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During their date on Saturday, Mr. Gianini tells Mia’s mom that she skipped algebra tutorials Friday, so Mia has to spend Sunday “having the quadratic formula drilled into [her] by [her] demented father” (89). Mr. Gianini also tells Mia’s mom that there will be a pop quiz on Monday, and while Mia admits “that was kind of nice of him and all” (89), she is convinced that she is going to fail anyway, because she has always been bad at math. Mia’s father warns her that if she fails algebra, he’ll make her go to summer school in Genovia. Mia decides to “[write] out the quadratic formula on the white rubber sole of [her] Converse high-top” (90) so she can cross her legs and look at it during the quiz tomorrow.
Mia spends the next morning worrying about getting caught cheating on the algebra quiz. She wonders if she could get expelled and if she will “have to wear the scarlet mark of being a cheater for the rest of [her] high school career” (91). She wonders if college or Greenpeace will turn her away if something like this goes on her permanent record. She tries to wash the quadratic formula off, but she “must have used indelible ink or something” (92), because it won’t come off. On the ride to school, Lilly announces that she wants to go back to riding the subway to school and says Mia’s dad needs to stop being so protective of her. At school, Mia tries again to wash the ink off her shoes, but she has no luck. The quadratic formula is blurry, but Mia swears that she “won’t look at it during the test” (95). However, she breaks her promise and peeks during Algebra. To her horror, she “[gets] every single one of [the questions] wrong” (96) despite trying to cheat. Mia is overwhelmed by everything going on in her life: “I’m flunking Algebra, my mom’s dating my teacher, and I’m the princess of Genovia” (96). She decides that something is going to have to change.
Mia writes a poem titled “Ode to Algebra,” in which she laments being “thrust into the dingy classroom” where she and her classmates are left to “die like lampless moths” (97). She vents about how pointless it is to learn the quadratic formula, and she begs the “cruel Algebra teacher” (97) to release her from this classroom of pain and suffering.
Mia is horrified to learn of Grandmère’s arrival in New York City. She is relieved that her grandmother is staying at The Plaza instead of at her loft because “It looks pretty weird, seeing this little old lady in a lace nightie with big black lines around her eyes first thing in the morning” (98). Mia will have to see Grandmère only after school and on the weekends, but she is still consumed with anxiety. Grandmère is extremely old-fashioned and very judgmental, and Mia worries that the old woman will have a fit if she sees the Pride Parade or can’t smoke in New York restaurants, since she “has a fit when she sees people of the opposite sex holding hands” and “smokes all the time, even in bed” (100). Mia is convinced “there’s no way [she’s] going to be able to keep this a secret from everyone with [Grandmère] around” (100). Mia doesn’t understand why Grandmère is in the city, and she starts to panic.
In a very short diary entry, Mia says that she now knows why Grandmère came to New York: “She’s giving [Mia] princess lessons” (102). Mia is in too much shock to write more and needs time to process this news.
Mia is furious that she has to go “straight from [her] Algebra review session every day to princess lessons at the Plaza with [her] grandmother” (103). When she complains to her father, he reminds her that she signed the Thermopolis-Renaldo Compromise, so she is “obligated to attend princess lessons as part of [her] duties as his heir” (103). Mia begrudgingly complies and goes to meet with Grandmère at the hotel. Immediately, Grandmère begins to criticize Mia’s hair, clothes, stature, and personal habits and manners. Grandmère asks Mia why she “burst into tears” when she found out she is a princess, and she asks if Mia has “no wish to assume [her] rightful place upon the throne” (107).
Mia insists that she is not princess material, but Grandmère ignores her and says that Mia WILL take her father’s place on the throne one day. She tells her to report to The Plaza each day, and she is expected to dress appropriately, “style [her] hair, apply lipstick, and paint [her] fingernails” (109). She also assigns Mia homework: She must bring a list of “ten women [Mia] admire[s] most in the world, and why” (109). Mia changes her clothes and applies her makeup on Friday after school, but on her way out, she runs into Michael, who asks if Mia is dressed up for a date. Mia says that she’s meeting her grandmother, and she begs Michael to not tell Lilly. At The Plaza, Grandmère complains that Mia’s lipstick makes her look like a prostitute, and she “rip[s] [Mia’s essay] up into little pieces,” because she claims “these are not the sort of women [Mia] should be admiring” (113). Grandmère orders Mia to be at The Plaza Saturday morning, and Mia is worried, because on Saturdays she usually helps Lilly film her TV show. Lilly claims that the owners of Ho’s Deli, Mr. and Mrs. Ho, “give significant discounts to the Asian students [...] but no discounts at all to the Caucasian, African American, Latino, or Arab students,” because Lilly was charged “five whole cents more” (115) than her friend Ling Su for the same item. Lilly is going to launch a boycott of Ho’s Deli and “secretly videotape the Hos to gather evidence of their blatantly preferential treatment of Asian Americans” (115). Mia thinks that Lilly is blowing the whole thing out of proportion, and she is a little relieved that she will miss the recording.
The 2001 film adaptation of The Princess Diaries is a beloved classic, but the Grandmère in Cabot’s novel is a far cry from the regal, gentle matron portrayed by Julie Andrews. Unlike the lovable character in the film, Grandmère is rude, judgmental, and holds no affection for her granddaughter or her son. Although Mia complains about her grandmother from the beginning of the novel—even wishing for her death a few times—Grandmère’s arrival in New York in Chapter 16 signals a shift. Grandmère travels to New York not to comfort Mia or spend time with her granddaughter, but to shape her into a presentable princess.
Mia is deeply self-conscious about her personal appearance and manners, and Grandmère’s princess lessons place great emphasis on all of the ways that Mia fails to live up to her grandmother’s expectations. Grandmère insists that these lessons are for the good of Genovia, and Mia begins to desperately search for a way out of the compromise she made with her father. Mia is still a high school student, and being poked, prodded, and criticized routinely by her grandmother for not behaving like a princess is too much for her to handle. When she learns that she will have to attend algebra tutorials AND princess lessons every afternoon, she feels that chunks of her life are being stolen from her, and her carefree childhood with Lilly is slipping away.
While Mia grapples with princess lessons, she continues to struggle with algebra. Despite attending Mr. Gianini’s practice sessions and even going so far as to try to cheat on her quiz, Mia is still flunking the class. Mia is generally a good student, and her notes scribbled into her diary reveal that she really does try to keep up with her schoolwork. Still, algebra is the one class where she can’t seem to make sense of the material. Mia has a low opinion of herself when it comes to her physical appearance, and algebra is yet another obstacle in her life that makes her feel powerless and inadequate. Her poor academic performance contributes to her feelings of despair and failure, and Mia feels increasing pressure not only from herself and Mr. Gianini but also from her parents.
As Mia’s life is slowly taken over by the news of her royal title and her obligation to attend princess lessons, the air of secrecy between her and Lilly intensifies. Mia initially feared telling Lilly the truth about her princess title due to Lilly’s political beliefs, but now she is also increasingly nervous about letting her old life and her new life come together. She thinks that if she can keep Lilly in the dark about her true identity and keep her princess life separate from her life as a normal teenager, she can maintain some sense of control. If Lilly, Michael, and the other people at school never learn that Mia is a princess, then she can use the more normal parts of her life as an escape from her royal reality. Unfortunately, Mia knows that time is running out, as her two worlds start to rub against each other. She can either attend princess lessons on Saturday or hang out with Lilly; no matter what she chooses, someone will be unhappy and looking for answers.