54 pages • 1 hour read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The sheriff of Greene County had collected Pepper Scarboro’s rifle, sleeping bag and camp tent from the Patrick’s cabin at the time of the crash. They now bring that evidence out of storage. Patrick’s fingerprints are all over Pepper’s belongings.
Patrick demands that meetings with Sandy be held in a different room for fear of listening devices. Sandy is dubious. Patrick reminds him that the people from whom he stole the money have spent a fortune hunting for him. Sandy asks how he knows. Patrick just shrugs. He won’t tell Sandy who is pursuing him.
They discuss Patrick’s divorce from Trudy. Patrick warns Sandy that Lance is dangerous because he is involved in criminal activity; it is possible that Lance might be able to find a hired killer. He instructs Sandy as to how to approach the situation. He tells Sandy to first show Trudy the pictures and the evidence, then to tell the sheriff and the FBI what is going on. He knows Trudy will sacrifice Lance to protect herself. Finally, he has to leak the information to the press. When Sandy shows the evidence to Trudy’s lawyer, the lawyer promises Trudy will back down about demanding half of Patrick’s assets—not that Patrick will have any assets if he is convicted.
The FBI is still interviewing Stephano, who outlines the search for Patrick and lists the people involved: Benny Aricia and the two insurance companies that were forced to pay out on Patrick supposed death and the theft of the money. Trudy’s lawyer shows her Patrick’s evidence against her and Lance. He tells her she has no choice but to stop damaging Patrick’s reputation in the media or she will be publicly humiliated. She can have the divorce and custody of Ashley Nichole, who is revealed to be Lance’s daughter. He also obliquely warns them that if Lance hires someone to try to kill Patrick, Lance will be the first suspect the police look at.
Judge Karl Huskey visits his friend in the hospital. He has been thinking about the months and years before Patrick’s disappearance. In retrospect, he sees how Patrick’s behavior was changing, especially his physical appearance. Like many of Patrick’s former friends and associates, Huskey had often imagined fondly what it would be like to escape the grind of his own life. Huskey has a nuanced perspective on justice. He has sympathy for perpetrators who make once-in-a-lifetime mistakes that they would never make again if they were released.
At the hospital, Patrick and Huskey talk about the dream of escape. Patrick says that he was already burning out when he made partner at the firm. He knew Trudy was cheating and that Ashley Nichole wasn’t his child. He suddenly realized he had to get away. Instead of just making a bolt for freedom, he began to prepare an escape.
He knew he couldn’t leave Trudy and Ashley Nichole without support, so he arranged the life-insurance policy. He started changing his appearance. He found out about the Benny Aricia settlement and realized his partners were going to fire him before the settlement landed. He learned how to disappear and how to use surveillance devices. He bugged the partners’ offices. When he had everything ready, he staged the car wreck.
Huskey is fascinated by the story. His only concern is the knowledge that there must have been a dead body in the car that would be found and presumed to be Patrick. Patrick doesn’t seem to him to care that he had murdered someone. Patrick says that after the crash, he went back to his cabin. Huskey asks if Patrick was worried about being seen by Pepper. Patrick replies that by that time, Pepper was gone.
The FBI continues to question Stephano. Having heard a rumor that Patrick was in Brazil, he and the cabal of Aricia and the two insurance companies hire investigative firms there.
At the hospital, Huskey asks Patrick how Pepper’s things got into his cabin. Patrick is startled, as if he had forgotten about them. Huskey thinks about the adage that every murderer makes 25 mistakes, no matter how carefully he plans. Otherwise, Huskey is delighted with Patrick’s story.
The Aricia/Stephano cabal kidnaps Eva’s father Paulo Miranda. They confine him in a farmhouse in a comfortable suite of rooms and tell him he won’t be harmed unless he tries to escape. Eva learns that he has been taken. In a panic, Eva phones Patrick at the hospital against his explicit instructions. She tells him she has to go home. He reminds her it is a trap and she can’t throw herself into it. Feeling helpless, Eva gets on a plane to New Orleans to meet with Sandy.
The FBI warns Lance and Trudy to lay off Patrick. Meanwhile, Sandy meets with Eva in a hotel. Patrick has warned Sandy to be careful, as Patrick’s enemies may be able to follow Sandy to Eva, but Sandy is inexperienced and still doesn’t fully believe in Patrick’s conspiracy theories.
Eva gives Sandy a file of information on the people looking for Patrick. She also tells Sandy how she came to know Patrick. Patrick had come to her for financial advice, but what he really needed was a friend. They fell in love after two days. Patrick told her about the escape, the theft, and the money. Eva became his agent. She hired a private security firm called the Pluto Group and paid them to find out who was looking for Patrick. They identified Stephano as the coordinator of the search. On Eva’s instructions, they offered to sell Stephano information about Patrick’s whereabouts. They learned that Stephano already knew Patrick was in Brazil.
Eva gives Sandy the file on the people who have her father. Stephano and the others know that Eva has control of the money, and they are using her father as leverage. Sandy asks why Patrick didn’t tell the torturers where the money was, and she replies that he didn’t know; it was under her control. She tells Sandy to get in touch with Agent Cutter and get him to pressure Stephano to release her father.
