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65 pages 2 hours read

Ashley Audrain

The Push: Mother. Daughter. Angel. Monster?

Fiction | Novel | Adult | Published in 2021

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Chapters 45-60Chapter Summaries & Analyses

Chapter 45 Summary

For the next 11 days, Blythe shakes, cries, and vomits up everything she eats. She refuses to see Violet, whom Helen takes to a hotel for a few days. When Fox goes to pick Violet up, Blythe cuts herself using one of his architect’s blades.

During that period, Fox too is in immense pain. At one point, he takes the painting of the mother off the nursery wall and places it in their bedroom. Blythe recalls, “I realized when I saw the painting that I would live, and I don’t know why. [...] And I hated you for it. I didn’t ever want to feel normal again” (158).

Chapter 46 Summary

To escape the house, sometimes Blythe rides the subway. One day, she sees a flier for a support group for mothers of children convicted of crimes. Blythe attends but lies and says her daughter is in jail for theft. One woman says that when visiting her daughter in prison, the guards treat her like she did something wrong, adding, “We didn’t do anything wrong,” to which another woman replies, “Didn’t we?” (161).

Chapter 47 Summary

It’s been 22 weeks since Sam’s death, and Blythe is back to spending most of her days in bed. Fox suggests that she go to a “wellness center” outside the city. He already called, and they have space. He begins to cry, and Blythe suspects that he has a confession she doesn’t want to hear—so she agrees to go.

Chapter 48 Summary

The wellness center offers energy healing circles, meditative sound baths, and therapy sessions, which Blythe declines to attend. She meets a woman named Iris whom she describes as “the most intense woman I had ever met” (167). When Blythe finally says her son is dead, Iris is not very sympathetic, telling her instead that she needs “a new way of living in the world now” (169).

The day before she is supposed to go home, Blythe is found naked and flailing in an ice-cold stream on the premises. She declines the center’s offer to stay on longer, leaving the next day with Fox.

Chapter 49 Summary

Three days after returning home, Violet says her first words to her since Sam’s death, asking why Blythe left. She then tells Blythe that she wants her to leave again.

Chapter 50 Summary

Blythe recalls the days and weeks shortly after Cecilia abandoned the family. One night during a poker game that Seb hosts, a player responds to accusations of cheating by telling Seb, “Your wife was the cheater, you weak piece of shit” (173). The phrase “weak piece of shit” rings in Blythe’s ears all night.

Chapter 51 Summary

Blythe starts writing again. She says, “My brain had changed, as though it were on a different frequency than before. Before. After. After felt curt, my sentences abrupt and sharp, like every paragraph could hurt someone” (175).

Chapter 52 Summary

Blythe feels life moving on even if she doesn’t want it to. The family has moments of small joy; however, she cannot forget what happened to Sam.

Chapter 53 Summary

Two years after Sam’s death, Helen is visiting, and she tells Blythe that Violet is having a hard time at school. She wants Blythe to know that Violet misses Sam too, “despite everything” (182). Blythe thinks the phrase “despite everything” means that Helen knows that Blythe blames Violet, though Helen insists she just means that Violet never seemed terribly affected by Sam’s death.

Chapter 54 Summary

Blythe imagines an alternate reality in which she and Violet never had anything but a loving relationship. She muses, “I do not spend my days wondering who we could have been. Or what life would be like if she had died instead of him. I am not a monster, and neither is she” (185).

Chapter 55 Summary

The family goes to the beach on vacation in an effort to act “normal.” Blythe watches Violet play with a smaller boy, burying him up to his head in the sand. Violet approaches with a giant bucket of water, and Blythe is certain she is going to pour it over his head, the water filling his airways. Blythe yells “Sam!” causing the boy to turn around and crack the sand. He cries over ruining the sand, and Violet sets down the bucket to comfort him.

Chapter 56 Summary

The night before Fox’s 39th birthday, he mentions going to the brasserie for breakfast. However, rather than picking up breakfast as a kind gesture on his birthday, Blythe makes bagels, which he hates: “I wanted you to wake up in our bed and smell that I was toasting a bagel. [...] I wanted you to think, Maybe she doesn’t love me anymore” (189).

Chapter 57 Summary

One morning, Fox shows Blythe his resignation letter from his job. He claims that he wants something “more forward thinking. Maybe something focused on sustainability” (192). Blythe says they should have talked about it first, but he insists that they’re fine financially and he has new possibilities lined up.

Blythe uses Fox’s password to log into his computer and email account. An email from his boss mentions an “incident” and severance, meaning that he was fired. Blythe leaves the email open so that Fox will know she saw it, but he never mentions it.

Chapter 58 Summary

The next day, Fox is gone until ten at night. Assuming he was with another woman, Blythe begs him to have very rough sex with her, which he does: “I wanted to feel like a barge in the sea. Rusted, trusted, dented” (197).

