logo

68 pages 2 hours read

Marianne Cronin

The One Hundred Years of Lenni and Margot

Fiction | Novel | Adult | Published in 2021

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Importance of Sharing Stories

Storytelling has a profound influence on the novel’s setting, characters, structure, and overall meaning. The novel’s two protagonists know each other less than a year, and they’re confined to a hospital in Glasgow because of their medical conditions. However, thanks to the stories they share, the novel’s settings expand to include London, Sweden, and Vietnam and span decades. In addition, storytelling expands and develops the novel’s cast. Many supporting characters, including Humphrey and Lenni’s mother, appear only in Lenni and Margot’s recollections, heightening the significance of sharing stories. The memories the protagonists share with one another contribute to their development too. For example, Margot’s stories reveal similarities between her and Lenni, such as their lonely childhoods and complicated relationships with religion.

Additionally, the importance of storytelling shapes the novel’s structure. Lenni and Margot spend much of their time together painting and recalling the memories that their art represents. Rather than presenting a linear narrative, Cronin uses flashbacks extensively to explore their life stories. The storytelling theme connects to key plot moments. For example, the rising action begins when Lenni has the idea of creating 100 paintings with Margot to represent 100 stories from their lives. The novel’s climax is the 100th birthday party, an occasion celebrating that all the paintings are complete and all the stories are told. Storytelling appears in the resolution as well. The gallery exhibition ensures that Lenni and Margot’s stories will go on.

Storytelling plays an important thematic role in the novel’s overall meaning. Sharing their stories with one another makes Lenni and Margot the closest of friends. Others might overlook two patients living with terminal conditions, but through their paintings and conversations, storytelling allows them to assert the significance of their experiences and find wisdom, consolation, and strength. For example, Margot’s stories help Lenni overcome her fear of death. Storytelling also connects to Cronin’s message that a life’s value doesn’t depend on its length. In Chapter 68, Margot worries that she won’t be able to complete her half of the paintings before Lenni dies. The teen points out that she only made “seventeen percent” of the 100 paintings, but Margot staunchly insists that these are Lenni’s “half” (295). In Margot’s eyes, Lenni’s 17 paintings are just as significant as her 83 because her friend’s short life is every bit as meaningful as her own long life. The importance of sharing stories shapes Cronin’s novel and illustrates that every life has meaning.

The Power of Friendship

Cronin illustrates the power of friendship by taking two lonely characters and turning them into the closest of companions. When Lenni first appears, she has no friends or family members visiting her in the hospital because she wasn’t close to her peers at school and her parents have already excused themselves from her life. As time passes, Lenni makes friends at the hospital. In a way, Father Arthur is a kindred spirit to the teen because he shares her isolation. Attendance at the chapel is sparse, and he joyfully welcomes the vivacious girl’s company. In Chapter 32, Father Arthur confides to Lenni, “I think there’s only one person in the whole hospital who would be disappointed if they didn’t get to see me, and it’s you, Lenni” (138). Thanks to Lenni, the pews are packed for his final service before his retirement. During their talks throughout the novel, Father Arthur helps Lenni, comforting her up to the moment of her death. He’s there for her at the end when she needs reassurance that she’ll get into heaven. Another friend that Lenni makes during the final year of her life is New Nurse. The unnamed woman starts out nervous and insecure about her job performance and gradually becomes close to Lenni in a way that the other nurses aren’t. Lenni and New Nurse share casual moments together, such as enjoying candy and chatting about their lives and dreams. New Nurse’s presence at major moments like the 100th birthday party and Lenni’s passing shows that she doesn’t care about the teen merely because it’s her job but rather because she cherishes their friendship. In addition, Lenni befriends The Temp, who starts the hospital’s art therapy program. Lenni notes that “The Temp would always know she had a friend” at Princess Royal Hospital because of Lenni’s undying gratitude for the art room (33).

In part, Lenni appreciates The Temp’s gift because the Rose Room is where Lenni’s friendship with Margot, her dearest companion, blooms. Like Lenni, Margot was lonely for much of her life. Her only childhood friend moved to Australia when Margot was a young woman. When Margot was 48, she invited only one guest to her second wedding: the woman who broke her heart. Margot credits Lenni with changing her life “immeasurably, for the better” (319). During their first meeting, Lenni helps Margot retrieve the letter containing Meena’s marriage proposal. Additionally, Lenni gives Margot someone who listens to her and values her and her experiences. In return, Margot fills Lenni’s final months with joy and purpose. Their joint art project will last long after Lenni’s gone, granting her the sense of permanence she craves. Lenni and Margot’s 100 paintings are a lasting testament not only to the importance of their stories but also to the strength of their friendship.

Finding Acceptance and Forgiveness

Throughout the novel, the characters seek acceptance and forgiveness. The theme first appears during Lenni and Father Arthur’s conversation in Chapter 15. When Lenni shares that she feels tempted toward revenge, he answers that mercy may be her greatest achievement in the long run: “[Y]ou might find that after time has passed, forgiveness is what has done you the most good, is what you are most proud of” (78). As the story progresses, Lenni puts these words into practice. She forgives her mother for returning to Sweden without so much as a goodbye. Lenni is glad that she can spare her mother the pain she sees in the other parents visiting children in the terminal ward, and she hopes that her mother’s insomnia and mental health condition have eased so that her mother is “happy, free, traveling around Sweden, and sleeping through the night” (171). In addition, Lenni sets her father free by making him promise to stop visiting her until she’s near death. By absolving him of the obligation to stay by his daughter’s side, Lenni allows her father to preserve his relationship with Agnieszka and start a new family with her.

Likewise, Margot practices acceptance and forgiveness in painful situations. After Davey’s death, she set Johnny free by allowing him to leave her and by deciding to abandon the search for him. In addition, Margot receives forgiveness and acceptance. Even though Margot took Humphrey’s love for granted due to her passionate longing for Meena, he forgave her and encouraged her to reconnect with Meena. During their last conversation, Margot said that she was looking for her love, and Humphrey answered, “I’m sure you’ll find him…or her” (289). His acceptance helped Margot find happiness and closure with Meena after decades of distance, heartache, and unresolved questions. At the end of the novel, Father Arthur accepts Margot and encourages her to return to Meena. The clergyman’s acceptance surprises Margot because her experiences with religion have been largely negative due to her cruel paternal grandmother and her controlling mother-in-law. Instead of condemning her for her love, Father Arthur instead responds with compassion. Forgiveness and acceptance offer liberation to the one who gives and to the one who receives. As Lenni observes in Chapter 35, sometimes the best course of action is “[l]etting the people who need to leave, leave. Allowing them to be free” (152). Cronin’s exploration of forgiveness and acceptance reveals that hope and reconciliation are always possible and that the best way to love someone is to set them free.

blurred text
blurred text
blurred text
blurred text