Patrick is bored in the hospital, missing his life in Brazil and missing Eva. He plans to spend his life with her. He wonders why a person can’t remake himself if he wants to. He erased Patrick and became Danilo Silva in Brazil. Then Danilo died when Patrick was recaptured. He looks forward to a third life with Eva, without the burden of pursuit; he will still be extremely wealthy. He realizes that Eva is strong, but their con game is wearing her down.
Sandy meets with Agent Cutter, telling him that Stephano and company are still after Patrick and the money. Cutter figures out that Sandy’s informant is the same woman who called him when Patrick was found by Stephano and that, whoever the woman is, she has the money. Sandy implies that Patrick might be willing to negotiate over the money, but only if Paulo Miranda is released unharmed. Cutter agrees to put pressure on Stephano.
Stephano is still being interviewed intermittently by the FBI. He tells them how he was contacted by the Pluto Group, who had a client willing to sell him information for a $1 million. Stephano and company guessed the informant was someone Patrick knew and trusted who was willing to sell him out. Eventually, Stephano and the cabal made the deal and got Patrick’s location. They set up the kidnapping and grabbed him.
These chapters mark the midpoint of the story where the tension and suspense are at their apex. Questions of Justice, Mercy, and Revenge start to take precedence over other themes as the narrative begins to lean toward consequences for various of the characters. Grisham paces the heist narrative to match the revelations of the legal thriller story. The backstory never reveals spoilers that would give away the solution to the mystery of Patrick’s original plan. The fact that his part of the story is being recounted by Stephano reverses the usual detective story by putting it in the perspective of the antagonist rather than the protagonist. Stephano’s description of the search for Patrick is part of the original heist story that continues to unfold parallel to the present-day legal-thriller narrative. By placing these expositions in Stephano’s voice, the narrative creates variety and is enabled to explore the deeper perspectives and values of the antagonist.
The revelation to Trudy that all her misdeeds have been discovered also belongs to the Justice, Mercy, and Revenge theme. Justice would be to simply divorce Trudy without awarding her any part of Patrick’s ill-gotten gains. The exposure of her misdeeds, particularly the photographic evidence, adds a layer of eye-for-an-eye humiliation that matches Patrick’s humiliation over her betrayal. Patrick’s vengeance is satisfying to the reader because Trudy is a deeply unlikable character. If Patrick’s revenge had caused her actual harm, the reader might lose sympathy for him. The revelation that Lance is Ashley Nichole’s father is a satisfying revenge because the reader has seen that Lance has no interest in children, thus he knowledge that he has a child is a punishment. Ashley Nichole won’t be harmed by the revelation because Trudy is too possessive to allow Lance access to her even if he wanted it.
Huskey illustrates a complex element of the Justice, Mercy, and Revenge theme. His character is a personification of the balance of the justice system between the opposites of revenge and mercy. He is described as having sympathy for the defendants in his court. He understands the motives that push people into crime. In Patrick’s case, he recognizes that Patrick has experienced justice in that he was never free to enjoy his prize, and he experienced vengeance in the form of torture. In Huskey’s view, Patrick has fully paid for the theft and has only to make restitution. The supposed murder is a greater problem. Huskey continues to assume that Patrick murdered the person who’s body was in the car. If so, the murder was cold-blooded and premeditated. This is a different kind of crime than theft or murder committed impulsively in a moment of stress. Despite his impulse toward mercy, Huskey doesn’t seem to consider any other options—a found body, a stolen body, a body acquired in some other way. The narrative presents Patrick as unlikely to have committed the murder. It is ironic that Huskey, who knows Patrick well and has an inclination toward sympathy doesn’t make the same assumptions.
This section also continues its exploration of Freedom and Connection. Cut off from all personal connections when on the run, Patrick was lonely and afraid and vulnerable to impulsive attachment. He has a history of falling in love with beautiful women of weak character. The length of Eva and Patrick’s courtship—two days—suggests that their relationship has more to do with infatuation than with true love. Eva, having heard his whole story, was aware of his wealth and sees him as a romantic outlaw who whisks her away to passionate interludes in exotic places. The episodic nature of their meetings prevents them from progressing past the infatuation stage. Eva’s conversation with Sandy confirms that Eva has complete control of the money and foreshadows Eva’s eventual flight. While Eva is physically freer than Patrick, the burden of constant movement and anxiety falls on her alone now. Eva is close to her father and has a strong attachment to her home. The involvement of her father prefigures the breakdown of the alliance between her and Patrick, as she will choose family love over infatuation.
The novel sets up a game of suggestion and suspense in this section. When Stephano tells Cutter that he thinks the informant was someone Patrick knew, the reader already knows he is correct. They have already guessed that Patrick set up the kidnapping and expected it. On the other hand, Eva never explicitly says that Patrick knew about her arrangement with the Pluto Group to sell Patrick’s location. Stephano. Eventually, it will become clear that the “betrayal” was arranged by Patrick, but this scene nevertheless foreshadows Eva’s final betrayal. The question of the identity of the body in the car also continues to build suspense. Patrick’s surprise at the mention of Pepper’s property at his cabin raises questions. If Patrick had really killed Pepper, then the property hidden virtually in plain sight was a serious mistake, yet the reader has never yet seen Patrick make a mistake. It is unlikely that Patrick would really have forgotten about the belongings if he really had killed Pepper.
By John Grisham