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The next day, Mia learns that Josh and Lana broke up. Josh “asked for his class ring back” (229), and Lana is now a miserable, unkempt mess. Later, at her locker, Mia is shocked when Josh asks her to the dance. Although she momentarily thinks that he’s “only asking [her] out because [she’s] the princess of Genovia” (231), she shakes off that thought and says yes. Mia is absolutely giddy, but in G & T, Lilly tells Mia that Josh is just “on the rebound” (234). Mia argues that Josh and Lana broke up “sixteen whole hours” (234) before he asked her out, but she still feels a little strange seeing Lana so sad while Josh doesn’t seem to care about the breakup.
Mia starts to feel a little uncomfortable with the whole situation, and she thinks that Josh “probably shouldn’t have asked out another girl so soon after breaking up with Lana” (236). Still, she tries to push away her discomfort. Grandmère plans to take Mia shopping on Saturday for her “first formal event as a representative of Genovia,” and she says that Mia must “sparkle” (238). Mia spends the night at Tina’s family’s penthouse, which is huge, beautiful, and overwhelmingly opulent. Mia meets Tina’s family and enjoys an evening of makeovers and preparations for the dance. However, they watch Lilly Tells It Like It Is, and Mia feels a little sad. She acknowledges that “Tina is a fun friend and everything, but [she’s] known Lilly since kindergarten” (241), and it’s hard to ignore that much history between friends.
Mia’s mom, her dad, and Mr. Gianini disapprove of Mia going out with Josh, but when Grandmère arrives at the loft, she bulldozes her way in and announces that she is “tak[ing] [Mia] shopping for a new dress” (246) despite their protests. On the night of the dance, Mia writes that she is wearing “[her] new dress, [her] new shoes, [her] new nails” and her “professionally made-up face,” but there is “no sign of Josh” (248). Mia starts to wonder if this was all a big prank, but Josh eventually shows up and starts trying to impress Mia’s parents with compliments. At dinner, Mia starts to notice that Josh “isn’t acting very sensitive” (253) as he brags about the girl he dated before Lana, whose father was a millionaire. She also notices that Josh isn’t easy to talk to, and he seems to have no interest in getting to know her. At dinner, Josh orders “filet mignon for everyone” (257), despite the fact that Mia is a vegetarian. Josh and his friends keep drinking champagne, and “the more champagne Josh has to drink, the more he keeps on touching [her]” (257). Later that night, Mia writes from the girls’ room at Albert Einstein in distress. When she and Josh arrive at the school for the dance, reporters and paparazzi are waiting, and Mia wonders who could have called them. Josh pulls Mia out of the car and up the steps while “Flashbulbs [are] going off everywhere,” and reporters shout for Josh to “Kiss her! Kiss her!” (263). To Mia’s great discomfort and embarrassment, Josh “smashe[s] his mouth against [Mia’s]” (263) as the reporters get their pictures. Inside the school, Mia realizes that Josh “set [her] up” and “notified the press that [she’d] be here tonight” so he could “get his picture in the paper” (266). She confronts him in front of the whole school and says that he only kissed her because she’s the Princess of Genovia, not because he actually likes her. She says that Josh “[hasn’t] tried to get to know [her] at all” (268), and Josh shrugs off her complaints. Mia “turn[s] [her] back on him” (269) and walks into the girls’ room. She hides out in the bathroom, fuming over how stupid she was and how Josh used her. Lilly and Tina enter the bathroom and ask Mia if she’s all right. Lilly even apologizes for her behavior and promises that she will “make a concerted effort to stop telling everyone, especially [Mia], what to do” (271). Tina and Lilly invite Mia to hang out with them, their dates, and Michael, and Mia agrees.
The next morning, Mia is glowing from the memory of the dance. She “slow-danced with Michael Moscovitz,” Mr. Gianini tells her that he is raising her grade from an F to a D, and “Iran bombed Afghanistan, so there wasn’t a single picture of [her] and Josh kissing in any newspaper on the newsstand” (273). Mia spent the whole dance with old and new friends, and she thinks Michael might like her. Mia makes plans to appear on Lilly’s TV show, and when the night comes to a close, she spends the night at Lilly’s. Michael shows Mia a song he wrote called “Tall Drink of Water,” which is about “this very tall pretty girl who doesn’t know this boy is in love with her” (280). Mia thinks about how lucky she is, and happiness overwhelms her. Later Sunday, Mia’s father and Grandmère stop by the loft, and Grandmère announces that she will be leaving for a week. Mia offers to walk her to her limo, and while they are standing outside, “the Blind Guy walk[s] by, tapping his cane” (281). Grandmère tells Mia to help the poor man cross the street, but when Mia refuses and tells her to do it herself, Grandmère approaches the man and offers to help. The man touches her inappropriately as they cross the street, and Grandmère “whack[s] the Blind Guy across the face with her purse so hard his sunglasses [go] flying off” (283). Suddenly, the whole street finds out he can actually see.
By the end of The Princess Diaries, Mia undergoes a surprising transformation. The Mia of Chapter 1 has an intense fear of confrontation, so much so that she is afraid of admitting that she doesn’t want her mother dating her algebra teacher. However, the Mia of Chapter 26 is tired of silence and submission. Josh blatantly disrespects her, and she refuses to tolerate this type of treatment. In front of the entire school, Mia calls Josh out for his poor behavior and publicly humiliates him by standing up for herself. Although something told her to be suspicious of Josh’s intentions throughout Chapter 25, Mia’s longing for a storybook romance with him led her to ignore her instincts until it was too late. Her dream turns out to be a nightmare wrapped up in a pretty package, and Mia finally learns to value herself and listen to her gut.
Mia’s family dynamics continue to change throughout the final chapters of the novel. Her mother and father agreed to put her through princess lessons, but when Grandmère arrives and overrides their parenting decisions, it becomes clear that her grandmother is pulling the strings in the family. Cabot draws connections between Mia and her grandmother in the final entry of the novel: Just as Mia stands up to Josh for disrespecting her boundaries, Grandmère isn’t afraid to get loud and rambunctious when the man pretending to be blind touches her. Mia and her grandmother are both strong, intelligent women, and although they don’t see eye to eye on many issues, Mia now admires her grandmother’s fiery spirit. Similarly, Grandmère finally softens toward Mia: She is interested in her life, and although she is still prickly and judgmental, she has a soft spot for her granddaughter and wants to continue to mentor and guide her, even if her methods might be unconventional.
Mia’s relationship with her father also shifts over the course of the novel. In the first chapters, Mia explains that her favorite Broadway show is Beauty and the Beast, and she has seen it several times with her father. However, in Chapter 12, Mia refuses her father’s offer to see Beauty and the Beast because she isn’t a child anymore. Her father again offers this to Mia on the night of the dance when Josh is running late, and she loses her temper and refuses. Her father is hurt and remarks that she used to love the show, but the reality is unmistakable: Mia is transitioning away from fairy tales and growing up. Instead of spending Saturday night with her father watching a Disney musical, Mia wants to be with her friends, spending time with boys and finding herself outside her family dynamics. Her father is unnerved by this change, but Mia is blossoming into a strong, independent young woman. By the end of the novel, Mia is surrounded by friends who care about her, and she is finally starting to see signs of hope for the future. Mia’s life may not be a fairy tale or a Disney musical, but she is on her way to writing her own happily ever after, instead of watching one unfold from the sidelines.