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68 pages 2 hours read

Marianne Cronin

The One Hundred Years of Lenni and Margot

Fiction | Novel | Adult | Published in 2021

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Part 2, Chapters 39-51Chapter Summaries & Analyses

Part 2, Chapter 39 Summary: “Lenni’s Mother”

In September 2012, Lenni’s mother took 15-year-old Lenni to live with her ex-husband and moved back to Sweden alone. When Lenni’s mother came to say goodbye, the girl refused to leave her room and was shocked when her mother left without saying goodbye. Lenni burned the forwarding address her mother left.

Back in 2014, Margot asks Lenni if her mother knows about her condition. Lenni hopes that her mother is blissfully ignorant, “happy, free, traveling around Sweden, and sleeping through the night” (171). Even if Lenni’s mother knows, the teen is glad that she can spare her from the haunted expressions she has seen on the faces of other children’s mothers in the May Ward.

Part 2, Chapter 40 Summary: “Lenni and Margot Go for a Walk”

In London in July 1966, when Margot was 35, Jeremy the chicken—whom Meena kept as a pet when she liberated the animals at the farm 11 months earlier—went missing. As Margot helped Meena search for him, her memories about Davey resurfaced. She recalled how frightened she felt when Johnny first left her alone with the baby—and she remembered how Johnny looked at her with contempt when she awoke in a panic after Davey’s death and thought for a moment that he’d been kidnapped. She remembered how she wept when her mother-in-law unilaterally chose the wording for Davey’s headstone and how she hated the inscription because it seemed to suggest that God might not show mercy to her baby. When Margot and Meena reunited after their fruitless search, Margot started sobbing and at last told Meena about Davey. Meena took Margot home, kissed her, and pushed their beds together. However, when Margot awakened the next morning, Meena’s bed was on the opposite side of the room, and Meena was gone.

Part 2, Chapter 41 Summary: “Chickens and Stars”

Back in 2014, Lenni asks Margot if she loved Meena. Margot explains that she did but that she tried to make herself stop loving her. As much as she admired Meena’s “constant evolution” (181) and desired it for herself, Meena was also stubborn and unpredictable. Margot hoped that if she could focus on Meena’s negative attributes, she could end her feelings for Meena. That way, she could leave London and stop wondering about the distance between herself and Meena, “the unanswered question of the gap between [their] beds” (181).

Part 2, Chapter 42 Summary: “Margot and the Professor”

In London in August 1966, 35-year-old Margot returned home from work to find a man in her apartment. The man put a wedding ring in his pocket. Meena introduced the man as The Professor, her employer. Meena didn’t explain where she’d been for the past three weeks, and she asked Margot to leave. Desolate, Margot sat in the park, thinking about The Professor’s wife and Meena and wondering when she could go home.

Part 2, Chapter 43 Summary: “Lenni and the Man at the End”

Back in 2014, New Nurse approaches Lenni with an expression so guilty that Lenni playfully imitates Father Arthur and absolves the nurse of her sins. New Nurse asks Lenni to translate for Mr. Eklund, a Swedish patient. She agrees, but when the nurse brings her a wheelchair, she feels like her friend has become a “Judas—a slithering traitor” (186) because to Lenni, the wheelchair signifies that New Nurse no longer believes that she can make a recovery—but Lenni clings to her belief in herself. Mr. Eklund is an unhoused man who came to England looking for his daughter. He says that he’s a bad man, thinks he’ll die soon, and tells Lenni not to fear death because it “will be like sleeping” (192). Mr. Eklund asks Lenni to find his daughter and gives her a duffel bag containing her birth certificate and other items.

Part 2, Chapter 44 Summary: “Meena and Margot and Things You Can’t Say”

In September 1966, 35-year-old Margot awakened to find Meena holding her hand. Meena reminded Margot of the day that Margot said she loved her. Through tears, Meena tried to say that she loved Margot back, but she couldn’t form the words, and she left before Margot could say anything.

Part 2, Chapter 45 Summary: “Lenni and Little Surprises”

Back in 2014, The Temp’s mother tells her that her father, who vanished 22 years ago, has been found in poor health. The Temp feels a complex mixture of emotions at this news, unsure “whether she wanted to say goodbye or whether he even deserved a hello” (196). Before she can reach a verdict, the hospital calls to inform them that her father has died and that he left behind some things for her. Paul the Porter gives The Temp Mr. Eklund’s duffel bag and a copy of her birth certificate. The bag is full of Swedish money. Knowing that Lenni spoke with her father, The Temp goes to see her.

