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Jeneva RoseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Adam is brought back to the Sheriff’s station and put into holding. He is in trouble after breaking his house arrest, but he remains convinced that he did the right thing—it was the only way to get everyone to listen to him.
Sarah arrives at the Sheriff’s station, along with Matthew. Anne and Bob are coming in separately, voluntarily, for questioning. Eleanor arrives at the station. She is angry and asks Sarah how she could let this happen. Sarah responds: “Your son is thirty-six years old. He’s a grown adult and responsible for his own actions. I can’t watch him 24/7,” to which Eleanor replies, “No, you obviously can’t. And that’s probably why he was unfaithful to you” (249). Eleanor then references Sarah’s mother, saying “You couldn’t even keep an eye on your own mother… and look what happened to her” (250). Sarah replies: “Your son is a liar, a cheater, and possibly a murderer. Your coddling and over-the-top mothering has gotten Adam into this mess. The best thing you could do as a mother is to take note from mine and kill yourself” (250). Eleanor slaps Sarah and storms out.
This is the first time it is revealed that Sarah’s mother apparently died by suicide through a deliberate heroin overdose. However, as Sarah reveals in the book’s final chapter, she killed her mother and made it look like a suicide.
Adam is left alone in an interview room at the station while Sheriff Stevens is busy questioning Anne and Bob. Scott Summers comes into Adam’s cell while Adam waits. Adam tells Scott, “I don’t think you did this, and I know I didn’t” (256). Adam then tells Scott everything he has learned about Kelly/Jenna and the case with Rebecca’s help. He also tells Scott about Rebecca. Scott seems to believe Adam and wants to help Adam by tracking down the true killer.
Sarah observes Sheriff Stevens interrogate Anne. It quickly becomes clear that Anne is not the killer. Nonetheless, Sarah feels betrayed by Anne, who found out about the affair but did not tell Sarah about it immediately.
Adam worries whether he did the right thing telling Scott everything he has learned about the case. Adam is still worried that Scott could be the killer, wondering if his “erratic behavior” is “a cover for the truth and a convenient outlet for the fear and ‘caged animal’ emotions running through him” (264). Adam is frustrated that he is imprisoned and cannot investigate Kelly/Jenna’s murder himself. He is also worried about Rebecca, since he gave Scott her name. If Scott is the killer, it would be in his interests to stop Rebecca from investigating the case further.
Sarah watches Sheriff Stevens interrogate Bob. Sheriff Steven is aggressive with his interrogation, repeatedly bringing up Bob’s dead brother and suggesting Bob may have murdered Kelly/Jenna for revenge. Bob gets so angry that he leaves the interrogation half-way through (since he is there voluntarily, he is not obligated to stay). Sarah, leaving the Sheriff’s station, sees Anne and Bob in the waiting room. She considers offering them a ride but notes, “I don’t trust either of them” (271).
Back at home, Sarah reflects on her mother/childhood. Sarah’s father was the sole breadwinner in the family, so they lost everything when he passed away unexpectedly. Sarah’s mother became addicted to heroin. Sarah and her mother fought; she remembers telling her mother, “You’ve never worked a day in your life. You were so pathetically reliant on one man that you now have nothing and know how to do nothing. You are weak and pathetic” (273). On Sarah’s 16th birthday, she found her mother’s body in a motel room, overdosed on heroin, which Sarah describes as “her gift to me” (274).
Later, it is revealed that Sarah killed her mother.
Adam is still in the interview room at the station when he realizes that the door to the room is cracked. Scott left the door open when he left. Adam takes the opportunity to break out, determined to find Rebecca and convinced she is the only one who can help him.
The next day, Sarah goes into work as usual. Sarah tells Anne that their relationship can only be that of boss-assistant going forward, not friends. Sarah gets a text from Eleanor, apologizing for slapping her.
Adam has broken out of the station and is on the run. He has been walking overnight.
Sarah meets the DA who is trying Adam’s case. She asks him if he knows who the third set of DNA belongs to; he does not. Determined to figure it out, Sarah contacts Matthew and tells him, “I’m going to text you a list of names. I need you to get a DNA sample from each of these men. Hair, saliva, skin… I don’t care how you get it. I just need you to get it” (289). Matthew points out that the results will not be admissible in court. Sarah insists she will make them admissible. Matthew agrees.
These chapters see one of the book’s central symbols, the third set of DNA, gain new prominence. Sarah appears to cross a professional boundary when she asks Matthew to find out who the DNA is from by getting DNA from a list of people (unnamed) through any means necessary. Sarah’s behavior once again speaks to the theme of Revenge Versus Justice—Sarah does not care about justice or abiding by any rules of the legal system, since she herself is the killer. She desires only control. In agreeing to get DNA, even without consent, Matthew is also breaking professional boundaries out of loyalty to Sarah. As with so many characters in the book, a lack of justice is perpetuated through a lack of professional and personal loyalty to the system the characters are meant to represent and uphold.
While Sarah seems to be holding things together and maintaining dominance, Adam appears to be unraveling, once more speaking to the Power Dynamics and Gender Politics between them. After his first escape from house arrest, he escapes yet again, further jeopardizing his case. Adam is becoming desperate, but he is also acting out of an instinctive mistrust of Sarah. In defying the rules of both house arrest and the legal system that has imprisoned him, Adam is also defying the power dynamic that has defined his entire marriage, and the legal system Sarah represents. However, he only partially asserts his agency, as he merely trades one powerful woman for another: He seeks the protection and guidance of Rebecca as a replacement for the wife he no longer trusts. Ironically, Rebecca is simply another one of Sarah’s means of controlling Adam, as she has been hired by Sarah and is not a real reporter. In trying to escape Sarah’s control, Adam merely becomes further enmeshed within it.
Meanwhile, Sarah and Eleanor’s showdown comes to a head. The two opposing points of view regarding Power Dynamics and Gender Politics in marriage are directly pitted against one another. This time, however, the dynamic between the two women has changed. Instead of appearing to agree with Eleanor as she did before, Sarah openly blames Adam for his failings and ridicules Eleanor for her indulgence toward him. She even defies Eleanor by suggesting that she should die by suicide the way Sarah’s own mother apparently did. In defying Eleanor and mocking her, Sarah asserts her dominance and also shows her growing confidence in how her plot is advancing: She is no longer as invested in appearing as the devoted wife, either to Eleanor or to Adam.
Sarah and Eleanor’s exchange also sheds further light on Sarah’s characterization. Her father was the sole breadwinner in her parents’ household. When he died, they lost everything, and Sarah’s mother became addicted to heroin. This was clearly a pivotal moment for Sarah, who remembers criticizing her mother: “You’ve never worked a day in your life. You were so pathetically reliant on one man that you now have nothing and know how to do nothing. You are weak and pathetic” (273). In providing this backstory, Sarah’s commitment to her own career and independence is given a motive—she wants to be self-reliant in a way her own mother never was. Since Sarah’s parents conformed to a more traditional version of Power Dynamics and Gender Politics, Sarah has sought to invert these traditional roles to gain dominance and power in her own life and marriage.
While Sarah is ultimately the book’s most deceitful and manipulative character, she demands that everyone around her be true and reliable. Following the Sheriff’s questioning of Anne and Bob, Sarah notes of both characters: “I don’t trust either of them” (271). She later tells Anne they can no longer be friends since Anne hid Adam’s affair from her. Sarah’s paradoxical attitude speaks to the theme of Fidelity Versus Deceit, revealing her own complex relationship with truth and betrayal. While Sarah longs to be able to trust others, her own deceptive behavior ensures that genuine, open connections with others are impossible.
By Jeneva Rose