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36 pages 1 hour read

Herman Melville

The Piazza

Fiction | Short Story | Adult | Published in 1856

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Character Analysis

The Narrator

In Herman Melville’s “The Piazza,” the narrator serves as a layered character, whose evolution from idealism to a more grounded realism is central to the story’s thematic exploration. His journey illustrates a shift from a protagonist driven by fantasies to one who confronts the complexities of reality, making him a dynamic and round character.

Initially, the narrator embodies the archetype of a romantic hero, influenced by literary and biblical narratives. His construction of the piazza and his fascination with the mountain represent a quest for beauty and transcendence, typical of romantic protagonists. His early musings, “Fairies there, thought I; remembering that rainbows bring out the blooms” (Paragraph 22), exhibit a mindset deeply entrenched in romantic and fantastical imagery. This aspect of his character aligns him with the romantic hero archetype, defined by a pursuit of lofty ideals and a deep connection with nature.

As the story progresses, the narrator undergoes significant development, making him a dynamic character. This change is marked by his encounter with the rugged realities of mountain life, symbolized by his interaction with Marianna and the discovery of the harsh conditions she endures. This encounter serves as a catalyst for his transformation, leading to a deeper, more nuanced understanding of life. He retains his imaginative nature but adapts it to the realities he faces, illustrating the evolution of his character in response to his experiences.

Furthermore, the narrator’s role in the story can be seen as a foil to Marianna. While he begins the narrative in light, both literally and metaphorically, Marianna exists in the shadows of the mountain life. This contrast highlights the disparity between the narrator’s initial romanticized view of the world and the stark reality represented by Marianna. Their interactions and the revelations they bring about in the narrator’s understanding elevate each character’s traits due to their stark juxtaposition.

Melville’s portrayal of the narrator also utilizes various characterization tools such as actions, speech, and physical setting. The narrator’s decision to build a piazza, his contemplative observations, and the transformation in his discourse all contribute to the depth of his character. The piazza itself acts as a prop that symbolizes his initial romantic aspirations and later serves as a space for introspection and acceptance of reality.

In summary, the narrator in “The Piazza” is a complex character whose journey from a romantic dreamer to a more self-aware realist reflects the story’s thematic depth. His evolution demonstrates Melville’s skillful use of characterization tools and archetypes, making the narrator a compelling figure who both bridges the gap and embraces the relationship between romantic idealism and emerging realism.

Marianna

In Herman Melville’s “The Piazza,” Marianna is presented through a complex narrative lens that reflects the evolving perceptions of the narrator, ultimately revealing her as a static character. Initially, she is idealized in the narrator’s imagination, appearing as a romantic heroine, “the queen of fairies at her fairy-window; at any rate, some glad mountain-girl” (Paragraph 26). This portrayal paints Marianna as a strong female character who intrigues the protagonist.

However, as the story progresses, the reality of Marianna’s character and situation unfolds. She is depicted as “a lonely girl, sewing at a lonely window. A pale-cheeked girl, and fly-specked window, with wasps about the mended upper panes” (Paragraph 38), starkly contrasting the narrator’s initial fantastical perception. This shift in portrayal is significant, as it demonstrates the unreliability of the narrator’s romanticized view of the world.

Marianna, as a character, does not undergo any personal transformation or development throughout the narrative. Her circumstances and demeanor remain consistent, reflecting the unchanging and often harsh realities of life in her secluded mountain setting. This static nature of her character serves as a critical narrative device, contrasting with the dynamic arc of the narrator. While the narrator experiences a profound shift in perspective and understanding, Marianna remains in her isolated, unaltered state.

Marianna’s static character is instrumental in the story’s thematic exploration. Her unchanged existence highlights the limitations of the narrator’s romantic idealism and serves as a catalyst for his transformation. Her role in the story is not to evolve or develop but to provide a constant, realistic backdrop against which the narrator’s journey toward self-awareness and acceptance of reality unfolds.

Marianna’s portrayal in “The Piazza” is multifaceted, shaped by the narrator’s changing perceptions. While she initially appears as a dynamic character within the narrator’s romantic narrative, she is ultimately revealed as a static figure, unaltered by the events of the story. Her consistent portrayal underscores the theme of the disparity present in Appearance Versus Reality, and her role as a static character emphasizes the transformative journey of the narrator, reflecting Melville’s critique of romantic idealization and exploration of the complexities of human experience.

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