Part 2, Chapter 46 Summary: “Margot and the Birthday”

On May 11, 1967, Margot was 36, and Davey would have turned 14 on that day. Meena surprised Margot by throwing a party at the local pub complete with hundreds of yellow balloons. Margot was glad to see that The Professor was absent because Meena was more herself and “a little bit” (201) Margot’s when he wasn’t around. Margot hugs Meena close, loving her even more because Meena loves Davey.

Part 2, Chapter 47 Summary: “Lenni and the Mass”

Back in 2014, Lenni wants to spend as much time with Father Arthur as possible during the few weeks that remain before his retirement, so she decides to go to Mass. Lenni is one of only two people in attendance, and Father Arthur welcomes her joyfully. During the service, the elderly man who is the only other member of the miniscule congregation falls asleep, and Lenni and Father Arthur laugh when he awakens with a shout.

Part 2, Chapter 48 Summary: “Margot and President Hồ Chí Minh”

On March 18, 1968, Meena, The Professor, and 37-year-old Margot participated in a protest against the Vietnam War. The Professor left just as the crowd’s excitement and tension grew. Meena looked so crestfallen at his departure that Margot shouted at her, “Stop pretending it’s him that you want!” (208). Meena ran off into the crowd, and Margot was injured in the violence between protestors and the police. She returned home alone, packed her suitcases, and waited outside on the steps for Meena. Meena returned in the early morning hours, and Margot longed to tell her how much she loved her. Instead, they sat in silence until they both fall asleep. Margot was the first to awaken, and she admired the hopeful dawn. When Meena woke up, Margot gave her the next month’s rent and left to seek a new home.

Part 2, Chapter 49 Summary: “An Exchange of Riches”

Back in 2014, Lenni tells New Nurse about how The Temp found £35,000 in Swedish money in the duffel bag. The Temp offered to share the money with Lenni, but she declined because The Temp is the reason that the hospital has an art room and she met Margot. Lenni sees the events as “an exchange of riches” (214) between The Temp and the hospital.

Part 2, Chapter 50 Summary: “Lenni and the Man Who Was Her Moon”

In December 2013, 16-year-old Lenni had her first major surgery. As the weeks passed, her father grew increasingly mournful, and she came to dread his visits. Eventually, she made him promise to stop visiting her. She promised to have the nurses call so that he could say goodbye before she died, but she wanted to say her real goodbye to him then, while she still felt like herself. The next day, Lenni found her toy pig, Benni, and a photograph of herself and her father on her first birthday. On the back of the picture, her father had written a message: “I will love you forever, pickle” (218).

Part 2, Chapter 51 Summary: “Margot and the Road”

In February 1971, Margot, then 40 years old, was in Warwickshire and worked at a library in Henley. While she was driving along on a dark and windy night, her engine stalled when she swerved to avoid a man standing in the middle of the road. The 50-year-old cheerfully introduced himself as Humphrey James and invited her to witness “a once-in-a-lifetime astral event” (222). Humphrey had Margot’s car fixed and delivered to her door the next morning. On the passenger side, she found a letter from him that opened with an invitation to a night of tapas and stargazing and ended with Sarah Williams’s poem “The Old Astronomer to His Pupil.”

Part 2, Chapters 39-51 Analysis

While Lenni wrestles with forgiveness in this section, Margot recalls facing loss and finding a new beginning. Chapter 39 reveals that Lenni bears a grudge against her mother because she left for Sweden without telling her daughter goodbye. Lenni angrily burned her mother’s new address, showing that she wanted nothing more to do with her at the time. However, she gradually forgave her mother, recognizing that her mother had a mental health condition and insomnia, and hopes that she’s free and healing. Lenni absolves her mother of any responsibility to visit her in the hospital and even takes comfort in her absence because it means that Lenni can spare her the pain she witnesses other parents experiencing when they visit their terminally ill children. Similarly, in Chapter 50, she set her father free. Lenni knew that he couldn’t save her any more than he could save her mother and that his visits to the hospital were only hurting both of them. Lenni gave her father permission to seek a happy life and protected her own sense of identity by ensuring that they had their “real goodbye” while she was “still Lenni” (218). Lenni’s setting both of her parents free underscores the novel’s theme of Finding Acceptance and Forgiveness.

