what it was about him that reoriented us all, that made it so we felt like we needed to check in with him, or wait for him, but that’s exactly what we’d started to do” (87). Ed has power over those around him, and the children of Pantown, who grew up in deference to the powerful men in their lives, bend to his will. The most obvious result of this dynamic is the eventual murder of Maureen and Brenda at Ant and Ricky’s hands and the various references Ant makes to “taking a turn” with Beth (like when Heather catches a small part of his phone call with Ed).

Such power dynamics are deployed by the narrative’s women as well. This exploration reveals another theme of The Quarry Girls: Resilience and the Ambiguities of Justice and Power. When Heather follows Ant to the bedroom at the cabin and they kiss for the first time, Heather realizes how desperate he is for her attention. She thinks, “His hungry look made me feel powerful. I finally felt what Brenda and Maureen had been after, at least I thought I did, and I wanted more of that” (97). This experience, for Heather, introduces her to a kind of power she has otherwise not experienced, and she begins to understand her ability to wield it. However, this experience also results in her assault by Ant, revealing the tenuous nature of such power dynamics and the way they ultimately benefit men who exploit them to take advantage of women.

Lourey examines this theme further once Heather realizes Sheriff Nillson was one of the men who assaulted Maureen in the basement. She can’t believe he’d do such a thing, thinking, “He was an officer of the law” (111). To Heather, this means he should uphold justice, but instead, Jerome Nillson exploits this power to take advantage of multiple people in Pantown. When Heather sees him at the county fair, she describes him as “striding across the field toward [her], his face unreadable, his body wide with power” (118). Nillson uses his position—and the community’s immediate deference—to his advantage. In this way, Pantown’s male figures and its implicit rule to hide its secrets keep the women of Pantown small.

As Gloria and Constance’s characters develop, the results of this wide-scale misogyny and secrecy become apparent. For example, when Heather visits the Hansen home to find Maureen’s diary, she thinks about how Gloria is now a quiet, submissive woman, “looking down at her feet when she used to be a woman who stared everyone in the eye until they finally had to look away, at which point she’d belly-laugh” (106). Heather later discovers that part of the reason this happens is because she sleeps with Gary Cash. The men of Pantown get what they want, and Gloria is as much a victim as anyone else, which crushes her boisterous character. Each person in Pantown does what they must to keep themselves safe—something Heather admits to doing to protect herself and Junie. She says that to acknowledge the truth is worse than the truth itself. However, as she begins to unravel the truth about Maureen’s disappearance, she realizes that this policy causes far more harm than it prevents since suppression only breeds more violence for The Quarry Girls.

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By Jess Lourey