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56 pages 1 hour read

Kate Quinn, Janie Chang

The Phoenix Crown: A Novel

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 17-25 Chapter Summaries & Analyses

Part 1: “Act I”

Part 1, Chapter 17 Summary: “April 18, 1906”

Gemma channels her anger into singing Mozart’s Queen of the Night at Henry’s party. The audience loves her: Caruso and the mayor compliment her, as does Henry. He wants to put the Queen of the Night flower on her, but it hasn’t bloomed yet. She watches other guests dance, and George offers to help her leave if she wants to. Gemma lies, saying she is all right. Eventually, the guests leave around sunrise. Gemma avoids going to bed with Henry by claiming she wants to see the review of the opera in the morning paper. As she reads the review, the earthquake hits.

Part 1, Chapter 18 Summary

As the earthquake hits, Suling is sheltered under the church’s marble bench. She walks over to St. Christina’s asylum, seeing the damaged buildings and people along the street. Once inside, Suling talks to Sister Anne, who gives her keys to unlock the cells on the floor Reggie is on. She won’t tell Suling which room is Reggie’s, so Suling has to unlock them all. She finds Reggie, who is extremely drugged, and leads her out of the building. On the way out, they see Sister Anne fall to her death. The exits are blocked, so Suling tosses mattresses out of a destroyed wall, including the one that Reggie fell asleep on, and jumps out after Reggie onto the mattress pile.

Part 1, Chapter 19 Summary

Immediately after the earthquake, Gemma sees Henry loading his gun and talking about looters. He leaves, and Gemma helps a guest who was left behind after the party. She checks on her bird, Toscanini, and decides to leave the bird until she knows where it will be safe. She walks to the boarding house, finding it fully intact. Alice orders Gemma to help her bring water for the fires that are starting to break out all over the city.

Part 1, Chapter 20 Summary

After jumping to the mattresses, Suling drags Reggie to the portico of the church. She also brings over a mattress for Reggie, who is scared but still heavily sedated, to sleep. Suling finds a market and buys some food. After eating, Suling falls asleep next to Reggie. When Suling wakes up, Reggie seems more sober, but still not completely herself. Reggie eats and doesn’t want to talk about her experience in the asylum. Suling assures Reggie that she loves her and tells her Gemma is in town. Reggie confesses that she saw Henry kill a man, which is why he had her locked up.

She arrived at the offices of Thornton Ltd earlier than planned and saw Mr. Langford, from the Pinkerton Detective Agency, questioning Henry about the Park Avenue Hotel Fire. She walked into the office just as Henry stabbed Langford. Henry had another man, Des, hold Reggie while Henry dosed her with chloroform. When she came to, she saw a man named Danny helping Des with the body. Henry confessed that he has been living under an assumed name and that he plans to use his real name and marry an aristocrat when he has enough money. Then, he took Reggie to the asylum and lied about her mental state to have her committed.

Suling tells Reggie about Gemma. When Reggie learns that Gemma is Henry’s mistress, she demands they go to the octagon house. Suling reluctantly agrees.

Part 1, Chapter 21 Summary

Alice leads Gemma to the California Academy of Sciences, where they meet up with Alice’s employees, Emily and Seth. Gemma is horrified when she sees the fires, and a man tells her the earthquake broke a water main, so the fire department can’t use it. Alice, meanwhile, gets the keys for the building and insists on going inside to save some of her work. The staircase is broken, but Alice is determined to climb up the outside of the stairs, stepping between the banister posts. She asks Gemma to come with her, and Gemma calls her crazy. Alice shames Gemma for not being friendly or community-oriented, and Gemma reluctantly begins to climb the staircase banister with Alice.

After they climb up four floors, Gemma begins to sing Verdi’s “Requiem.” They talk about what the lyrics mean—“Save me” (232)—and Gemma catches Alice when she slips. Alice tells her to keep singing as they climb the rest of the way to the sixth floor. Once in her office, Alice puts botanical samples into a basket and lowers it out of a window to Seth and Emily below. Gemma pleads with Alice to leave, but Alice is determined to save her life’s work. Eventually, Gemma convinces Alice to climb back down the staircase banister. Alice continues to beg to go back and Gemma decides she hates stairs.