Chapter 43 builds on this theme. Lenni has fun channeling Father Arthur and playing at forgiveness when New Nurse appears with a guilty expression, but she’s not ready to forgive the nurse for the betrayal she feels the wheelchair represents. Lenni describes the wheelchair in detail before identifying the object that fills her with such ire. Her delay in naming the subject of her wrath reflects her reluctance to acknowledge its presence and the death knell it signifies in her mind. Lenni feels as though her independence and her allies are evaporating as she sits in the wheelchair—but refuses to abandon hope that she might recover.

Cronin uses Mr. Eklund and The Temp to weave a subplot that further explores Finding Acceptance and Forgiveness. Mr. Eklund reassures the frightened Lenni that death is just like sleep. His words come from a place of wisdom and kindness, but his advice about death runs counter to her defiant hopefulness, and she isn’t ready to accept it yet. Chapter 45 reveals that The Temp is Eklund’s daughter and that he vanished from her life decades ago. Like Lenni, The Temp has a complicated parent-child relationship and learns to extend forgiveness. By translating for Mr. Eklund and ensuring that The Temp receives the money, Lenni repays The Temp for the gift of the Rose Room. To the teen, the art room and her friendship with Margot that blossomed there are every bit as precious as the literal riches in the duffel bag.

In this section, the stories that Margot shares with Lenni center on love and loss. The story of Davey’s epitaph in Chapter 40 shows how her mother-in-law’s interference prevented Margot from grieving her son’s death in the way she needed to. As with Margot’s grandmother, her mother-in-law’s cruel, controlling behavior was tied to religion. Meena left at the end of the same chapter. This is the second time that someone Margot loved left her when she was sleeping (the first time being Davey’s death). In Chapter 41, Margot explains that she loved Meena even though she tried not to. Margot felt that Johnny was just a mirror for her, but she tried to mimic Meena: “[I]t was her constant evolution that thrilled me, because I wanted it for myself. I wanted to be able to change out of Margot and become someone better” (181). Despite all her efforts to be more like Meena, Margot never seemed to reach her.

The physical and emotional distance between her and Meena confused and wounded Margot, and in Chapter 42, her heartbreak only increased. Meena vanished for three weeks after Margot opened up to her about Davey. She returned home with no explanation and promptly kicked Margot out of their home so that she could be alone with The Professor. The man’s namelessness is deliberate; he chose to be anonymous because he was having a clandestine affair with his employee. His title, enigmatic nature, and hold over Meena situate him as the villain of Margot’s story. In Chapter 44, Meena tried and failed to say that she loved Margot back, but her tears and the tender way she held Margot’s hand made it clear that she reciprocated her feelings.

In Chapter 46, Meena eased Margot’s pain by throwing a birthday party for Davey. Although Meena never had the opportunity to meet her son, Margot took comfort from the feeling that someone else knew about Davey and cherished his memory too. Once again, Meena couldn’t say she loved Margot, but her actions showed it. Color symbolism reappears in this chapter. Yellow represents Davey, love, and joy to Margot. Meena saw the photograph of Davey in the yellow hat, so she purposely chose yellow balloons. Meena’s blond hair and her last name connect her to the color yellow and the symbol of stars, reinforcing the light and happiness she brings Margot despite the pain of their unresolved connection.

Chapter 48 marks the end of Margot’s life with Meena in London and the start of her search for a new home. The Professor made a token effort to support Meena’s beliefs but left the protest before there was any danger. On the contrary, Margot was battered and bloodied after she engaged in activism for Meena’s sake. Margot observed that Meena was “so free in so many ways but one” (211). Despite Meena’s talk of liberation, she was afraid to pursue a relationship with Margot because of their society’s intolerance toward gay people. Margot’s love for Meena was undiminished, but she couldn’t wait any longer for Meena to admit that she loved her too. While Margot often played a passive role in her own life, she made an active decision to move out of London. This time, Margot was the one leaving (in contrast to when Johnny left her). As Margot went to seek her new home, dawn gave her hope. After she left the smog and heartbreak of London behind, the stars reappeared. Humphrey literally and figuratively helped Margot find the light in the darkness. As the novel continues, she describes how her relationship with him developed, and Margot and Lenni both continue to find joy amid hardship.

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