Interlude 6 Summary: “1972”

By 1972, Etta hardly does anything except sleep. Cecilia overhears Henry’s sister suggest that Cecilia should go to boarding school, saying of Etta, “She doesn’t love that girl” (199).

Days later, at age 32, Etta hangs herself from a tree in the front yard.

Chapter 59 Summary

Eight days after suspecting Fox of infidelity, Blythe confronts him about it. All he says is, “I’m not seeing her anymore” (201).

Chapter 60 Summary

Three months after discovering the affair, Blythe knows her marriage is over. She accuses Fox of still seeing the woman, and he doesn’t deny it. She tells Fox that he can come back for his things tomorrow, but he must be out tonight.

Fox says, “What about Violet?” (206), which Blythe interprets as him asking what they are going to tell her. However, she quickly realizes what he means is that, with shared custody, Violet and Blythe will have to be alone together, without Fox around to provide their daughter with affection and comfort. Blythe replies, “We’ll be fine. I’m her mother” (207).

Chapters 45-60 Analysis

These chapters primarily focus on Blythe’s unimaginable grief over Sam’s death and on the dissolution of her marriage. Although the two phenomena are undoubtedly related, Fox’s role in their family’s disintegration—and the role of fathers more generally—are also important in the novel. Although the story centers more on mothers than fathers, that is largely a consequence of Blythe being the narrator. Readers do not see events from Fox’s perspective; they must observe his grieving process through Blythe’s eyes. To her, Fox seems eager to get back to normal as quickly as possible, which she interprets as an insult both to Sam’s memory and her own grief. His decision to send her away by making an appointment for her to a “wellness center” is particularly galling to her.

Nevertheless, an alternative explanation for his actions is that in his efforts to return to normalcy, he’s thinking not of himself but of Violet. This speaks to one of the novel’s key questions: whether Fox is a selfish gaslighter or simply a good father. The answer is probably somewhere in the middle, particularly given the fact that he starts an extramarital affair during this period. As parents going through a loss of a child, these characters and their actions resist judgment from readers. Blythe and Fox simply cannot be around each other anymore, and they express that reality in big and small ways. Blythe’s intentional cooking of Fox’s least favorite food on his birthday is a small, petty cruelty that can indicate the end of a relationship more clearly than a larger betrayal. By the end of these chapters, Blythe and Fox have given up completely, having grown incapable of even small kindnesses.

The subject of fathers also emerges in Blythe’s flashbacks to her upbringing. She remembers in detail a moment when one of Seb’s poker buddies taunts him over Cecilia’s serial infidelity, calling him a “weak piece of shit” (173). She recalls, “I hated that my mother had left him, but I wondered if he ever really tried to stop her” (174). In an interlude, the novel also explores Henry’s role in perpetuating Cecilia’s unhappiness. His sister recommends that Cecilia be sent to boarding school to escape Etta, to which Henry replies, “She’s her daughter, for God’s sake. Etta needs to be with Cecilia” (199). Thus, inherited trauma runs through both mothers and fathers, and the latter share in the responsibility for Blythe’s present dysfunction, despite her fixation on mothers.

Statements like “She’s her daughter” or “I’m her mother” appear throughout the novel, and the characters express them as tautologies, beyond question. For example, at the end of this chapter grouping, Blythe replies to Fox’s understandable concern about a shared custody arrangement by stating, “We’ll be fine. I’m her mother” (207), as if nothing else needs to be said about the matter. Again, the expectations that mothers are by default the most appropriate caretaker for a child regardless of the circumstances looms large, even though neither Blythe nor Violet wants this arrangement. This is another example of Blythe pushing everyone away yet drawing Violet in closer, as her compulsion to be unlike Cecilia foregrounds her every action, to everyone’s detriment.

Unfair expectations of mothers also emerge in the support group for parents of children convicted of crimes. Although the support group is ostensibly a platform where mothers can forgive one another and themselves, this doesn’t seem possible for most of the participants. When one mother practically begs for validation by saying, “We didn’t do anything wrong” (161), everyone is silent except the woman who replies, “Didn’t we?” (161). Even the group leader has nothing to say on this point, suggesting the extent to which the women have internalized societal assumptions that a bad person must have been made that way by a bad mother. It’s worth noting that no fathers are in the room; although the novel doesn’t address this, it’s implied that fathers do not face the same judgments as mothers do when their children commit heinous crimes. Meanwhile, Blythe is caught between hating Violet for supposedly murdering Sam and hating herself for birthing a murderous child, as she escapes into fantasies where “I am not a monster, and neither is she” (185). Such is the nature of inherited trauma: Eventually, both child and parent become complicit in perpetuating the cycle.

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By Ashley Audrain