On the ground, her employees catalog what they’ve saved. Alice wants to go back for more, but they convince her to put the samples on an express wagon and take them back to the boarding house. Gemma tells Alice she has to go back to the octagon house for her bird. Alice decides to go with her and save the Queen of the Night flower.

Part 1, Chapter 22 Summary

Suling and Reggie walk through the city, viewing the destruction on their way back to the octagon house. When Suling gives a woman food, the woman accepts it with a racist remark. They run into Madam Ning, who says the city is going to demolish some buildings in Chinatown, including her brothel, to keep the fires from spreading. Her employees have gone to the new Chinatown in Oakland, but she is going to see Henry because he didn’t pay the girls who worked the party the previous night. When they all arrive at the octagon house, Henry isn’t there, and most of the servants have fled. One servant, who was injured, remains but is also heading to Oakland. Madam Ning goes off to find Clarkson, asking Suling to write a note to leave at his house. Reggie eats some of Henry’s food and says Gemma will be back because her bird is still in the house.

Shortly thereafter, Gemma and Alice arrive. Reggie updates Gemma on what happened at the asylum, as well as on Henry being a murderer. As they gather Gemma’s bird and the flower, Henry returns. He sees Suling first and offers to pay her what he owes Madam Ning. As they talk, Reggie tries to sneak out, but Henry sees her.

Part 1, Chapter 23 Summary

A pane of glass falls and shatters as Henry confronts the women. Suling offers to waive Madam Ning’s fee if he allows them to leave. Henry stares at Reggie and says he would let Suling leave if she was alone. Gemma offers to go with him if he allows the others to leave. He refuses, pulls out a gun, and orders them into the conservatory. At this point, Madam Ning arrives, and Henry shoots and kills her. When Suling tries to approach the body, Henry hits her with the butt of his gun. The women go into the conservatory, and he locks them in. Alice has put the Queen of the Night flower in a pot. Suling tries the back door, but it is sealed by wreckage from the earthquake.

Henry pours lamp oil around the house after taking the Phoenix Crown and other valuable items. He apologizes to Gemma as he sets his house on fire. The women frantically try to find a way out, crashing against glass that has an iron framework too small for them to fit through. Alice wonders if the key to the back door also unlocks the front door of the conservatory. It does, allowing Alice, her potted flower, and Gemma to get out. Once outside, they realize Suling and Nellie are still inside. Gemma recalls George telling her that her opera training has given her “lungs like an elephant” (258). Holding her breath to avoid inhaling the smoke, she runs into the conservatory to save her friends. Gemma gets Nellie out first, then goes back for Suling. Her hair catches on fire, but Alice puts it out when Gemma and Suling get outside. Gemma’s bird also makes it out of the fire.

Part 1, Chapter 24 Summary

Once outside, Suling cries over Madam Ning’s body. Sergeant Clarkson arrives, checks Ning’s body for a pulse, makes the sign of the cross, and covers her body with his coat. Suling tells him that Henry is a murderer. Clarkson notes that so many people have died because of the earthquake that there probably won’t be a proper burial for many of the dead, including Ning. They all walk to the boarding house, and Clarkson is grateful to know about the murder Reggie witnessed. There, they clean up a bit and Reggie gives Suling the dragon robe, which she saved from the fire. They hear from other tenants that people are gathering in Golden Gate Park, but Suling plans to go to Oakland with Reggie. As they watch the city burn, the Queen of the Night flower blooms. Alice takes notes at first, but eventually they all just watch the flower.

Part 1, Chapter 25 Summary

Overnight, Alice made cuttings of the flower for everyone, and they keep them as they part ways. Suling and Reggie head to Oakland. Alice finds a ride to Fort Mason and offers to take Gemma with her. However, Gemma plans to look for George in Golden Gate Park. She gets to Union Square and pauses by a piano shop. Caruso walks by, joking that he should’ve taken the job in Naples instead of San Francisco. Then, he sings their duet from Carmen. Gemma doesn’t join in, and he asks if she’s a singer or a performer. As he discusses the difference, he stretches Gemma with a pencil and paper. Gemma joins in singing, and after they finish, Caruso gives her the sketch. When Caruso’s valet arrives, he invites her to come with him.

They meet up with other singers from the Met, and Caruso’s valet starts taking them to the ferry. Gemma watches people around her, thinking she might have seen the Flying Roller she met on the train to the city. A piano is out in the square, and Gemma plays it and sings for the crowd around her. People watch and cry. George arrives, tells her he was looking for her, and the crowd asks Gemma to keep singing. George accompanies her, and she sings until she is hoarse. Caruso’s cart returns and they talk about going on with the company to New York. He kisses her hand and they hold each other as they ride to the ferry.

Part 1, Chapters 17-25 Analysis

The earthquake that the authors have been counting down to hits in this section. The last countdown number, the subtitle of Chapter 17, is: “Three hours and fifty-one minutes before the earthquake” (191). At this point, Gemma sings Mozart’s “Queen of the Night” for the guests at Henry’s private party. The authors begin Chapter 17 with ekphrasis: a written description of art, specifically Mozart’s aria. After the earthquake hits, Gemma experiences peripeteia, or a reversal of fortunes. She thinks, “Two nights ago she’d been draped in pearls and velvet, singing for San Francisco’s diamond-decked elite. Today she trudged through a ruined city with barely more than the clothes on her back” (271). Her high point is singing at the party, and her low point is losing her things at Henry’s house when he burns it down after the earthquake. Gemma began the novel at a low point as well—after her agent stole all her money in New York—and ends the novel on a high point. 

Gemma’s reunion with Caruso after the earthquake highlights The Relationship Between Art and Trauma. He sings their duet from Carmen, but she is initially too sad to sing. He asks her, “You’re a singer, aren’t you? Or are you a performer? […] A performer does it for the spotlight […] A singer, now, they do it for the music. Because they love it” (274). Singing isn’t about fame, but about the artist’s intimate connection with the music. Gemma demonstrates this connection when she sings a different song by Mozart, “Laudate Dominum,” for people devastated by the earthquake and fires. This song, and others that she sings, offer the listeners some emotional support after the traumatic disaster. Music—like other forms of art—is not simply for making someone a star, but for conveying emotions and stories.

The authors present work in the arts alongside work in the sciences, which develops the theme of Class, Labor, and Gender. Before Gemma finds Caruso, she helps Alice gather some botanical samples from the California Academy of the Sciences. When convincing Gemma to climb up the remains of a staircase banister for six floors, Alice says, “I was hoping you might consider helping me save my life’s work” (230). Her work in botany is the most important thing to her, and what she chose to pursue instead of being a wife and mother. The authors compare her labor as a botanist with maternal labor: “Alice clutched the pot stubbornly against her hip like a baby” (257). When her life is in danger, Alice insists on saving the Queen of the Night flower—a rare plant—as if it were a child.

The final section of Act I develops the symbolism of this flower. After Alice rescues it from the fire Henry set in his conservatory, the women are able to watch the Queen of the Night bloom in the boarding house, together, without him. Their friendship deepens when they see its blooming, which only occurs once a year, after surviving the earthquake and fires. It symbolizes their resilience and bond. Alice says, “What we risk our lives for is our friends” (229). Alice is able to make cuttings of the flower, so when the women part ways, they can keep the symbol of their friendship with them in different parts of the world. The Queen of the Night flower connects with the song, which is about vengeance. After the earthquake, the women focus on getting vengeance against Henry for trying to kill them and for murdering other people.

Fire symbolizes the destructiveness of greed and patriarchal power in this section. The earthquake destroys water mains, which leaves the city burning. However, the antagonist Henry isn’t satisfied with that. When he finds the women together, he decides to use “Fire. He was going to burn down his own house” (254). Henry, committed to the maintenance of his patriarchal power above all else, enacts violence against women who challenge him, even in the face of disaster. His violence embodies the worst aspects of Sexism and the Intersectional Oppression of Women. On the other hand, The authors develop Gemma’s character by having her run into Henry’s burning house to save her friends. She uses her “lungs like an elephant” (258), which she trained for her singing, to hold her breath in the fire while pulling out Suling and Reggie. Unlike when Alice had to convince her to save the botanical samples, Gemma makes the decision to save her friends on her own.

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